Ryuichi Sakamoto

isolatedmix 112 - Suna

 
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So many of the sets that have been a part of 9128.live these past few years have been outstanding, and some artists have even been able to make a couple of appearances across multiple takeovers. One of those artists who ticks both these boxes is Suna.

Based in Seoul, Suna made her first appearance in our world for the Astral Industries 9128.live takeover over a year ago, and was then invited back by Joachim Spieth for the Affin takeover earlier this year. Her set for this takeover was spellbinding, and I was obliged to ask Suna to present this mix once again for the isolatedmix series, for even more people to enjoy.

For those who are new to Suna, she plays a crucial part in the burgeoning electronic scene in Seoul - one I have heard amazing things about but yet to experience. As part of the infamous club vurt, Suna can often be heard as part of the lineup gracing the infamous concrete bunker with her carefully crafted ambient sets, of hypnotic deep techno, or just as busy running things behind the scenes.

ASIP - Thank you, Suna, for allowing us to republish this mix. It was one of my favorites from the 9128.live Affin takeover!

Suna - First of all, I feel very grateful to have an opportunity to take part in 9128.live, I enjoyed working on it.

Can you tell us a bit about yourself and your role at vurt?

vurt. is a crew that seeks the pure spirit of underground culture and timeless electronic music. We hold a slogan, 'Ancient Future'. Before opening vurt., I often felt there's a systemic problem that DJs cannot improve their music with their own identity. DJs were asked to compromise our musical direction that could have been related to the revenue of clubs, and new trial and challenges were not accepted. Superficiality was the only dominating concept, wearing the mask of the underground. I felt strongly that we are in need of a venue that DJs can build up their musical style through experiences, experiments and improvements.

vurt. wants to make everything possible, developing and realizing pure music that hold each one's character and identity. We keep the olds, welcome the new, and bridges various generations and their knowledge and experiences. 

How has vurt been impacted by the past few years? And what do you see as the future of clubs in this new world?

Like every other club in the world at the moment, vurt. has been influenced by Covid19 big time. 

Last year, the Korean government started to shut down clubs officially, and even before several months from that point, we were advised(morel like coerced) to keep shutting down. 

When we were having such a big difficulty without receiving any financial support or aid from the government, many local and international artists helped us.

Alex from Cassegrain released an album called <in_vurt> with many other artists, and they donated the sales revenue. I don't know how many times one gets to experience such a special gift, I still haven't figured out how I can pay them back. I feel indescribably grateful. After that vurt. and two other clubs in Seoul, Faust and Volnost joined forces and made a VFV Club project. We raised funds via a streaming event. Things were still on pause, and the pain was roaming in the air. I gained lots of energy to move forward while meeting people who were in the same shoes. Just by talking about how the camera is, how the streaming is, I felt like it gives me power. In the retrospect, it was a meaningful time to get to understand further about each other, before that event we three didn't really have that active communication. I thank all the listeners and people who donated. We also got great spiritual supports from loving friends of vurt., and the financial support from Jaegermeister was a meaningful help as well. So far, it was a miraculous time that we could hang in. 

We couldn't just shut the door, sit down and wait, so now we turned the venue into a bar and focusing on ambient music than techno. Before the pandemic, we were running vurt. as an ambient bar during the weekdays so the transition was somewhat natural. Now, we are doing exhibitions once every two months, we showcase the artists who have connections to vurt.'s identity. The latest exhibition last month was very meaningful and special. The artists were rather young, all based in Seoul and regulars of vurt., and for the last few years we have grown together. They were students who study art and photography, it was difficult to make an opportunity to do something together when we were running as a club, but at this point when things are paused because of the disease, they utilized our venue and created their narratives. The title of the exhibition was 'Symptoms', and it was about various symptoms that are being created while being deferred, and the hopes that are jumping in. While the exhibiting period, I felt the venue was revived by the young friends who have visited here countlessly and grown up together with us. When the venue lost its role, and we were getting tired of it, they brought the new hope to us. I felt strongly about the younger generation's power. 

However, it is a sorrowful, desolating thing to see that techno music cannot be played here, which was built and existed for that very reason. I keep thinking about how it could function was a club, in this confusing time.  

Can you summarize your approach to the mix you prepared?

I was invited by Joachim Spieth last January, and joined 9128 live - Affin invites to play. 

I like to deliver the vitalities that are newly created when one track meets another in my set. I also want to communicate emotionally, via various strange sounds that are related to the terra incognita. It would be a great pleasure for me if I could give a moment as a present when the listener's consciousness wakes up responding by deepened, spacious sounds. 

The mix holds a wish to heal our bodies and minds that are damaged by the sense of loss because of the prolonged pandemic.

~

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

Download

Tracklist:

1. Joachim Spieth - P 680 [Affin]
2. The Abyss Within Us - Life in a Circle - Part 1. [Astral Industries]
3. Biosphere - Gilberg [The Senja Recordings]
4. Kassel Jaeger - Fog Constellation (approaching)
5. Kassel Jaeger - Paris Mustangs
6. MonoLogue - A1 [Chemical Tapes]
7. Guy Hobsbawm - Brumaire [Mysteries Of the Deep]
8. Ab Uno - Sophia [Mahorka']
9. The Caretaker - In the deep and dark hours of the night [History Always Favours The Winners]
10. hakobune - Seamless and Here [Patient Sounds]
11. MonoLogue - A2 [Chemical Tapes]
12. Ryuichi Sakamoto - Andata [Commmons]
13. Saenïnvey - The Big Travel [Eilean Rec.]
14. Magna Pia - The Mirror [AWRY]

~

Suna | Soundcloud

 

isolatedmix 94 - Brambles

 
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Back in 2012 we were introduced to the work of Brambles. It came through a debut release on Welsh label Serein. From the very first track on ‘Charcoal’, as those beautiful strings hit, we knew we were in for something spectacular. It seems like millions agreed too, with 2.1m people streaming the track on Soundcloud since its upload - a testament to the beauty at hand. The album only got better as it progressed too, with the second track ‘Such Owls As You’ ending up as my favorite.

It wasn’t until 2015 that we were treated with a follow-up arriving as a single, more experimental track in ‘Half Gramme Holiday’, featuring another beautiful composition but this time underpinned by slow heart-beating drums. It was a subtle progression, perhaps enough of a progression after a three-year hiatus. But since then, we’ve been waiting to see where Brambles would land next. A full four years later (and three years after I emailed inviting Brambles to contribute an isolatedmix ha!) we have a new album coming soon, and an accompanying journey in the form of isolatedmix 94.

The lead single from the (yet untitled) album, Spirits may come as a surprise to listeners expecting another Charcoal. But Brambles’ respect for texture, composure and melody is clearly evident throughout this new approach.

… the sound palette has shifted dramatically but the moody and melancholic qualities that made their previous release so resonant remain deeply embedded.

One notable addition is the added manipulation of vocals. In Spirits, this evangelical, alien language is used as an instrument, never quite overpowering, holding enough back to add depth and mysteriousness.

The new balance of ambient and more colorful pop-infused productions comes to life within Brambles’ isolatedmix, showing where the inspiration has arisen from over the past few years.

This mix is a little trip around my current influences. Starting with experimental ambient, to left-field pop and ending with dreamy folky shoegaze. Some tracks are recent discoveries and others are tracks I keep returning to. I love how the internet has spawned so many micro-genres and niches. It's overwhelming at times but also exciting to find a new style and follow that path through the various artists, collaborations and offshoots. I have also included an unreleased Brambles track which will be on my forthcoming album - M.

Download.

Tracklist:

01. Kara-Lis Coverdale - Touch me & die
02. Ryuichi Sakamoto - Fullmoon (Motion Graphics Remix)
03. Natureboy Flako - Gelis
04. Brambles - Out Of Bounds
05. Amnesia Scanner - AS Daemon
06. Aisha Devi - Two Serpents
07. Susumu Yokota - GEKKOH
08. Visible Cloaks, Yoshio Ojima, Satsuki Shibano - Anata
09. Zora Jones - Oh Boy
10. Lorn - UNDEAD DOGS
11. SOPHIE - Is It Cold In The Water?
12. Charli XCX - Cross You Out (feat. Sky Ferreira)
13. Nosaj Thing - How We Do (feat. KAZU)
14. M83 - Corridor
15. Florist - The Fear of Losing This
16. Slowdive - So Tired
17. Julia Holter - How Long?
18. Grouper - I’m Clean Now
19. John Maus - Cop Killer

Brambles | Soundcloud | Discogs | Bandcamp

 

isolatedmix 92 - Midori Hirano

 
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Born in Kyoto, Japan and now residing in Berlin, Midori Hirano’s discography has spanned a wide spectrum of experimental electronic music. From her 2016 album on the esteemed Sonic Pieces, to her latest praised work on Australian label Daisart and her beautiful extended piece for the Longform Editions series, Midori’s work is often recognizable when in play due to her manipulation of the piano.

A talented player from a young age, Midori’s work revolves around these classical elements, often told through soft pieces, with added electronic processing and field recordings. The result draws you in through attachment, as differentiating layers and effects change productions from a simple modern classical score, to an engaging experimental piece. Think Steve Reich, or other minimalist innovators, and you’ll enjoy Midori’s experimentations.

For any electronica fans, take Midori’s work as MimiCof however, and these minimalist productions take on new rhythmic layers, often finding themselves in an even more electronic guise, sitting alongside the finest moments of labels like City Centre Offices and Morr Music, the melodies of a Lusine and the classical manipulation and experimentation of a Ryuichi Sakamoto. A high bar by all accounts, but evident in the pieces captured below, where the extremes of this sound have seen Midori’s most energetic piece to date, Moon Synch, expand with rich experimentations originating from the Buchla synthesizer.

Not only is Midori pushing the boundaries of electronic music as her own name and as MimiCof, Midori has recently signed with Erased Tapes Music, and has contributed remixes for the likes of Sonae, Kid 606 and Liars. And of course, the talent doesn’t stop there - Midori has also helped provide some photography for Christian Kleine’s ASIP release, taking pictures of her newly adopted home in Berlin.

But, back to what you’re here for, the music, and here’s what Midori had to say about her isolatedmix which combines the art evident across both her monikers with recent experimental pioneers that stay true to her sound:

“This mix consists of recent favourite tracks of mine including two of my own songs. A few tracks have voices or field recordings which I often like to use also for my music, as I often want to have a kind of feeling of watching films every time I make a mix. It puts me into a place isolated from a world while I’m listening to it for myself” - MH

Download

Tracklist:

01. Tujiko Noriko - Ride
02. Senking - Ep 4
03. Félicia Atkinson - Valis
04. alva noto + ryuichi sakamoto with ensemble modern - Broken Line
05. MimiCof - Opal
06. Eli Keszler - The Immense Endless Belt Of Faces
07. Caterina Barbieri - Fantas
08. Driftmachine - Shift II
09. Ornate Coldtrain - Powerful Myth
10. Uguisubari - Nanzen-Ji
11. Mark Pritchard - The Blinds Cage (feat. Beans)
12. Amnesia Scanner & Bill Kouligas - II
13. Midori Hirano - Haiyuki
14. Jim O’Rourke - And a 1, 2, 3, 4
15. Yair Elazar Glotman & Mats Erlandsson - Format And Formalize Desire
16. Robert Lippok - Samtal

Midori Hirano / MimiCof | Website | Bandcamp | Soundcloud |

 

isolatedmix 79 - Autumn Of Communion

 
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Mick Chillage and Lee Norris come together as Autumn Of Communion. Between them, their music stretches into the deepest roots of modern ambient music.

Lee Norris' monikers range from the cult 90's electronica of Metamatics and Norken, through to the beautiful tones of The Angling Loser - a collective of ambient artists that also includes Porya Hatami and Will Bolton. Lee's also helming the ...txt label, which has played home to many AOC releases and just recently, a monumental boxset that features the entire AOC discography. ...txt has also presented us with some brilliant albums by Sage Taylor (aka Textural Being) (Raintimeand the more psychedelic ambient sound of Ishq (2016's Fhorm being a fave of mine), as well as becoming home to many of Mick Chillage's productions. 

The label and indeed AOC's sound is no doubt influenced by the legendary FAX label, which also presented Autumn Of Communion's most seminal piece to date, their 2012 self-titled masterpiece. The album was perhaps overshadowed by the unfortunate passing of FAX founder Pete Namlook in 2012, but you can think of no better home, or higher praise for the duo. Mick, is no stranger to this high praise either, with one of the most revered albums on the FAX label, FAXology in 2011, followed by releases on FAX-dedicated output, Carpe Sonum

The web of productions between them both runs deep into some of the genre's best rabbit-holes. Just last week, I was in a record shop in Bellingham WA, at a random second-hand record store. I got talking to the owner about the type of records and artists I was on the hunt for and he said, "I just bought something new last week from Databloem". Sure enough he went on to play a CD and out comes Mick Chillage's 2016 album, Paths. It's the type of music that breaks down boundaries and epitomizes the true early 90's ambient sound and arguably, Autumn Of Communion is the purest distillation of their combined works. 

For isolatedmix 79, the duo wade through some of the genre's finest producers, both old and new. Track-by-track, it's a who's-who of ambient music, but the whole is definitely greater than the sum of its parts - this AOC mix channels the very essence of pure ambient music and the many inspirations behind AOC. 

Download.

Tracklist:

01. William Basinski - 92982.1
02. Tangerine Dream - Sequent C
03. Ryuichi Sakamoto - Fullmoon
04. David Sylvian - The Healing Place
05. Billow Observatory - Plum
06. Tetsu Inoue - Elevator Drops
07. Dots - Dense
08. Cluster & Eno - Für Luise
09. Autumn Of Communion - Streams Pt4
10. Jochem Paap - Dx-Snth
11. Harold Budd & Robin Guthrie - Twilight

Autumn Of Communion: Bandcamp | Discogs

Artwork/image by Ricardo Gomez Angel

 

ASIP - Reflection on 2017

 
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2017 was undoubtedly a year for many of us turning to a softer, more comforting style of music to help heal and escape the real world. Many of you reading this probably use the type of music covered here on ASIP as a remedy and form of escapism, and some may just be getting acquainted. Now more than ever, I feel like people are connecting with ambient music, and I see it in the comments, feedback, support and thoughts that accompany each release, friends releases, mixes etc, and and in the growing popularity of the genre in the wider-music spectrum. 

We’ve managed to present three vinyl releases this year, and I'm extremely proud of each one. Starting with the organic calming of Lav & Purl'sA State Of Becoming; we then went denser and deeper with Leandro Fresco & Rafael Anton Irisarri'sLa Equidistancia. In August, Arovane & Hior Chronik returned for their second album, Into my own. And in the middle of all of this, we experienced the worst possible outcome with our vinyl production (as did many others), but that was put into balance with your amazing support and kind donations for La Espera; the companion EP by Leandro and Rafael, which helped raise funds and get us back on track to continue with a new press (more to come on that one soon, along with news on the vinyl for La Equidistancia).

We're already looking forward to 2018's releases, with the announcement of Christian Kleine's upcoming album in January. But before we get ahead of ourselves, it's time to look back at all the music that kept the inspiration high and the mind elsewhere over the last year...

Here's a breathless-quick rundown on what’s included...

~

Young composer, Sophia Jani opens up our mix; Kai Schumacher reimagines a Moderat favorite; and South Africa's Jason Van Wyk finds the magical atmospheric piano balance on his Home Normal release. Leandro Fresco pairs up with Kompakt companion Thore Pfeiffer (who also just dropped a new album with Max Wurden); whilst Warmth is back on the year-end list with another pure blanket of warm ambience. I watched Earthen Sea play live in a church this year, and his Silent Season anniversary release was one of the best of a brilliant bunch from the label. ASC strayed away from his Silent Season ambient home to put out a deep-cut on his own label Auxiliary. The powerful, heart-pulls of Black Swan, 36 and Secret Pyramid were some of my favorite tear-jerkers of the year, whilst Rafael Anton Irisarri's political masterpiece on Umor Rex took our emotions to the next level. Noveller moved to LA recently, which might've  inspired one of my favorites of hers in a long time. Ryuichi Sakamoto returned with a twisted and interesting set of compositions, whilst PAN released an intriguing dig through relatively new and unheard ambient artists on their highly regarded compilation, Mono No Aware. Field Records and Acronym are no strangers to us individually, but their combined output was undoubtedly one of this years best pieces of ambient music. The one sweeping piece of ambient from nthng’s original and innovative techno record makes the cut, triggering some deepness from Luigi Tozzi in a rare ambient remix- a break from his bubbling techno on the high-flying Hypnus label. Wanderwelle landed strong with one of the most innovative dub-techno records we've heard in a very long time, whilst my fandom for Alexsi Perälä went up a notch, via his relentless Colundi Sequence compositions. We get deeper with Primal Code (Hypnus with another great release) and then Artefakt pull out the swirling, progressive techno-stomp and another must-own album. Joachim Spieth finally unveils a full-length album spanning ambient and techno- one of the only people who could strike this balance so well. Loess is another big return for 2017 with their signature deep and unique glitches, and Purl continues his many guises with one of this years most original pieces under his Illuvia moniker. Speaking of originality, no-one comes close to the bvdub style, but again he manages to surprise and delight. Loscil pairs with Mark Bridges as High Plains in their brooding instrumental piece, which is followed by our very own modern-classical prodigy Hior Chronik and his debut album on 7K!. Ghostly's, Christoper Willits scores a film on The Art Of Listening with some beautiful textures and Leyland Kirby scored a lifetime of mental degradation this year with his Caretaker series, but chose to release some of his best stuff for free. Hammock and Billow Observatory were once again on point to soothe with their dreamy lulls and enchanting melodies. The Thesis Project continued to present unique collaborations with Anna Rose Carter and Dag Rosenqvist just one of the many standouts from the series. The Susumu Yokota stylings of Poppy Ackroyd, are followed by the now legendary sounds of Four Tet. And with one of my most anticipated returns in a while, The Gentleman Losers begin to end proceedings with their Air/Bibio/Quiet Village dreaminess. And finally, the curtain closer coming from the biggest return of the year, Slowdive.

~

Despite a hefty 36 tracks, and 2hr 42mins total,  I've still left-out a bunch of my favorite releases of the year from this mix. But, I let the flow of the mix dictate what is included whilst pulling from my whittled-down playlist from the past year. It's restrictive whilst also liberating doing it this way, as putting together lists is a near impossible task for me. This method forces my hand, whilst also presenting something a little different to the normal year-end lists. 

To all those artists I’ve missed out, keep doing what you’re doing, we’re still listening. If you need to see more of the music I've been enjoying, well, this blog is of course a good place to start, as well as everything I've purchased and supported on Bandcamp, shown in my Fan Collection (go Bandcamp!).

Thank you to all the artists and labels featured, and a big thank you to everyone for continuing to support ASIP this year, buy our records and listen to the music featured on the blog and the label.  Next year will be ten years since the very first ASIP blog post, so we’ll be celebrating with some very special projects.

Until then, enjoy a look back at 2017...

Download
Stream tracklist (Spotify/Apple Music). (Not all tracks included)

Tracklist [label & link to buy] (ASIP links) rough start time.

01. Sophia Jani - Those Who Stay [Unreleased / Soundcloud] 00.00>
02. Kai Schumacher - A New Error [Neue Meister] 04.04>
03. Jason Van Wyk - Clouds [Home Normal] (Review) 07.55>
04. Fresco & Pfeiffer - Splinter [Kompakt] (Review) 10.16>
05. Warmth - Isolation [Archives] (isolatedmix) 14.00>
06. Earthen Sea - The Time Past [Silent Season] 17.50>
07. ASC - Quaoar [Auxiliary] (ASC isolatedmix) (Review) 22.22>
08. Black Swan - The Escapist [Self] 27.06>
09. Secret Pyramid - Two Shadows [Ba Da Bing!] (isolatedmix) 30.48>
10. 36 - Black Soma [Self] (artist page) (isolatedmix) 34.30>
11. Rafael Anton Irisarri - RH Negative [Umor Rex] (artist page) 39.34>
12. Noveller - The Unveiling [Fire Records] 43.40>
13. Ryuichi Sakamoto - honj [Milan Records] 46.30>
14. Malibu - Held [PAN] 48.30>
15. Acronym - The Final Decision [Field Records] (Review) 49.32>
16. nthng - Touches [Lobster Theremin] 55.34>
17. Luigi Tozzi - Yavin (Ambient remix) [Hypnus] 60.42>
18. Wanderwelle - The Starry Night [Silent Season] (isolatedmix) 63.28>
19. Aleksi Perälä - NLL561606935 [Clone Basement Series] 68.36>
20. Primal Code - Junkan [Hypnus] 71.47>
21. Artefakt - Entering The City [Delsin] 77.58>
22. Joachim Spieth - Radiance [Affin] (isolatedmix) 88.17>
23. Loess - Wrikken [n5MD] (Review) (isolatedmix) 94.02>
24. Illuvia - Illuvia (Exaltation) [Eternell] (Review) 99.00>
25. bvdub - Limitless [n5MD] (interview) (isolatedmix) 108.18>
26. High Plains - Ten Sleep [Kranky] (isolatedmix) 113.42>
27. Hior Chronik - That Mistery Again [7K!] (artist page) (isolatedmix) 116.30>
28. Christopher Willits - Beginning [Ghostly] 118.52>
29. Leyland Kirby - Dig Deep March On [History Always Favours The Winners] 122.12>
30. Hammock - Dust Swirling Into Your Shape [Hammock music] 127.04>
31. Billow Observatory - Montclair [Azure Vista] (Review) (isolatedmix) 130.00>
32. Anna Rose Carter & Dag Rosenqvist - Nothing Ever [Thesis] (Feature) 133.26>
33. Poppy Ackroyd - The Calm Before [One Little Indian] 137.50>
34. Four Tet - You Are Loved [Text Records] 143.38>
35. The Gentleman Losers - Holding Back The Night [Grainy Records] 149.30>
36. Slowdive - Falling Ashes [Dead Oceans] 154.24>