Full Circle Handmade Wooden CD Case by Kevin Bryce

 

What seems to be a tradition now with any ASIP compilation (Europe, Uncharted Places and now Full Circle), we enlisted Kevin Bryce to make a limited, hand-made wooden companion to the main release.

This time, Kevin made five beautiful CD cases, which were modeled off the main Full Circle artwork by Mario Morales. The vinyl artwork was a 3D take on the ASIP logo, and Kevin decided to take the 3D files used to generate the design, and make a real-life wooden version. Like everything Kevin has done for us (the Uncharted Places CD case and the Europe Vinyl Case for example) it turned out absolutely beautiful.

Hours of craft and detail went into it, producing a prototype case which was near to spot on. All we did after the prototype version was deepen the inlay to host two CD’s and add a black felt, and title text on the inside. Then once the design and build was final, Kevin and a friend went to work sanding, detailing, and finally oiling.

The five CD cases were made available with the Full Circle vinyl release and sold out instantly back in December. Since then, Kevin has been busy finalizing them ready for delivery.

A big thank you to Kevin for the outstanding craftsmanship and effort he put into these. And thank you to the five people that snapped them up. We hope you not only enjoy them, but place them with pride for everyone to see. All profits from this, and the main Full Circle release are going to charity - The Harmony Project.

An introduction and overview of the process by Kevin Bryce, including care instructions for you lucky five owners:

This was a difficult but ultimately satisfying project. I had the idea after seeing the artwork for the Full Circle release and tried to think of a way to adapt the original design into a 3-dimensional shape. After a very long time trying to convert the original artwork I was able to get it into a workable albeit somewhat crude physical model. Next came several attempts at figuring out how to machine such a shape on a 3 axis CNC. It would have been handy to have access to a CNC lathe for this project but you have to work with the tools at hand…

I had access to a ton of hard Maple that had been used to make butcher-block style restaurant tables, so I went through several large piles of wood to select some wood that I thought would work for the project. I wanted to find wood with some unusual grain patterns, the main problem being trying to find neat looking wood with wood that would be structurally sound enough to handle being cut into the relatively thin pieces I would need.

Once I had the wood, I began testing the 3D cut file. It took some time to get the optimal balance between time spent on the CNC and a smooth workable finish. I eventually found the right balance (or so I thought) and proceeded to cut all the pieces for the project. Once I had all the pieces cut, it was just a matter of sanding it to a smooth finish. Unfortunately I hadn’t fully grasped just how hard this particular hard Maple was, so after spending more than eight hours sanding the first one, I enlisted the help of an old friend who I had worked with for years and years at a local Vancouver guitar shop.

Finally after countless hours and many profanities and promises to never use this particular strain of Maple again, we had five boxes ready for finishing.

One of the interesting side effects of this design is how the Tung Oil used to finish the wood is absorbed. Generally a box presents a uniform surface to be finished but with this being such an odd 3D shape, the different surfaces all seemed to absorb the oil at different rates, so it took several extra applications in order to give it a uniform finish.

After the oil had been applied and rubbed smooth, it was time to add the hardware. I was pretty nervous that pounding nails into such a thin piece of wood might cause it to split, but I got lucky and after pre-drilling the hinge and lock holes, I managed to get everything installed with no catastrophes.

A couple of notes about the care of these boxes: The hinges are quite small as they had to fit on the side of the two box pieces. So please be careful opening and closing the box. They will not stand up to a lot of abuse if allowed to swing open and rock back against the hinge.

The other important thing to note is that because these are solid wood pieces, they are susceptible to any drastic changes in relative humidity. The best way to care for them is to think of them as people. If they are kept in an environment that you would find uncomfortable, then they will very likely be uncomfortable as well and express that by warping in some way. The good news is if you happen to notice your box cupping or bowing, it can probably be remedied by placing it in a comfortable environment- about 40% relative humidity.

 
 
 

Now available: 36 / Fade To Grey

 
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We’re very excited to welcome back 36 / Dennis Huddleston to ASIP after his outstanding 2016 concept album The Infinity Room.

View the full release page for links to buy and to listen to 36’s new album ‘Fade To Grey’.

~

36’s music is often associated with and influenced by the futuristic, cyberpunk side of ambient music. His ability to transport and portray new worlds evident through his 2016 album for ASIP, ‘The Infinity Room’, or any of his self-released works.

It’s of no surprise then to see his return to ASIP take this exploration one-step further. However, instead of the more obvious themes that come with cyberpunk, such as technological fetishism or vapid aesthetics, Dennis has decided to focus on the isolation of individuals, using (and often abusing) technology as a means of escapism - a side of cyberpunk that often goes unnoticed when it comes to the musical depictions that come with it.

Fade To Grey reflects on current social paradigms, where social media has become a weak substitute for human interaction. Rather than bringing people together, it often makes us feel lonelier than ever. As evident in the album's artwork, technology is shown to be far from benign. The soft, gentle elegance of watercolor is juxtaposed by the violent splatters of machinery. Every vice has its price.

Considering the landscape of our own world right now, where a handful of companies control everything we consume, where convenience is more important than privacy, where personal choice is pre-determined by algorithms analyzing our behavior, and where the internet has become a battleground for influence and propaganda... It's not a stretch of the imagination to believe we're already witnessing our very own dystopia.

Buy.

 

Full Circle Anniversary and Charity Compilation: now available

We’re very excited to share with you our ten year anniversary compilation titled, Full Circle. This has been well over a year in the making and was due to be released on the exact anniversary of August 26th, (the date of the first blog post in 2008), but due to our need to get a perfect press, it has been delayed a little until now.

The music presented in this compilation is probably the closest distillation of what has inspired ASIP over the past ten years. The ASIP website and its many versions; blog posts; guest mixes; even some of the older archived (now hidden) posts, were revisited to find the perfect tracks to put forward.

There was however, a few limitations in mind: (1) It had to be a track previously written about or featured in some capacity on ASIP from 2008-2018. (2) The track has previously not been released on vinyl. (3) The artist isn’t currently a part of the ASIP label family.

The end result isn’t a compilation of rarities, b-sides or label exclusives that you may have expected at a typical ten year milestone. Instead, it’s a compilation of music that has helped define ASIP as many people know it today. From drone and space ambient; to shoegaze inspired guitars; nostalgic electronica and melodic synthesizer music, Full Circle presents many of the elements that have been captured over the past ten years on A Strangely Isolated Place.

Pressed into the grooves of this record is some of the finest music to grace my ears that I felt passionate enough to feature on ASIP in the past, and now once more on vinyl - Ryan.

To help celebrate the occasion, all profits from this compilation will go to a charity called The Harmony Project: www.harmony-project.org. We felt that investing in and helping the next generation of potential musicians would be a fitting tribute to the overall concept of the release.

In more ways than one, we’ve come full circle.

For more information, links to buy and listen see the release page.

Thank you to all of the artists, labels and everyone involved in bringing this to life.

 
 

Markus Guentner / Empire - now available

 
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From fiery remnants, a universal rhythm emerged.
An ebb and flow of force and fate,
creating worlds within worlds,
forever connected by an infinite empire.

Markus Guentner’s story continues where his last album, 'Theia’  left off with another set of epic atmospheres and brave new worlds. This time Markus enlists the skills of harpist; Tom Moth, cellist; Julia Kent and fellow ambient storyteller; bvdub to complete the journey.

Head to the release page for more information and links to listen/buy or straight to Bandcamp.

 

Markus Guentner / Empire - Preorder available

 
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From fiery remnants, a universal rhythm emerged.
An ebb and flow of force and fate,
creating worlds within worlds,
forever connected by an infinite empire.

We're back with Markus Guentner's second album here on ASIP, where he continues the journey he started on his first vinyl release, Theia.

This time, he's enlisted the skills of cellist Julia Kent, harpist Tom Moth (from Florence and the Machine) and ASIP favorite, bvdub to complete another deep and mesmorizing excursion into the unknown. Then we have the talented Black Knoll on mastering, and Noah M / Keep Adding on the beautiful artwork. 

Head over to the album's release page for full details, links to purchase and audio previews. 

We'll leave you with this video teaser featuring music from one of the tracks starring the beautiful work of Julia Kent.