isolatedmix 121 - Oslated & Huinali Showcase mixed by S-Pill

One of the very few known labels emerging from South Korea and going from strength to strength recently, Oslated has become a consistent outlet for quality deep techno and ambient-leaning electronic music. Helmed by Jongmin Lee, the label, and its sublabel Huinali keep a busy calendar between them, push a variety of artists both new and known in our small circles. Oslated, also keep a great guest mix series going to help fuel the collective inspiration.

Segue, Inhmost, Doltz, Earthen Sea, Javier Maramon, Saphileaum, Polygonia, and many more artists have graced the catalogs of Oslated and Huinali in recent years, and the label’s various artist compilations expand even further into great artist territory. Needless to say, with such a rich and growing catalog, it’s a perfect time to use the isolatedmix series to highlight some of the great music across the two labels along with a few questions for label owner Jongmin Lee…

ASIP: How did Oslated begin and what was the inspiration to start a label?

Oslated: The Oslated project is a natural byproduct of my beliefs since 2016. It includes the label’s international scope based on my past experiences. The label's early mission statement was to feature unknown talented young DJs and producers, but if there were things that inspired me, it would be based on my various experiences in music for the past 20 years - since I was in my late teens. This still stands today.

You have a great ear for music and I much of your output. What is your general approach to the label’s releases?

First of all, I really appreciate the good feedback & support from many followers & friends including you. I want to give various answers to this question, but to put it simply, I believe in my ears, brain, and heart. What happens after that, whether good or not, I come to a conclusion after the release. I think this way is better. As my belief is that almost all releases on the label were a good experience for me. Therefore, I still believe in my choices, and I still love all the artists I've released on the label.

How would you describe the difference between Oslated and the sublabel, Huinali to the listener?

When I founded the Huinali Recordings sublabel, I wanted to differentiate myself from the parent label, Oslated. However, while out running one day, I thought it was not something I’m absolutely set on differentiating. It's classified according to the artist's wishes, and this is always in progress. So I don't know. The same question was previously asked on a webzine, and my answer to this is still valid: "To be honest, the genre division for our both labels didn’t matter from quite a while ago. What I think iss important now, is the relationship between the concept of an entire album and the corresponding time with the artist."

What are your most and least favorite parts of running a label?

My favorite part is, of course, when I see an artist get a very good response to a release and develop further musically. I would say the hardest part is the interpersonal relationships. I get the most stress from this part, but I put the most effort into directing and consulting myself to minimize this and to be flexible with one another. This is probably the common denominator of all label & platform owners...isn't it?

You just pressed your first vinyl record for Huinali, with Segue, who I admire. What made you decide to move into vinyl for this release?

First, I don't want to say that a lot of physical releases are the goal. Anyway, Oslated had already released 3 vinyl records, and at some point the sub-label Huinali planned to do a vinyl release as well, from the day it was founded. And yes, I tried to do this naturally. Before being a label owner I was a DJ and a collector of various music. I honestly don't want to differentiate between digital and physical and I just want to release GOOD MUSIC. The reason I release physically as well is simply because my followers wish.

If you could have released any favorite/past album in the world on your label, what would it be and why?

I myself had such a wishful plan, and I’m the one who insists on “Oldies, but goodies” too. But as time passed, I realized something myself. Now, my simple argument for this question is, "The past is beautiful when it is the past."

You had S-Pill make the mix, can you tell us a bit about him and why you chose him to create the mix?

Seojun oh aka S-Pill is my close brother, and he holds the title of the only official DJ artist on the label. I guarantee that he is the best DJ in Korea and proud of him. This is the only reason.

What can you tell us about the future of Oslated and Huinali?

I don't want to elaborate on this question, but love Paul Valery's quotes here. "Nothing is complete unless you put it in final shape.".

"The trouble with our times is that the future is not what it used to be."

~

astrangelyisolatedplace · isolatedmix 121 - Oslated & Huinali Showcase (Mixed by S-Pill)

Listen on Soundcloud or the ASIP Podcast.

Download MP3

Tracklist:

1. Inhmost - River Crossing [HNL008]
2. Gallery Six - Wish On A Star [HNL006]
3. Vâyu - To Achieve Awareness [HNL015]
4. Earthen Sea - Outcropping [HNL004]
5. Moon Patrol - Inparke [OSL026]
6. Adhémar - Smell Of A Summer Field [HNC001]
7. Lindamann - Blue Hour [HNL017]
8. Javier Marimon - Dem Cics [HNL002]
9. The Vision Reels - Her Form Is Slowly Morphing [HNL016]
10. Daniel[i] - Eubela [HNL010]
11. Segue - Deep Green Dub [HNP001]
12. Launaea - Reflected Life [OSL017]
13. Asllan - Citizen of the World (Soolee Rework) [OSL024]
14. Saphileaum - No Clue Of Life [OSL006]
15. Zemög - Hiking In Chicaque [HNL011]
16. Owl - Forest Shadow [HNL014]
17. Doltz - En [Forthcoming on Huinali Recordings]
18. ABSIS - Static Trip [OSL021]
19. Polygonia - Tanz der Gliederfüßer [HNL012]
20. Einox - Chirico (Romi's Paradox) [OSL016]
21. Sanjib - Without Words [OSL008]
22. Javier Salazar - Acae (Adhémar & Javier Marimon Repitch) [OSL025]
23. Aspetuck - Microscopic Moments Of Focus [OSL023]
24. Modeo - Nobody Sleeps [OSC002]
25. Ryefield Society - Sun Fossils [HNL018]

~

S-Pill (Oslated / Jeju Island, South Korea) | Soundcloud | Facebook | Instagram
Oslated | links

Dewtone releases full back catalog of beautiful ambient and dub-techno recordings

Our good friends at Dewtone announced some bitter-sweet news recently. The deep and organic ambient and dub-techno label have put their entire Bandcamp catalog up for free (or a very low price to have it in your collection). 

The label has been quiet as of late, so it might not come as a surprise that label founder Dustin Morris has been busy planning new ventures. This gracious move to open up the back catalog, perhaps signaling a change in direction sometime in the future. Fingers crossed we see Dewtone back with even more deep and emotional ambient music. 

There's a wealth of albums to choose from, and whilst you should no doubt download every single release (not a bad one amongst them), we wanted to reflect on five standout tracks. It's a tough choice given the quality throughout the catalog, but ASIP has been supporting Dewtone from the very early years, pre-2012, so some releases have a little sentimental value attached to them. This made it slightly easier for certain tracks to stand out and pinpoint personal memories and moments as both ASIP and Dewtone evolved over the years. 

Download the catalog on Bandcamp. 

Bjorn Rohde / I Began To Float
Perhaps one of Dewtone's most ominous and sincere tracks, but Bjorn Rohde's, Forgotten Hearts is a story unto itself - heartbreak and adventure. 

Purl & Deflektion / Growing
If you enjoyed Lav & Purl's A State of Becoming, there's plenty for you to dig into amongst the Dewtone catalog, with Purl featuring across several releases (as himself and some of his many other monikers) and Lav, too. But it was this beat-laden production with Olle Hallqvist (Deflektion) that really made me realize the never-ending innovative approaches ready and willing within Ludvig (Purl's) innovative mind. 

Sebastian Paul / Zen Temple
One of the later releases on the label, Sebastian Paul's album Warm Night Fall, really struck a chord with me. Perhaps it was my similarly timed visit to Japan and a chance to reflect, or maybe the extremely engrossing textures and minutiae sound design. A lesson in doing so much with so little. 

Segue / House of Cards
Dewtone also curated  a selection of compilations that included artists and labels they admired and were inspired by called, Foundations. Their second edition, 'Foundations II', featured Segue, amongst many others, and his contribution, House of Cards formed my first introduction to his works, ultimately going on to release superb solo efforts on Silent Season, such as Pacifica. 

Halo / Hollow City
Halo is one of those under-the-radar composers that deserves so much more attention. His Places Series EP, for example, and this album from 2012 on Dewtone. Tell me you can't hear the same delicate genius of Nils Frahm or Jon Hopkins in this track (and this album). And then remember. Pasquale, who is young now, let alone six-years ago, put this album together way before the nu-modern-classical-wave we know today. 

Listen to Dewtone founder, Dustin's exclusive ASIP mix from a few years back, featuring many other favorites in a similar style to the label. 

ASIP - Reflection on 2016

2016 was a busy year! The label started with the Arovane & Hior Chronik Remix EP, then Merrin Karras' glorious synthesizer piece, Apex. And more recently, the much-desired 36 album, The Infinity Room.  It was also a very sad year in many ways, with ASIP artist, Igor Bystrov aka Parks, passing away. The In Memory EP, featuring a collection of his works was also released, with all proceeds going to Igor's family. Thank you to everyone who supported the label and the artists throughout 2016 - I can't express how grateful I am to have such an amazing bunch of listeners and supporters.

It was an amazing year for music. I was overwhelmed for the most part, and didn't get round to writing about half as many albums as I would have liked to. But my yearly Reflections mix goes some way in helping soothe my guilt and pain. Featuring many of my favorite tracks from some of my favorite albums and releases from the year, it's my version of the infamous journo 'best-of' list but presented in the best way possible I start with a playlist including one track from every album I've enjoyed over the year, and then whittle it down, based on what sounds right in the mix and ultimately, what I've been listening to the most. It goes without saying, this only scrapes the surface of the many great albums and releases we've been treated to in 2016.

A quick run down of the inclusions in this years mix...

Sad Elron, the one track I spent the year looping, was the standout in one of this years best albums from Mark Pritchard. Bvdub surprised us with a selection of shorter-than-normal cuts, and potentially his best album yet. The Green Kingdom is this years under-the-radar gem, cutting up dubby-ambient and post-rock. Steve Hauschildt topped the year of the synthesizer, as did Phaeleh, with outstanding albums on both fronts. ASC made a sneaky retro-electronica appearance as Comit. Synkro enlisted the best for his remix EP - with Helios providing a glorious take, alongside a superb album of his own. Jesse Somfay returned after over 5-years with a unique and exciting new album. Segue turned in da-dub as usual on the ever-brilliant Silent Season. Isan made a return with their quirky melodic electronica. The Orb made an attempt to out-chill-out the Chill Out. Ametsub dropped a sneaky jazz-infused ambient piece. Tangent proved the newcomer of the year on n5MD. Jóhann Jóhannsson should be on the front-cover of Time magazine as man of the year with his outstanding score for Arrival and another complete masterpiece in Orphée. Heck got the remastering and reworking of choice by Field Rotation's Christopher Berg. Ocoeur got our year off to a stunner with his modern-classical masterpiece. Eluvium won the hearts of everyone with his operatic tearjerker. Drape kept Infraction's continually brilliant ambient output up-to-scratch. Warmth treated us to one of the years best ambient surprises. Deepchord turned in one of the years best remixes - out-ambienting Wolgang Voigt's flip. Benoit Pioulard broke his wrist and showed us how to remix Aphex Twin. Porya Hatami and Arovane joined forces once again book-ending their ASIP remix EP.  And lastly, as a special tribute, we end the mix on one of my favourite tracks by Park from 2009 - RIP.

And breathe. Enjoy the look back.

Download.

Tracklist:

01. Mark Pritchard - Sad Alron [Under The Sun] (Warp)
02. Bvdub - 07 [Yours Are Stories Of Sadness] (Self) - Read the review
03. The Green Kingdom - Haze Layers [Harbor] (Dronarivm) 
04. Steve Hauschildt - Time We Have [Strands] (Kranky) Read the review
05. Phaeleh - Frequency [Illusion of The Tale] (Undertow) Read the review
06. Comit - Under Your Spell [Trip 01] (Warm Communications) Read the review
07. Synkro - Midnight Sun (Helios Remix) [Changes Remix EP] (Apollo)
08. Jesse Somfay - Chorona (A Voice Like Sunshine) [Levamentum] (Tipping Hand) Read the review
09. Segue - Deep Valley [Over The Mountains] (Silent Season) 
10. Isan - Lace Murex [Glass Bird Movement] (Morr) Read the review
11. The Orb - 4am Exhale [COW] (Kompakt)
12. Ametsub - Skydroppin' [Skydroppin' EP] (Blueberry Records)
13. Tangent - Perceived Horizon [Collapsing Horizons] (n5MD)
14. Jóhann Jóhannsson - Heptapod B [Arrival OST] (Deutschegrammophon)
15. Hecq - Night Falls (reworked by Christopher Berg) [Night Falls] (Hymen Records)
16. Ocoeur - Fixo 2 [Reversed] (n5MD) Read the review
17. Eluvium - Fugue State [False Readings On] (Temporary Residence) Read the review / mix
18. Drape - Detrial Rest [Let There Water Air] (Infraction)
19. Helios - Land Father [Remembrance] (Unseen Music) Read the review
20. Warmth - Odessa [Essay] (Archives) Read the review / mix 
21. Peter Michael Hamel - Colours of Time [Reinterpreted] (Deepchord’s Carolina Forest Mix) Read the review
22. Benoit Pioulard - Stone In Focus [Radial] Read the review / mix
23. Porya Hatami & Arovane - iaan [Kaziwa] (Time Released Sound) 
24. Jóhann Jóhannsson - Flight From The City [Orphée] (Deutschegrammophon) Read the review
25. Parks - Eternal Wind [Hidden] (Infraction - 2009)

[Artwork / photo taken on a trip to Japan in August 2016]

Serein Presents: Orbital Planes & Passenger Trains Vol. 1

Known for bringing us releases by Brambles, Nest and even Hauschka in previous years, the UK label, Serein features a refined output so far, with many of its releases reaching notoriety in the modern-classical side of the ambient world. It's been a notably quiet 2016 for them, but now we know why. 

A new compilation titled Orbital Planes & Passenger Trains, the first in a new series, is billed as your new musical travel companion, presenting work by some of the "finest musical tour guides in the known universe". A quick look at the track list and you'd be hard-pushed to disagree.

Label veterans Brambles, Otto A Totland and Hidden Rivers make an appearance (the latter two forming the duo, Nest) alongside some new label imports in Benoît Pioulard, (listen to his isolatedmix), Silent Season regular Segue, Japan's finest in Ametsub (listen to his isolatedmix), and Dan Abrams, otherwise known as Shuttle 358. 

The music is as prestigious as you'd hoped given the expertise at hand. Some of the many highlights include Hidden Rivers superb glistening piece of electronica, What's Up G?;  to textured ambient from Donato Wharton and Pioulard; and the label's bread-and-butter modern classical from piano master-mind Otto A Totland. There's also a progression in the enigmatic sound of Brambles, who provides a modern-sounding cinematic score in Petrichor, as does The Balustrade Ensemble, albeit in a more experimental style. 

With Gas like textures and a lull of guitar plucks, offset by a simple piano, Dan Abrams' (Shuttle 358's) track Floating City, is more akin to a Pop Ambient masterpiece than anything you might have heard from him before. Certainly one of the highlights of the compilation and available to stream in full below.

Orbital Planes & Passenger Trains straddles the worlds and styles many of us love, fulfilling its goal of escapism - something I can definitely relate to with regards to the concept of ASIP.  Serein is best known for it's beautiful modern-classical output, yet this compilation seamlessly blends the attentiveness, delicacy and emotion of instrumental pieces, with a progressive electronic sound sprinkled throughout. Without a single weak track throughout, it turns a conventional modern-classical compilation into an accessible and thoroughly enjoyable piece for anyone looking to tune out. Window watch, pay attention to the soft black and white keys, creaking pedals, electronic undertones, field recordings and thought-provoking melodies and say hello to your new travel companion.

Orbital Planes & Passenger Trains will be available August 19th, on Download, CD, Double Vinyl and Limited Screen Print Edition here. There's also a lovely interactive site to explore the music at hand.

Lastly, Serein has been kind enough to offer ASIP readers an exclusive Bandcamp discount. Use "SERASIP15" on checkout for a 15% discount on this release and anything else in the Serein catalogue.

Tracklist:
01. Otto A Totland - Selon
02. Brambles - Petrichor
03. Ametsub - Blue Loop
04. Hidden Rivers - What's Up G?
05. Dan Abrams - Floating City
06. Imprints - Roy
07. Benoît Pioulard - Alogia
08. Strië - 87 Billion Suns
09. Otto A Totland - Storfjord
10. Colorlist - Gone To Ground
11. The Balustrade Ensemble - Teeming
12. Donato Wharton - A Lightless Volume Of Water
13. Yui Onodera & Chihei Hatakeyama - Solaris
14. Segue - Frozen
15. The Inventors Of Aircraft - No Returns
16. Olan Mill ft Isnaj Dui - Zazen