isolatedmix 108 - Sentre

Our relationship with Quiet Places began last year and their debut album as a trio is slowly but surely becoming a favorite for anyone who likes to dive into intriguing new worlds and wide-screen ambient rabbit holes., or watch epic hour-long expanses.

The three chaps behind the Quiet Places alias: Charlie May, Dennis White and Dave Gardner are all respectable producers in their own right, and with Charlie already providing us with a marathon isolatedmix, it was only a matter of time before we got into the minds of Dennis and Dave, who also produce music as Sentre.

When they’re not making massive anthems like U&ME, or Sleep Acid, Dennis and Dave are finding inspiration from the more chilled side of electronic music and pulling from a wide spectrum of influences to inform one of their many productions - be it as Quiet Places, Sentre or putting together epic live shows for Sasha alongside Charlie (seen here on stage at The Barbican).

Sentre / Bird Up! Records · Sentre - U&ME (Radio Edit)

Stepping up as Sentre behind the controls for isolatedmix 108, we’re treated to a journey that reflects the classic multi-faceted downtempo DJ. Drawing influences from more electronic/dancefloor-oriented producers, and combining more relaxed sensibilities with an overall craft for track selection and vibe, you’ll find a selection of respected electronic music pioneers in Daniel Avery, Nicolas Jaar, Rival Consoles, DJ Healer and Leon Vynehall, spliced with a couple of diggers and their very own edits as Sentre.

Scroll below for a short interview with them both and more insight on the project and mix.

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

astrangelyisolatedplace · isolatedmix 108 - Sentre

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Tracklist:

01. Lord Of The Isles - Inheritance (feat. Ellen Renton)
02. Leon Vynehall - It Breaks (Chapter IX)
03. John Beltran - Lose You
04. Hania Rani - Buka
05. Map.ache - Ukiu
06. Maarja Nuut & Ruum - Kuud kuulama 
07. Sentre - Waiting for the Sun
08. Rival Consoles - Still Here
09. Daniel Avery - Into the Arms of Stillness
10. Nicolas Jaar - Cenizas
11. The Durutti Column - Opera II
12. Adolf Noise - Last Night of the Year
13. Sebastian Tellier - L’amour et la Violence (Simple Mind Version )
14. DJ Healer - The Interview
15. Claude Speed - R U Sorry
16. Sevendeaths - SH4A
17. The Tourist - Together at the Centre of Creation
18. Sentre - Sleep Acid ( Ambient )
19. Johannes Schmoelling - Perpetual Motion

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Hello to two-thirds of Quiet Places. Can you tell us a bit in your own words on how you feel about the reception of the record so far? 

We're super happy with how it's been received and very impressed with the listenership loyalty at ASIP. We launched that album into the ether with no great expectations, so to see people buying the lovely package you put together for us is really satisfying. 

How would you describe your Sentre project to anyone new and how did it come about? 

Sentre is predominantly electronic music, mostly aimed at dancefloors but drawing on our different tastes and influences. There's some atonal clubby noise and also some dreamy atmospheric stuff that borders on synth-pop. I met Dave on Gumtree selling sample CDs.

Charlie May (the final third of Quiet Places) said that Dave is an encyclopedia when it comes to production…

Well I don't know anyone else who can play you Afghan funk from the 70s one moment and elusive BOC remixes the next. 

It was also mentioned that two rules of Quiet Places production included no beats and no grid and that Dennis as an amazing drummer. The first is probably handy for an ambient record, but how did Dennis adapt?

It's nice to work within limitations, it'll force you to do things you wouldn't normally. That's actually a principle we've started applying to Sentre as well, we're currently working with a palette of drum sounds and seeing how far we can push it. 

There's actually loads of rhythm in Quiet Places but it's hiding in arpeggios or edits we've done by hand and extrapolated out. It's really interesting that samples have a rhythm of their own when you don't force them to sit on a grid. (Doing drugs helps as well).

Some nice samples make an appearance in this isolatedmix too . Can you help shed some light on any of the samples in the QP record?

Dave and Charlie are the sample kings. We've sampled underwater creatures, ASMR videos, old interviews, UFO enthusiasts.... Our publisher had a job on his hands clearing all those!

Your isolatedmix runs the gauntlet in terms of styles but has a clear overall vibe. How would you describe it? Was that your original intent?

Yes, it was actually. We’re both big Weatherall fans and loved how he used to play a crazy mixture of music but somehow it all worked together. Jose Padilla was excellent at this too. We thought it would be interesting to try and do something similar as a little tribute to both Andrew and Jose. Hopefully, it works and people will enjoy it. 

‘The Interview’ is featured in your mix - a personal fave of mine. Is that your favorite track from the mysterioso?

The whole album deserves a listen in sequence to become properly immersed! My other favorites are 'Planet Lonely' and 'Protectionspell'

We generally like to pick obscure samples so that they can be chopped up to imply slightly odd things or they just completely lose any context. A lot of work went into that for the QP record.

Given the extensive use of samples throughout your productions, people on the street are going to be asking… ARE YOU DJ HEALER?

Sadly not. :(

~

Sentre | Soundcloud | Facebook

Interview: The making of Gadi Sassoon's 'Multiverse', with Andy Gillham

astrangelyisolatedplace · Interview: The making of Gadi Sassoon's 'Multiverse', with Andy Gillham

Listen to a track-by-track behind the scenes with Gadi Sassoon as he and interviewer, Andy Gillham (VLSI / Echaskech) discuss the making of Gadi's new album 'Multiverse'; the supercomputer process; and some of the wild inspirations behind each track.

Also below, some shots taken throughout the making of the album as mentioned by Gadi in the interview.

Buy/listen to Multiverse on digital and 2LP here.

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Photos by Giulia Ghedini and sketches by Gadi Sassoon

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The NRG - Live '94

My friends and I have an ongoing private joke where we (non-musicians for the most part so no chance of it ever happening) would set up a band/electronic act one day, that doesn’t really exist.

We already have the name, branding and who gets to play lead singer (it’s not me, unfortunately). We would make a fake website, and ACE the social media game, sell fake merch etc etc. We were only half-serious, I guess (right guys?) as it sounds either crazy, or like people with too much time on their hands, or both… very possible given the world today.

Well now someone beat us to the punch and has done so in spectacular style. The minor difference, however, is that these (guys/gals) are evidently, actually musicians and have created a rather lovely album, despite the fact that the story, gigs, flyers, tickets etc surrounding it is, apparently all made up.

In what is maybe a dig at today’s social-media-driven hyperbole, or just a fun way to present music The NRG are a forgotten electronic music act from the 90’s that play ‘Stadium Ambient’. And yes, you’re probably already getting the KLF vibes if that term, color pallete and name didn’t already push it over the edge.

The concept is pretty amazing, but so is the music. You can compare it to The KLF’s Chill Out of course, but it definitely leans more towards The KLF’s more upbeat music in energy and rave nostalgia, despite some very glaring references to the OG Chill Out album (Pedal Steel anyone?)

You all know how much I love that album (I put together a whole new reinterpreted mix for it) and I’m sat here wishing these old geezers from Sheffield (or whoever they are!) would have approached me to release this superb album. It would have been as magical as the thoughts in Jimmy’s head and two steps towards completing some kind of imaginary trifecta one day (it has to be a pyramid right?)… The KLF Reinterpreted Mix [CHECK]… The KLF Reinterpreted album…[CHECK]…

Now I sound like a loony.

Live ‘94 is available on Bandcamp

And you should definitely check out the website for this release.

isolatedmix 107 - Illuvia

It’s not often that we get ASIP artists to contribute with isolatedmixes, but Ludvig’s journey with his Illuvia alias revives a love for the Drum and Bass genre in all of us electronic music fans, triggering the emotion, highs, and nostalgia that so often comes hand-in-hand with the atmospheric side of DnB.

Ludvig’s upcoming LP as Illuvia (Iridescence Of Clouds) sits at the apex of both ambient and Drum and Bass - somehow quenching the thirst of both sides whilst inciting something new and exciting. After being a part of this journey with Ludvig over the past few years, we got talking about the many inspirations behind the album and I urged him to put together this mix for us all by way of further insight into the album. I will leave the rest of the introduction to Ludvig, as he has taken the time to pen an intro to the mix; the inspiration behind it, and how it connects to his upcoming release.

What I will say, however, is the exact same as the comment I left on the original Illuvia album on Bandcamp back in 2017… “LTJ Bukem, eat your heart out”!

“

I’m not too big on genre definitions per se – I prefer to describe music in terms of its emotion and energy, its flavors and colors. But when talking about music it is also helpful if we use these definitions to simplify the description process. If I say atmospheric drum & bass (or ambient jungle if you like), everyone who has an interest in electronic music knows what I’m talking about. Genres are funny though – they seem to gather their own momentum and become these overarching stylistic markers that many artists (myself included) then allow to color or even define their own unique expression, making it fit within these imaginary boundaries defined by the ones that came before – the ones who broke new ground. I’m all for staying true to one’s inner vision, and I’m also particularly fond of the aesthetics of atmospheric drum & bass, which have influenced my work from a young age. There are probably many reasons why.

During my teenage years, I was experiencing perpetual anxiety and slipping deeper and deeper into depressive states of mind. Few things had the power to reach me and lift me out of such states (at the time; being alone in nature, getting lost in music, or complete physical exhaustion basically). I remember one time in particular when I was experiencing deep anxiety, staying in an apartment with friends who lived in the city. We had been drinking and getting high, and this only exacerbated my anxiety. I always carried my portable CD-player and had brought with me a couple of newly purchased Good Looking Records compilations. I went to lie down on the floor somewhere, put my headphones on, and slipped into another world.

Gently I was lifted out of the panic that was gripping my heart and into a world full of wonder. The contrast to my previous state was extreme. The body was relaxing while I was traveling in astral realms defined by emotion and color. The senses merged, the music became visual. Of course, this experience was enabled in part by a chemically induced altered state, but I have later traveled in similar ways without that component, and I would definitely say that the experience is even more profound when you learn to just use the focus of your mind. The music becomes a bridge, letting you cross over from your present, often very limited state (such as believing that you are a person in a body), into greater awareness of the limitless nature of existence. Why do people love these experiences? Because they are natural.

Back to atmospheric drum & bass in particular, and those qualities embodied within it that my heart will always stay warm to (and, by the way, all of this is naturally my subjective interpretation and rather fluid as such).

Primarily, it is the lightness, playfulness and childlike wonder that I gravitate to so deeply. There are drum & bass tracks that are nothing but pure, distilled joy and wonderment (a few by Artemis come to mind). It’s quite rare to find artistic expressions of pure happiness among all the (man-made) troubles of the modern world. When artists “in” this genre are exploring other states in their expression, such as sadness, loneliness, longing, desolation etc., these are approached in a refreshingly non-personal way and instead interpreted more cinematically. It seems to be all about taking on a grander view of life, of existence, and the personal drama is simply not that significant in the cosmic scheme of things (thankfully). Along the same lines, there seems to be a near-total absence of “coolness” or attitude to this particular style of music, which makes me think that the intent is more about sharing a positive experience rather than that of impressing someone. Of course, not always true and definitely not exclusive to this genre (!), but it just seems peculiarly prevalent in my view. Less “look at me!” and more “look at this amazing view!”.

Possible Worlds a track by Moonchild (aka Nu-Moon) expresses some of this in the title, nicely depicted by this YT video:

Look how small we are. Look how grand this whole thing is. But contemplating this doesn’t make you feel small – perhaps only momentarily while you shift out of your familiar world and assume a more expansive outlook. Keep going and you will begin to feel cosmic. You will become an empty space full of wonder (or realize that this is what you were all along).

Back to little me. As I was already producing music at the time of the ‘atmospheric out-of-body-experience & bass’ described before, I naturally began to make my own attempts of creating these types of tracks. My musical journey started as a drummer so I was innately in love with intricate fast-paced breaks – and who on earth doesn’t love a massive sub? (Probably some, however difficult that is to fathom...). My own earliest adventures in the genre worthy of release eventually saw the light of day via this compilation released by Omni Music UK:

Chris ‘Eschaton’ Wright has been a big supporter of this side of my work, so I’m happy that this compilation remains in archives of his prolific label. And yes, Ziyal is named after a character in Star Trek: Deep Space 9 (not that you asked, but in case you would ever wonder about it!). She’s a beautiful though sadly short-lived character that bridges two opposing worlds with her childlike, open heart, and so I felt it fitting that she would be commemorated in my atmospheric drum & bass explorations. After creating a double album of epic proportions together with my brother-in-sound Bass’Flo (aka Sinius), the climax of Ziyal consolidated as the album No World But You released by another brother-in-sound and longtime supporter of my work – Kian Asamoah, operating Noisy Meditation:

A few solar cycles later, it was time for renewal. Letting two long time monikers go to rest (Alveol and Ziyal), I had no name for the new music that was coming through full-force, as the later on titled Illuvia (Exaltation) materialized during an all-night session. Somewhat lost in the dark at the time, I wasn’t very happy with it afterward and pretty much left it aside. The new music kept flowing and eventually the entire Illuvia debut album had arrived, along with this name that for me personally carried the meaning “path of illumination” or “path of light” (I have later found other meanings within it).

Years passed, and after a couple of fruitless attempts at getting this debut album pressed to vinyl, I finally decided to release it digitally on my own. At the very final stages of that process, I happened to uncover that initial version of the Illuvia track and decided to throw it on as the finale with the epithet (Exaltation). But this is turning into quite the novel, so let me conclude by taking a breath, and re-center in the present moment.

Why am I writing this? Ah yes, the mix and the new album. So, I wanted to compile a mix consisting mainly of tracks I listened to during those early years of discovering and exploring this style of music through buying CDs in local record shops. First off, there are so many gems that I couldn’t fit into this mix unless it would have been 8 hours long. It was emotionally painful to make some of these decisions – a testament to the love I feel for these pieces of sonic art that have accompanied me through life. The main inspiration behind the mix is the desire to share the experience of stepping back and taking in a grander view of life and existence, as is so emotionally articulated by Ellie Arroway in the intro (a fictional character in one of my all-time favorite movies).

And the ‘Iridescence of Clouds’ album… what is it about?

So many things. So many points connecting there (though I feel like maybe I didn’t quite manage to tie them together). Mainly, I think I’m still chasing those grand visions I had in my youth, and have had ever since… those feelings that are too vast to fit within any known definitions or boundaries, but still can only be expressed through a process of limitation. The decision to explore a certain stylistic direction is one such limitation, and it seems to be one that ignites my inspiration. It feels like there is more depth and new vistas to explore in those atmospheric worlds of big harmonic waves, deep subs and rapidly flowing beats. Sometimes I feel that my tools have gotten blunt over the years – that I’ve lost some quality of clarity that I long to recover. But I don't know that for sure. What I do know is that this album is a small part of something so much greater (endlessly greater if we continue zooming out)... and as with every other aspect of creation, it is important. It is possibly a step towards the unveiling of some even greater vision that couldn’t happen without it. Nothing we create will ever be a destination, something complete in and of itself. It will always and ever only be a step.

“ - Ludvig Cimbrelius.

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

astrangelyisolatedplace · isolatedmix 107 - Illuvia

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Tracklist:

01. Photek - Aura
02. Blu Mar Ten - Cumulus
03. The Architex - Escape
04. Photek - Rings Around Saturn
05. Seba & Lotek - So Long
06. Boymerang - The River (VIP)
07. J Majik - Repertoire
08. 154 - Apricot
09. Teebee & K - Cherokee
10. Flytronix - Vertical Plains
11. Photek - T'Raenon
12. Hidden Agenda - The Sun
13. Tunduska - Blush Response
14. Goldie - Sea of Tears
15. ASC - The Machinery of Night
16. Goldie - Letter of Fate
17. Alaska & Paradox - Etherous
18. Boymerang - Lazarus
19. Lamb - Just Is

The mix also contains parts of these tracks:

Jonny L - Tychonic Cycle
Alaska - Ultramundane
Hidden Agenda - Dispatches #2
Nu-Moon - Sea Town
Override - PAC 3
Nebula - Escapism
Artemis - Inner Worlds
Henrik B - Mirrors
Motive One - Loop Progression

Illuvia | Bandcamp | Soundcloud | ASIP artist page

ASIP - Anecumene DJ set (CALMA Madrid Podcast)

CALMA Madrid have kindly published the set I prepared as part of the recent anecumene 9128.live takeover which aired late last year. You can listen, download below or head over to the CALMA Madrid Soundcloud.

The set is an hour long and features a selection of energetic, synth-heavy ambient music. It was a theme carried throughout until the last two tracks which brought it back down in energy a little to help the other ambient sets maintain energy, with the last track being an upcoming ASIP exclusive.

Big thank you to CALMA for not only helping create an amazing weekend on 9128.live but for also republishing this set.

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CALMA Madrid · ASIP Dj set for Anecumene

Tracklist:

01. Field Lines Cartographer - Magic Lanterns (Castles in Space)
02. Jo Johnson - Marching (Self)
03. Jonathan Fitoussi - Orion (Further)
04. Elijah - Eli’s Exodus (Contagion Discs)
05. Robert Leiner - Zenit (Apollo)
06. Wata Igarashi - Las Ventanas Abiertas (Eniss Lab)
07. Avsluta - Absent Corporeality (xyz Project)
08. Ground Tactics - Entering Opacity (Self)
09. Lisa Bella Donna - Crystal Mountains (Self)
10. Forthcoming on ASIP

Buy Music Club list: