Lapsed Pacifist / Hypatia (ASIPV046)

As a professional sound engineer by day, Colin Dunkerley aka Lapsed Pacifist, spends much of his time traveling and rarely gets to focus on producing his own music. Despite high praise from those who have become familiar with his work over the years, Colin’s previous productions have mainly consisted of shares with friends and DJs in smaller circles through his Negative Neutron alias. 

Colin envisaged a more pronounced and darker ambient style to emerge one day but struggled to dedicate the time. Hypatia came to life over an extended and fragmented period, with field recordings and loops of audio created on the go, later processed through his modular setup. In the autumn of 2022, Colin spent time collating and listening to these many fragments and field recordings, making notes in a book as he wandered around cold, unfamiliar places with headphones on, trying to shape disparate starting points into something thematically connected.  

The title of Lapsed Pacifist’s debut album, Hypatia is a reference to one of the many fantastical descriptions of imaginary places by Marco Polo in the book, Invisible Cities. Written as a dialogue between Mongol emperor Kublai Khan and Marco Polo, the book became the inspiration and a clear parallel for how Hypatia came to be and what it means to Colin today. 

Attaching music to a place and time can become a very powerful and long-lasting memory. Across its eight tracks, Hypatia depicts fragmented glimpses of color and textures –a scrapbook of senses– traversing the optimistic first steps; the first smell of cold air; cityscapes burnt into your head; and the many emotions from exploring new places that stick with you longer than any photograph ever could. 

“The experience of moving between places so frequently can be fascinating but also dislocating and often quite lonely. I have so many small stories about places I’ve been, but I often think they aren’t necessarily real reflections of anywhere, no more real than anything Invisible Cities author Calvino dreamt up”. - Lapsed Pacifist.  

Hypatia is available on transparent Copper smoke 12” + digital, mastered by Rafael Anton Irisarri and featuring artwork by Noah M / Keep Adding.

Links to listen and buy via the release page

Lihla / Socha (ASIPV047)

I’m excited to announce a new signing to the label and a new dimension to our roster of music, with Lihla’s upcoming album ‘Socha’.

“Music gives us a place to be lost. Washing away thought, place, time and identity. It’s in the falling into the river, the dream, that we find just who we could be”. 

Classically trained cellist, composer and storyteller Lihla (Lih-Qun Wong) presents her debut album, ‘Socha’ for A Strangely Isolated Place. Combining a vast instrumental skillset of piano, cello, electronics, and spoken word, she crafts intensely immersive aural-hallucinatory worlds of intricately shifting landscapes. 

A deeply personal work, Socha explores the ‘diaspora of time and space, and why we all feel so displaced.' Piano chapters capture the meeting place between memory and longing, while explorational vocal and cello textures invoke and echo the ancient, the feminine, and the otherworldly. 

Lihla’s voice guides us, weaving through electronics and field recordings of the ‘real world' to set the path for a poetic and deeply haunting journey through the internal psyche that is truly transportive and escapist. 

‘Socha’ is available on transparent smoke 12” and digital. Mixed by Sebastian Lee Philipp and mastered by Rafael Anton Irisarri, featuring artwork by Lihla and Visions of Akira.

View the release page for all details and links to buy.

Merrin Karras / Live (ASIP039)

I remember our 5th vinyl release way back. Just our second artist album at the time, but an artist who is still with us today.

I’d been a fan of Chymera for a long time prior, but I first heard Brendan’s alias, Merrin Karras on a John Beltran compilation - ‘Music for Machines’. ‘The Veldt’ went on to appear on Brendan’s first ASIP album, Apex (our 5th vinyl release - no wait, technically our 6th after the ASIPV003R) and to this day it remains a firm favorite of mine for many reasons. The biggest reason -and like most deluded label owners I’m sure -is that I can imagine that album being looked back at in many years to come as a true understated gem. It will never be big enough in my opinion. I don’t think I’ve met anyone who has given Brendan’s albums a listen and not been blown away. Truly transportive and timeless music just waiting to be found.

With each new Merrin Karras album, the bar has been raised. But hearing Brendan’s music in one long-form set is always a special and unique perspective to take. Much of his influences stem from early Berlin School producers like Klaus Schulze and Steve Roach- evident in most of his releases so far. But Merrin Karras’ truest proof point so far has been the release of his last long player, Silent Planet, where Brendan took the opportunity to expand his music to a full 40+ minutes, similar to many of the early long-form compositions that established the style. The hooks, chord changes, evolving atmospheres, and instrumental elements added a certain dynamism to his sleek, fluid sound and proved to be a true pinnacle in his catalog so far.

So, when Merrin Karras plays an hour’s worth of material in one set, it’s time to take it all in.

We’ve been sat on this set for a while and there’s never been a right time to release it. It’s been up on YouTube with some great visuals for a few years already.

But on Thursday afternoon - mere hours before Bandcamp Friday - I happened to be on an email thread with Brendan, and it reminded me this gem was sitting rusting away when it could be channeled as HQ into the eardrums of everyone here.

In the space of ~3 hours, we had everything ready to go (a testament to Peter Skwiot Smith having some superb artwork handy).

It’s simply an unmissable set of music in my opinion, and I think it’s hard to say that about most live sets in this world nowadays. (Talking of great live sets, don’t sleep on this one btw)

Merrin Karras was built for this type of approach and is holding the torch for the nu-Berlin School era.

~

It’s been nearly two years since Brendan Gregoriy’s (Chymera) Merrin Karras alias graced us with a new release, but since his magnificent Berlin School opus, Silent Planet (following 2020’s ‘Northwest Passage’, and 2016’s ‘Apex’), Brendan has been quietly musing on the next evolution of his beloved synthesizer-laden sound.

Until that day arrives, we’re being treated to a recording from one of his rare live appearances, capturing special moments from across his catalog in one expanded set. In a similar style to the extended long-players of early Berlin School masters, Brendan’s live performance follows a similar narrative, traversing an expanse of intensity, pace, and atmosphere with subtle edits and transitions making familiar tracks seem like entirely new passages of time and sound.

Name Your Price on Bandcamp

Featuring artwork by Peter Skwiot Smith
Originally performed and recorded for Reworks festival, Greece, 2021. reworks.gr
Watch the full A/V set featuring custom visuals from MinimalicQuantum below.

Salvatore Mercatante / Ø (ASIPV045)

Our first release of 2024 welcomes New York musician Salvatore Mercatante and his new album 'Ø', a stunning suite of electronic music born from the idea of starting from nothing, again and again.

With previous releases on Castles in Space, Werrafoxma, and Subexotic along with his own label Nocimiste, Salvatore’s output can bridge many styles, and here, we’re treated to a crowning mixture of ambient, IDM, downtempo, and techno influences, all underlined by his mastery of soundtracks.

~

The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free?

As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining acute drum patterns over and over again, Salvatore is the first to ask himself, where next? When a musician’s output can be influenced today by so much, and there is no self-defined or perceived artistic goal in mind, how do you start from a place of nothingness, again and again?

This approach has born many minimal and experimental albums of note in the past, but with Ø, Salvatore ended up with an almost controlled maximalist approach. Beginning with open spaces and allowing sonic textures to live and evolve past where you may expect, Ø allows the space between notes to become equally as important as the notes themselves. Walls of noise, soaring soundtracks, dense techno, glittering IDM, and minimal glitch, sit side-by-side to present an all-encompassing palette of sonic possibility.

Often, even without any intent, what can be born from nothing will somehow transpire back into something more recognizable. It’s human nature after all. A subtle fingerprint, as a sequence, melody, pattern, or drum kick. Whether Salvatore intended for this record to represent his defining sound or not, only time will tell.

Visit the release page for more info and links to buy

Written and produced by Salvatore Mercatante
Mastered by Giuseppe Tillieci @ Enisslab, Rome, Italy. 
Artwork by Brandon Locher

2023 Label Compilation (mixed by todos)

A showcase of individual tracks from our 2023 label releases and a special continuous mix of select tracks from todos.

It’s become somewhat of a tradition since our first annual compilation release in 2019, and each year I find it tough to separate tracks from their album releases in this way. We pride ourselves on delivering an album format, and more often than not, specifically a conceptual album format that works best as a whole. So I appreciate the artists who allow us to separate their musical children for this worthy annual exercise. It’s so easy to skip over releases nowadays - at no fault of anyone but the pace of life and technology today - and so this compilation not only helps us reflect on the year gone by, but also ensures anyone new to the label, or dipping in and out over time, can get a taste of what we have proudly spent our time and passion presenting this year. Please take the time to visit each respective artist's release to realize its full form. 

Not only is separating tracks from an album format a formidable task, but finding a way to combine them in one seamless mix is even more so. Once again, we’ve asked our esteemed todos to provide the continuous mixed version. Creating a flow using a limited predetermined set of music across a variety of styles, moods, and tones is an almighty feat. But no-one does it better than todos. Here, he is left to his own devices as we have grown to admire time and time again, using snippets and samples from many of the releases, but focusing on delivering a long-form mix that stands on its own, using nothing but the ASIP 2023 library of music. 

It was a year that introduced new faces to the label with Iceland’s Gunnar Jónsson Collider providing a spectacular audio-visual experience in S.W.I.M, and welcoming Germany’s Mary Yalex who explored imaginary worlds of fascinating texture and melody. We fulfilled a long-awaited foray into more classic trance styles through the exciting Mikkel Rev, and finally presented the magical drums of Alex Albrecht’s heart-warming soundscapes. Max Würden continued his foray into expansive sonics with Landmark, and Quiet Places returned with their second Volume of psychedelic long-form trips into the unknown. One Million Eyes returned with more compelling genre-defiant magic, and OKRAA brought his live edits of his debut album 1994 to life once more. 2023 will also be remembered as the year Brock Van Wey’s Earth House Hold project came both full circle, and full stop. The last track title on this compilation coincidentally represents the perfect swan song for a project that has found a home on ASIP for the past five years. 

Thanks for all your support, comments and encouragement this year. We have an exciting 2024 lined up.

Available as Name Your Price on Bandcamp

Play the mix on Soundcloud

astrangelyisolatedplace · ASIP Label Compilation 2023 (mixed by todos)

Continuous mix by todos: soundcloud.com/djtodos. Full mix tracklist differs from the digital compilation tracklist featuring additional edits and samples.

Art and photography by ASIP featuring a photograph of ‘The Landmark’ sculpture by Enrique Martínez Celaya.

For album credit and production details, please see each release page.