Luke Hazard, aka Ourson is one of our original ASIP finds, dating back to 2011 when we stumbled across one of his first albums, Warming Plant. This album still remains one of his strongest in my opinion and indeed my favorite (if only for the brilliant opener in, 237). However Luke's latest offering includes tracks from as far back as 2006, ensuring an overlap with the Warming Plant-production-era and a promise of similar-sounding textures.
Whilst Ourson can also be heard capturing some amazing field recordings in 'Collected Natures', his latest album Simple Sanctuary gets back to the lo-fi, deep and textured recordings that made Warming Plant so special. Just like the artwork depicts, a very subtle, perhaps off-kilter edit on what would be a very innocent scene, Luke's music follows a similar suit. Extended drones harbor amongst echoes and reverb, with subtle melodies punctuating an otherwise dense blanket of rumbling bass, static and distant filed recordings.
Whilst some tracks, like Gems Of The Dry Season, ring hope and light, others such as Sunbeams Through Treelines portray a more ghostly and ethereal sense. There's often a very deep, driving swell amongst Luke's music, pushing it along into (sometimes) deep-dubby-techno-territory, with tracks such as We Fell (The Well) immersing the listener into a cloudier, more cotton-wool based Deepchord world. It all makes for a varied and emotional listening experience, invoking the kind of nostalgia you can only get from old equipment, and a musician with his ear to the ground.
Luke calls is "sci-fi ambient for dusty basement tape decks", and to be honest, I couldn't put it better myself.