Christian Kleine / Electronic Music From The Lost World: (1998-2001) (ASIPV010)

Christian Kleine unearths a selection of previously unreleased tracks that capture his unique production approach and helped define an influential era of electronica. Recovered from DAT and pressed on transparent green vinyl, with Berlin-brutalist inspired artwork, A Strangely Isolated Place present Christian’s most accomplished piece of work since his 2001 City Centre Offices album, 'Beyond Repair’. 


1998, Berlin was a pivotal time for Germany’s Christian Kleine and electronic music as a whole. Growing-up amongst a divided city’s bleak aftermath, alongside hedonistic tendencies that birthed the likes of Loveparade, it was easy to be both inspired and rebellious at the same time. The influences of Detroit techno and rave culture started to travel, and artists were turning to new techniques and machinery, at a time when the bedroom, started to become a studio. 

Christian would end up developing a new and unique sound, alongside a small but impactful community that eventually formed a cult artist roster on the City Centre Offices label. His background began in New Wave and Punk, eventually transitioning into DJ’ing in the early 90’s and then, into more electronic productions, with Jungle and drum’n bass his first muse. Christian was on the hunt for something different to what Berlin had to offer at the time, and with his first synth, (Nordlead 1995) and an Atari computer, Christian was creating his first drum’n bass tracks, sending them off to the local radio station, (Kiss FM) where he met future production partner and CCO label head, Thaddeus Herrmann

Sunday morning studio time alongside Thaddi (as Herrmann & Kleine), jam sessions with Arovane, and coffee with Ulrich Schnauss, continued to inspire and push Christian’s style. This small but influential group of producers would go on to define a melodic, and introspective style of music that now has a cult status amongst IDM, ambient and electronic music fans.

Becoming tired of functional productions, Christian was always interested in finding his own place and language, and continued to experiment further. Taking his inspiration from drum’n bass, and the company of City Centre Offices artists, Christian defined his unique style we know today. Intelligent drum programming met an ethereal and melodic synthesizer style. A delicate and introspective listen, or a hazy layer of bubbling activity and color, Christian’s music defies function and invites you into a world of personal reflection. 

This collection of music is Christian's own moment to reflect. Going back to a time he misses; an intense period when producing music was the only thing that mattered. This is music that never saw the light of day; recovered from DAT and pressed on vinyl; A Strangely Isolated Place and Christian Kleine present 'Electronic Music From The Lost World: 1998-2001'.

Wish you were there...

Available on transparent green double vinyl and digital download. Mastered by Rafael Anton Irisarri at Black Knoll Studio. Featuring original Berlin-brutalist inspired artwork by Noah M / Keep Adding with photography by Midori Hirano.

Christian Kleine | Artist Page Web | Bandcamp

ASIPV010 gatefold.png

Released date: January 15th 2018


A1. Promise
A2. Computer Error
B1. Weep
B2. City Nights
B3. Dory
C1. Somehow
C2. Sun Star
C3. Glimmer
D1. -1/44
D2. Stutter Rye
D3. Charcoal

All songs written & produced by Christian Kleine between 1998 – 2001 in Berlin, Germany. Recovered from dusty DAT years later.

Mastered by Rafael Anton Irisarri @ Black Knoll Studio, New York.

Artwork by Noah M / Keep Adding.
Original photography by Midori Hirano.

Additional layout by Molly Smith.

Arovane & Hior Chronik / Into my own (ASIPV009)

Arovane & Hior Chronik return to A Strangely Isolated Place with their second album as a duo, following 2015's 'In-between'.

'Into my own' finds Arovane and Hior experimenting with distinctive feelings, styles and moments throughout the twelve tracks, creating an album full of twists and turns. Featuring a similar ethereal ambience to 'In-between', delicate instruments, field recordings and more melodic electronic influences are now apparent, forming a tangible storyline, as the duo leave you standing on the edge of a journey unknown, lost and lonesome, a soundtrack to anticipated escapism. 

Conjuring many moments of discovery as you step foot into this unknown world, the appreciation of finer details and textures slowly become apparent. You wander apprehensively across fresh autumn leaves, crisp from the morning's fog amidst a glowing soft light as day turns to night. 

Field recordings add a new depth to the duo's productions, alongside the frequent manipulation of the piano, harpsichord and vibraphone. The infamous guises of the Una Corda however, forms the backbone of the album; a guiding star as you navigate through a dense forest, unexplored crystal caves and shimmering rivers.

Balancing organic, analog tones and more metallic, experimental approaches, the duo have once again found a harmonious balance of ambient, instrumental and electronic sounds that transport you into a new world; a familiar yet unexplored territory that holds your hand, as you come into your own.

"One of my wishes is that those dark trees, 
So old and firm they scarcely show the breeze, 
Were not, as ’twere, the merest mask of gloom, 
But stretched away unto the edge of doom."

- Robert Frost (“Into My Own” - 1915) 

'Into my own' will be available on double transparent LP housed in a matte gatefold sleeve & digital download, with artwork by Nick Brzostowski. Mastered by Rafael Anton Irisarri at Black Knoll Studio

So lovely, just chiming, very simply in the dark of the night...
— Mary Anne Hobbs - BBC Radio6
For fans of Lilies-era Arovane there is much here that will please your ears
— Igloo Mag

'Into my own' track list:

01. Pilgrim
02. We Just Scratched The Surface
03. Ein Kleines Lied
04. Walk On Leaves
05. Dornenreich
06. Perpetuum II
07. Lightbeams
08. It Turned Blue
09. The Return
10. Lyyrian
11. Morning Fog
12. Stars Collide

Release date: August 28th 2017

Transparent 12" vinyl, matte-laminated sleeve & digital download

All tracks written and produced by Arovane and Hior Chronik
Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork by Nick Brzostowski

A kind of melancholy hovering in infinite lightness circumnavigates the ear and the soul; one lifts immediately and glides gently to the future.
— Das Filter

ASIPV008X Vinyl Record MockUp

Leandro Fresco & Rafael Anton Irisarri / La Espera (ASIPV008X)

Continuing the theme of La EquidistanciaLeandro & Rafael explore more of their deep, swirling and mysterious textures over this three-track EP titled, La Espera. 

The Wait is the sound of being barricaded in isolation, as the world moves around you.


After significant delays to their debut EP, La Equidistancia, Leandro Fresco & Rafael Anton Irisarri went back into the studio to record a companion EP, titled La Espera (The Wait).

The funds raised from this digital EP would go on to help the repress of La Equidistancia, which had to be started over again from scratch. Thanks to everyone's generosity, enough was raised to complete a short-run of 10's for La Espera, alongside the digital release. Read the blog post here.

Leandro Fresco | Kompakt | Facebook | Twitter
Rafael Anton Irisarri | web | Bandcamp | Facebook | Twitter



La Espera track list:

1. Entre Otra Parte - 06:22
2. Bajo Dos Siglos - 06:05
3. Hay Una Ausencia Perceptible - 09:43
4.[Bonus] Mixed - 21:52

(Track 4 is a bonus alt digital only master featuring all 3 tracks mixed)

Released July 10th 2017.

10" black vinyl & digital download.

Written & produced by Leandro Fresco & Rafael Anton Irisarri between San Martín de los Andes, Argentina and New York, USA. Mixed at Black Knoll Studio (New York).

Artwork / layout by Molly Smith.
Artwork photo by Todd Diemer 

ASIPV008 Vinyl Record MockUp 1000 v3.png

Leandro Fresco & Rafael Anton Irisarri /La Equidistancia (ASIPV008)

Two of ambient music's most revered producers come together for the first time in a harmonious meeting of technique and style. Leandro Fresco (Kompakt) and Rafael Anton Irisarri (Room 40, Ghostly) present their ambient opus, La Equidistancia on A Strangely Isolated Place.

Introduced to each other by the label, the two artists found common ground with thousands of miles between them, in more ways than one. A desire for each other's work sparked a productive partnership that quickly found Leandro creating specific sounds based on concrete directives from Rafael.

Leandro Fresco’s signature melodies and warm, colorful textures have adorned the Argentinian’s work ever since his first appearance on Kompakt’s Pop Ambient Series in 2003, right up to his latest artist album El Reino Invisible (2015). This “melodic sensibility” as Rafael likes to say, proved to be the defining undercurrent to Rafael’s signature sound design, a combination that takes each of their distinct sounds into new heartbreaking territory. The emotions heard on Rafael’s previous album, A Fragile Geography (2015), are a welcome prequel to the crushing depths found amongst La Equidistancia - proven by Rafael at some of his recent shows:

“I played a few songs from this collaboration on my last tour and I got some incredible feedback. Some people felt it was emotionally cleansing, some had tears in their eyes, it was definitely moving”.

Well versed in production partnerships (both as Orcas and Gailes, alongside Benoît Pioulard) RAI found an inspiring and quick flow to finish the record, as Leandro left the space to express himself and the authority to finish: “There's that new excitement that comes with a new music project and once I get going, I obsess over it and need to see it done. As in ‘man, I want to really hear this record while I walk around the woods, so I better finish it so I can enjoy it!”

This efficient partnership resulted in a record that will be a unique yet identifiable stylistic combination between them both. But upon deeper listening, La Equidistancia unearths a complex and introspective reflection of the many fragmented memories and expressions held amongst two newly-formed friends, thousands of miles apart.

Without the ability to meet in person, it could be said the record became the musical equivalent to a shared cup of tea or drink at the bar - common ground between two good friends. Emotions are clearly channeled throughout the building tension, soaring atmospheres and crumbling distant worlds heard throughout La Equidistancia. Leandro’s melodies add a warm depth to Rafael’s harmonic distortions, effect pedals, and tape loops (made with a crusty 1/2” tape machine in Rafael’s Black Knoll Studio) - “I really love that grainy aspect you can hear in the music, degraded in a way, like it's been trough some rough patches (as both Lean and I have been through over the years)”.

These rough patches, as Leandro details, are “printed and encapsulated in the grooves of the vinyl. And although they can not be seen, they will remain there. I am sure that something Raf and I felt, will reach the listener”.

“There's a lot of sadness and memories in the music. I feel that one most embrace this sadness and share it; make others know we are not so different; not alone in this world”. - RAI

La Equidistancia is an album of two newly formed friends, two minds, and two lives equidistant to each other.

Leandro Fresco | Kompakt | Facebook | Twitter
Rafael Anton Irisarri | web | Bandcamp | Facebook | Twitter

It’s exactly what you expect an ambient album to sound like but also the standard by which other modern ambient LPs should be judged against. It’s not just a once-in-a-lifetime meeting of minds, no: it’s the best Ambient/Instrumental album of the year.
— Pop Matters (2017)

La Equidistancia track list:

A1. Cuando El Misterio Es Demasiado Impresionante, 
Es Imposible Desobedecer.
A2. Bajo un Ocaso Desteñido.
A3. Lo Esencial Es Invisible A Los Ojos.
B1. Las Palabras Son Fuente De Malentendidos.
B2. Entre La Niebla.
B3. Un Horizonte En Llamas.

Release date: April 10th 2017

Cloudy-clear & black-smoke 12" vinyl, matte-laminated sleeve, + poster insert, & digital download.

Written & produced by Leandro Fresco & Rafael Anton Irisarri between San Martín de los Andes, Argentina and New York, USA
during Winter/Summer 2016. Mixed at Black Knoll Studio 
(New York).

Mastered by Taylor Deupree at 12k Mastering
Published by Outer Worlds Publishing.
All Rights Reserved 2017.

Artwork / layout by Nick Brzostowski
Additional layout by Artwork / layout by Molly Smith.
Photo by Nicolas Amoroso & Chommpi Poggi NOUUEI.  

The album’s slow, lugubrious sounds engulf the listener like molasses
— A Closer Listen
...a morphological tapestry of sonic visions, multi-layered with thick guitar-driven drones, ambient pads, and organic noise surfaces.
— Headphone Commute
... a gorgeous slab of a thick ambient environment with a pulsating heart to it.
— Tiny Mix Tapes
Achingly beautiful

Lav & Purl /A State Of Becoming (ASIPV007)

A State Of Becoming began life in the summer of 2014, when Lav (Christopher Landin) was traveling Greece and began recording the sounds surrounding him in remote, desolate places of nature.

With a quiet mind, Christopher's awareness of the surrounding sounds would increase together with a feeling of the interconnectedness of all things. This concept is central to the album, being expressed by the presence of the field recordings, as the foundation from which each track grows and extends. The tiniest detail, chirp, river-swell and sway of a branch, are captured in macro -  Mother Nature’s bed, a landscape ready to bloom.

"When we bring our full attention to the act of listening, new worlds emerge that we wouldn't even notice if we were just passing by, distracted by thoughts"

Christopher and Ludvig Cimbrelius (Purl) had only met a couple of times before the process of this album started, but when Christopher sent over the recordings, Ludvig fell in love with their simplicity and presence, and instantly knew he wanted to take them on. 

"I was traveling in France at the time with no place to call home, and the next time I passed through Sweden I recorded piano for the album. I had but one day to record and improvised freely, making 1 or 2 recordings for each track and then moving on to the next. After this session, I was carrying the project files from Christopher and piano recordings around with me for quite some time until I found the right state of mind to start the process of molding them together. Since I did not have a stable home during these years, I worked on the album in many different locations"

The minutiae of sounds from Christopher’s field recordings are transformed into a variety of expansive lifeforms, as Purl’s majestic addition of piano, carefully measured beats and subtle instruments turn an organic landscape into an ethereal scene of movement and life. With each track given the length and focus it deserves, just like nature itself, the album slowly unfolds in several phases, unrestricted, free flowing and patiently awakening.

"During the journey, my desire has been to bring life to all layers of the tracks while still retaining the beauty of their original simplicity”

The album concept was given further life through the artwork, created by Noah MacDonald (previous designs include Yagya, Marsen Jules and bvdub) through an organic, flowing scene that expands within the inside gatefold - a time-lapse capturing the many stages, developments, sounds and feelings that emerge during A State Of Becoming

After previous releases on Silent Season, Archives and Dewtone between them both, Lav & Purl released two EP's in 2016: Earth And Beyond on Amone Recordings, and The Present Moment released on Ludvig's own label Eternell.  

Lav & Purl wishes to thank Dustin Morris for his ongoing support and guidance. 

Lav Soundcloud | Facebook
Purl Soundcloud | Facebook

Vinyl sold out!

A State Of Becoming track list:

A1 - Remembering (10.40)
A2 - Beyond Suffering (5.30)
B1 - Absorbed In Serenity (11.00)
C1 - A State Of Becoming (12.00)
D1 - Recollection (8.20)
D2 - All Is Breath (9.50)

Release date: 6th February 2017

Double heavyweight pink vinyl in matte-laminated gatefold sleeve
(300 copies) & digital download.

Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork/layout by Noah MacDonald / Keep Adding

Reviews / support | BBC Radio 6 + Mary Anne Hobbs | Igloo Mag
| Cyclic Defrost Sonic Immersion | Headphone Commute

...a recommended lesson in ambient awareness and a great opportunity to break away from busy worldly affairs. Be mesmerized!
— Sonic Immersion

36 /The Infinity Room (ASIPV006)

After years admiring the work of 36 here on ASIP, we are pleased to announce his new concept album, titled The Infinity Room.

Inspired by his home and studio, Dennis Huddleston aka 36 set out to create an album born from endless possibility. Restricting himself to a limited sound palette, he focused on exploring his own private infinity, allowing even the smallest tangents to develop in a musical multi-verse of limitless potential.

“What is just one room (my studio) becomes many rooms when working on music,” Dennis explains. “From this single point, countless possibilities exist and this is where the concept for 'The Infinity Room' takes root. It's the thrill of taking a small idea from an ocean of possibilities, and watching it grow into something far grander."

“From the very first track, I made a conscious decision to restrict myself to a limited sound palette,” he adds. “Each track used the same core sounds, but evolves and mutates them in subtle ways, as well as being the direct inspiration for the track that came after.”

That intent is clear, with each track a different shade of what came before. Thoughtful tones with a warm, vintage brightness, develop into extended love stories and romantic journeys, speaking to the cinematic influence of pioneers like Tangerine Dream, Vangelis, Brad Fiedel, Charles Bernstein and John Carpenter.

“They were masters of creating vivid dream worlds, all of whom created the soundtracks to many of my favourite films,” he admits. “In more recent times, I’ve grown to deeply admire producers like OPN, Disasterpeace, Boards of Canada and Sinoia Caves, and they’ve reinvigorated my love for 70's and 80's era electronic film music.”

It all gives ‘The Infinity Room’ the subtle, shifting repetition that has long been a 36 hallmark; each track an ever-evolving reflection, a catalyst, another step into the inestimable.

“I just love those driving melodies that dig deep into your head and let the repetition take control, mutating and shifting on a macro level, so you only discover how much it's changed by the very end,” Huddleston smiles. “I think that's what the core of my sound was always about really and it's why each track on this album uses melody as the primary focus, with the keys taking control, and the track evolving with them. Repetition... The sound of infinity.”

36 has been a prolific figure in the modern ambient scene for close to a decade. Beginning with his debut and highly praised album 'Hypersona', Dennis Huddleston has been sharing his own emotive blend of electronic music through his own platforms, as well as labels such as Ultimae Records, Mystic & Quantum, and ICASEA. He also runs his own label 3six Recordings, which he describes as a love affair with the vinyl format.

Huddleston is able to paint a wonderful, dreamy vista on The Infinity Room, one that is soaked in lo-fi static, haunting keys and driving kick drums.
— Arctic Drones

Vinyl sold out!

Release date: October 24th 2016

The Infinity Room track list:

A1 Room 1
A2 Room 2
B1 Room 3
B2 Room 4
C1 Room 5
C2 Room 6
C3 Room 7
D1 Room 8
D2 Room 9
D3 Room 10

Double transparent red vinyl in matte-laminated gatefold sleeve
(300 copies) & Digital Download.

Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork by Dennis Huddleston

Reviews/support: Textura | Igloo Mag | Cyclic Defrost |
Music Won't Save You | Arctic Drones |
Optic Echo / Headphone Commute | Self Titled Mag

Merrin Karras / Apex (ASIPV005)

We're pleased to announce our fifth artist vinyl release will come from Ireland's Brendan Gregoriy under his new ambient alias, Merrin Karras

Producing and playing under Chymera for more than 15 years, Brendan Gregoriy’s distinctive take on house and techno has seen him play at iconic venues like Panorama Bar, Womb, Output, and Rex Club, and release music on respected labels including Ovum, NRK, Delsin and Cocoon. 

2016 sees Brendan take on a new alias...

“I'd just finished a particularly grueling album and I just didn't enjoy the process.,” Gregoriy describes. "Around that time, I started listening to people like Steve Moore & Oneohtrix Point Never and it blew my mind. I tried making a few sketches and realised that I enjoyed it a lot more and this became a gateway into discovering ambient properly.”

Inspired by the sounds of artists like Klaus Schulze, Biosphere and Abul Mogard, and finding renewed focus in creating without external pressures or deadlines, Gregoriy’s ambient experimentation emerged, fully-formed, as Merrin Karras. His debut album under this moniker, 'Apex', has been announced for a July 29th release.

Written and recorded in two Berlin winters, it’s a record driven by a widescreen contrast between celestial beauty and engulfing black hole intent. Flawlessly produced, Vangelis panorama and vintage sci-fi exist in a space where drums and rhythmic elements have been willfully stripped out — and where the synths can truly breathe.

The process of album creation benefited from new freedoms that Gregoriy bestowed upon himself. “I decided to set myself a few ground rules for the music: no drums or percussive elements and no samples. They helped me to focus but, in a sense, it's not such a drastic shift. I've always made melodies the focus point of all my tracks and it was quite liberating to make music where I didn't have to worry about the best way to arrange it for the dancefloor.”

The results are remarkable. Combining his gilded production with an armory of hardware (including the Moog Minitaur, Vermona Mono Lancet, Juno 106, Nord Rack 2, and the Korg Monotron) Apex serves as both a modern ode to the synthesizer and a reverential nod to the early pioneers. Freed from the focus of the club, it allowed Gregoriy to craft a narrative; each track following a similar arc as the tension builds before dissolving. From the spectral ebb and flow of title track to the Blade-running intent of “Elevate"; the unsettling darkness of “Severance" to the star-lit swirl of “Liberant", these beat-less constructs bloom and exhale with an uninhibited cinematic purpose.

“I wanted to make something that I could listen to when I travel, something I could enjoy just for what it was,” he concludes. "I only realized when I was about 80% done that I had the makings of an album, and one I actually liked through and through. I didn't want to take any tracks out, or make other ones to add to it. I’m really proud of the album because it's something that I still listen to and enjoy. Hopefully other people will feel the same.”

'Apex' is available on limited edition double vinyl + digital download. Buy here.  

...glittering melodic sequences rise up against a yawning backdrop of drones, the expansively lush mix offering up a seriously immersive soundscape best suited to your headphones.
— Cyclic Defrost
..the world of Merrin Karras is one that provides what sounds like stockpiled soundtracks for yet-to-be-realized and conceived cinematic masterpieces
— Impose Magazine

Apex tracklist:

A1 Catharsis
A2 Elevate
B1 Apex
B2 Severance
C1 The Veldt
C2 Liberant
D1 Void
D2 Isolation

Release date: 29th July 2016

Limited edition colored vinyl with digital download (500 copies)
Merrin Karras | Facebook | Twitter |

Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork by Nick Brzostowski

Reviews/support: Pop MattersIgloo MagSelf Titled Mag  
Resident AdvisorFACT Mag | Beatport |All Music (4/5)
The Monitors | Impose | Cyclic Defrost | Merchants of Air 
Music Wont Save You | Faze Magazine (DE)
Interviews: Echoes RadioSounds Of A Tired City | Euphoric Mag | Ravelin Mag

ASIPV003R / Arovane & Hior Chronik - In-between (Remixes EP)

Admired by many since its release, Arovane & Hior Chronik's ethereal ambient album In-between, received wide applause from many and has been held-up as one of the best of 2015. 2016 sees a dream lineup of remixers turn in a spectrum of takes on the original shimmering ambient sound, ranging from immersive drones, to dubtechno and electronica.

Arovane opens up the 12" with a return to his early City Centre Offices sound. After Tomorrow is reworked into a melodic and warm synth-heavy track, that finds an even more ethereal touch than the original. 

bvdub's relentless album output has seen him become one of the most respected artists of the genre, yet his remixes are still few and far between. Here, Brock steps up to the plate with a confident, big sound that takes the core of Past Creates The Future, into a completely new yet familiar bvdub territory. Expanding layers embellish on the raw rumbles and strings of the original, with new chords, beats and vocals progressing into an epic nine minutes. It would've been longer if Brock had his way...

The man behind the mixing desk for ASIP, Rafael Anton Irisarriprovides two remixes for the EP. His first, under Herr Irisarri with an unexpected, decaying, granular dub-take on Wunderland. Rafael's dedication to analog production heard throughout, as tiny details and organic changes manipulate and drive the dub-heavy sound. 

Arovane and Iran's, Porya Hatami collaborated on Resonance in 2015, so it's of no surprise to see Porya take on Arovane's sound here. Porya provides additional field recordings to lift the already immersive Past Creates The Future, landing on the beautiful cello piece by Aaron Martin to create a final twist in the tale, elaborating on the beautiful instrument found in the original.

Following Markus Guentner's successful ASIP release, the Pop Ambient pioneer dives into his unique, looping ambient sound in style on Scale, embracing more menace and mystery than the original. Markus' new album Theia, has undoubtedly won the hearts of many new ambient fans, who won't be disappointed with this, the latest addition to his expanding contributions to ASIP.

Lastly, as a Bandcamp digital bonus, Rafael Anton Irisarri turns to The Sight Below guise for a spectacular 19-minute take on, A Day, November 2013. A pulsating rhythm drives an immersive backdrop, inviting the subtle details of the original to step forward. They're teased and manipulated, ending in a drifting Eno-esque guitar melody; a signature RAI sound to sign-off the EP.


The simple, all-black artwork represents the juxtaposition between the glistening sounds of the original, and the alternative takes found on the remix EP, featuring heavyweight vinyl and a spot-gloss sleeve, designed by Nick Brzostowski. 

Vinyl Tracklist
A1. After Tomorrow (AMX)
A2. Wunderland (Herr Irisarri Remix)
A3. Past Creates The Future (Porya Hatami Remix)
B1. Past Creates The Future (bvdub's Houses Hold The Past To Peace)
B2. Scale (Markus Guentner Remix)

Digital Tracklist
01. After Tomorrow (AMX)
02. Past Creates The Future (bvdub's Houses Hold The Past To Peace)
03. Wunderland (Herr Irisarri Remix)
04. Past Creates The Future (Porya Hatami Remix)
05. Scale (Markus Guentner Remix)
06. A Day, November 2013 (The Sight Below Remix) [Digital only]


Mastered by Rafael Anton Irisarri @ Black Knoll Studio
Artwork by Nick Brzostowski
Formats: Limited edition (250 copies) 175gm black vinyl in spot-gloss sleeve + digital download.

Release date: 8th February 2016

Mary Anne Hobbs (BBC Radio 6) | PlaidIgloo Magazine | 
Finest Ego | Boomkat review

ASIPV004 / Markus Guentner - Theia

There was chaos and violence, a collision of dark matter and heat. 
In the maelstrom, a legacy was created and a new moon born. 
She left something here forever.
But amongst infinite black depths,
Theia rages on. 

Depicting the legendary impact of the planet Theia, Pop Ambient pioneer Markus Guentner returns to vinyl, with a highly anticipated full-length LP.  

The evolution of a historic astrological moment is brought to life through a dramatic, evolving soundscape that only Markus could capture. Drones build upon swathes of light, cut by an ever-present sense of fear. The distant shine of stars puncture a pitch-black canvas, as a force gathers momentum and intensifies. Theia's tortuous movement slowly builds in-front of you, and the inevitable moment of impact creeps closer and louder. The destruction is desolate, dramatic and beautiful all at once.

Markus has become synonymous with this unique style of ambient music over the years, stretching between intensely layered, looping rhythms, and subtle rolling dub-techno. His early releases on Kompakt set the tone for the respected Pop Ambient sound, 
through genre defining tracks such as Express YourselfMarkus went on to release albums with Sending Orbs, WareAffin and most recently Moodgadget, as well as a Places Series EP for A Strangely Isolated Place (Talking Clouds) and remixes for the label's debut LP, Uncharted Places.

This is Markus' first dedicated vinyl release since 2006, and with it comes the care and attention to detail deserved of such a return. Mastered by Rafael Anton Irisarri at Black Knoll Studio, RAI also lends his hand to one track, manipulating an entire soundscape with nothing but his signature guitar.

Pressed on opaque vinyl allowing the artwork to mimic the shine of the moon, ASIP creative talent Nick Brzostowski has turned the artist's vision into a piece of art, with his meticulous custom design.

Theia is available as double opaque vinyl (with free high-quality download) housed in a matte gatefold sleeve, and as a digital download through Bandcamp. 

The album you’ll need this winter
— ISO50
Best ambient album of the year by a long, long way.
— Igloo Mag
An omnipresent sense of dread and anticipation shadows the release until the primal event arrives in all its monumental glory during the closing “Cavus.” You’d be wise to strap yourself in before undertaking this rather harrowing final journey.
— Textura

Theia tracklist:

A1 Magnetar
A2 Baryon (Feat. The Sight Below) 
B1 Redshift
B2 Ejecta
C1 Limb
C2 Paragon
D1 Cavus

(Vinyl features continuos mixed sides)
Release date: 9th November 2015

Mastered by Rafael Anton Irisarri
Artwork by Nick Brzostowski

Reviews/support: ISO50 | Heathered PearlsIgloo Mag | Textura | Headphone Commute | Sounds Of A Tired City (Best of 2015) | Juno (Best of 2015) | Headphone Commute (Best of 2015) |
Ambient Landscape | Ambientblog

ASIPV003 / Arovane & Hior Chronik - In-between

In 2004, Arovane said “Goodbye Forever” with a heartfelt departure on Lilies - his final album on the renowned City Centre Offices label and his most defining piece to date. In 2013, Arovane made a surprising  return with his notorious IDM style for the n5MD label, but we were left asking when, or if, Uwe would ever return to his  ethereal and orchestral productions.

In-between sees Arovane team-up with Greece’s Hior Chronik, known for various productions with Singapore’s Kitchen Label (home to Haruka Nakamura and Aspidistrafly). Hior's debut album, Taking The Veil, released earlier this year on Kitchen, played host to some of the best instrumental partnerships we could've wished for, including Field Rotation and Halo.

Alongside Uwe, Hior brings a modern-classical, delicate prowess to Arovane’s detailed, electronic, analog power - a beautiful and ethereal combination. 

Pianos, field-recordings and strings amongst modular synthesizers create a shimmering canvas of ambient music, touching the heart, and transporting you to the musical equilibrium that exists between these two good friends. Crafted in Berlin, through multiple improvised studio sessions, In-between started as an experiment and finished as a harmonious journey between places and producers alike.

In-between marks A Strangely Isolated Place's first dedicated artist album following the release of two sold-out compilations, 
Uncharted Places and Europe

Pressed on Pure White double-vinyl, and packaged in a matte-laminated gatefold sleeve. Includes download code direct from the label.

For more insight behind the album and pictures of the studio session, read our interview with Arovane and Hior.

Vinyl sold out!

Mastered by Rafael Anton Irisarri
Artwork by Nick Brzostowski

Sasha | Andrew Weatherall | | Igloomag | AmbientBlog  
Disk Union | | Boomkat Igloo mag (Best of 2015) | Mary Anne Hobbs (BBC Radio 1)

ASIPV002 / Europe

Spanning ambient, modern classical, drone and electronica, Europe is a journey experienced through the eyes and ears of the artists, capturing their memories, travels, tributes, and exquisite musical depictions.

Beginning with a peaceful ode to her Greek home, Dalot finds harmony on Kalathas beach, Halo is enraptured by a wet city scene in Zurich, and 36 tries to make sense of London’s countless contrasts.

In more remote parts, Horizontal Excursions (aka Roger Martinez) discovers the symphony of life on the subtropical island of La Gomera,Bjorn Rohde paints a vivid picture of the Pyrénées, and Marsen Jules finds paradise in the Andalusian mountains.

From cosmopolitan utopias to breath-taking cornucopias, every track on Europe is immersed in discovery. Effortlessly traversing geography and emotions, it’s a collection that revels in borderless ambition but also celebrates the intricacies that makes every passage unique.

Closer to sea-level, Dextro finds inspiration in the Isle of Barra’s oceanic panorama, Parks channels the coastal howl of Helsingborg, andCarbon Based Lifeforms uncovers delicate harmonies in the Spring-time forests of East Gothenburg.

Finally, Yagya brings Europe to its beautiful conclusion. Alone on Reykjavik’s north shore, the iconic producer forgets himself, and the city behind him, as the infinite ocean horizon commands his lost gaze.

Personal and poignant, the album artwork also reflects the craft of the music with a specially commissioned, mixed-print and hand-painted piece by Nick Brzostowski created exclusively for the release.

Vinyl sold-out!

Mastered by Rafael Anton Irisarri
Artwork by Nick Brzostowski

ASIPV001 / Uncharted Places

What started as a series of releases based on inspirational places, progressed into a collective of talented artists and inspirational location-based music. 

Always looking to progress and with a wealth of talent amongst them, this amazing collective of emerging artists then contributed towards a very special remix project called Uncharted Places. The brief was simple; take an existing Places Series track and re-imagine it, find your very own strangely isolated place. 

Over a year later and we had eighteen tracks ready to go, mastered by the genius that is Rafael Anton Irisarri (The Sight Below / Orcas / Ghostly). 

Given the quality of the music at hand, this release had to be a extra special, so we decided to make this ASIP’s very first physical release. Using Indiegogo, the project was successfully funded and a double-transparent vinyl, with artwork poster, alongside t-shirts and a custom CDr case were produced for the generous people who supported the campaign. 

This compilation is the perfect representation of the music that’s been featured on ASIP over the years and a collage of beautiful work from the many artists involved – be they young rising-stars or veterans of the genre. 

Vinyl sold-out!

Mastered by Rafael Anton Irisarri
Artwork by Nick Brzostowski

The Places Series (Free downloads)

The Places Series is a selection of releases inspired by an artist’s very own strangely isolated place. No one place is the same, no musical inspiration is identical. Everyones place of escapism is different. The Places Series aims to unearth the personal moments, the detailed sounds and the inspirational story behind the music, transporting the listener to that very moment of conception. Use the links to releases below for individual downloads, or download the entire collection.