Jo Johnson

ASIP - Reflection on 2023

 

As with all past ‘Reflection’ year-end mixes, I start with a collection of albums, EPs, and compilations I have enjoyed over the past year. Through the process of compiling a mix, tracks are selected from this extensive collection. This ultimately means many of my favorite tracks and albums are often omitted in this process, due to the organic process of compiling a mix, things don’t fit, or fall by the wayside. There are many albums I had on high rotation missing from this mix, but I have to stop somewhere. As I say every year, this isn’t a definitive ‘best-of’ list, but a selection of *some* of my favorite music from the year in one listenable format. It’s the most enjoyable way for me to boil down the music I’ve loved from the year using these self-imposed restrictions, for you to enjoy and hopefully discover more, and for me to reflect on time and time again - like a photograph that captures the year in music.

I encourage you to use the mix to explore each artist, listen to the album in full, and explore each label (and check the Buy Music Club list at the bottom). If you want to see the majority of music I’ve been supporting this year, head over to my Bandcamp collection. For the ASIP year-end label compilation, see the feature and mix here.

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Yikes, I crossed the 3-hour mark! Well, that speaks volumes to the amount of great music that was released this year, and I’m already feeling guilty about omissions from this mix. But alas, it needs to stop somewhere, the Holiday’s are coming…

This edition marks the tenth year in succession (2010 was the first mix but I skipped doing this for two years for some reason) and it is an extremely enjoyable exercise I look forward to every year. Revisiting many of the albums I’ve purchased throughout the year, and records from my shelf, then taking the time to absorb more recent releases - the process is cathartic (after the slight anxiety that builds knowing I have a beast of a mix to tackle, and hard decisions to be made).

Looking back at previous Reflection mixes, I am evidently a creature of habit and seem to gravitate to certain artists more than most over the years (we all have our faves), but I also take a lot of time to dig for new artists and approaches to music in this realm, and this year’s edition is probably the most varied in music styles since the Reflection series began. Ambient, field recordings, drone (Power-ambient, even), big saxophones (the flute revival didn’t make it ;-), Japanese left-field pop, deep techno, chugging techno, modern classical, experimental, jungle, breaks, dub and more… as you might imagine, this is a 3hr mix that feels more like a showcase than a DJ mix in the traditional sense, as I’m focusing on creating chapters of different styles, but I hope makes for an attentive listen if you’ve got 3hrs to spare.

Am I going to write about all 42 tracks? Not this time, as I don’t think there’s much I can illustrate other than ‘go listen to that entire album!’ but I will make a few observations on themes that emerged as I was going through this process.

Firstly, the far corners of Bandcamp are very much alive, so for anyone looking for alternatives given all the talk with Bandcamp this year, please don’t hit the escape button and continue to support us- I continued to find so many new labels and artists, some of which are included here such as Liis Ring, Etüüd, ǝɯǝɐ, Azu Tiwaline and not to forget a kick-ass Jungle community throwing out some lovely 90’s infused comps. Bandcamp keeps small labels and artists alive right now (only two of these tracks were physical releases and not on Bandcamp - #19 & #42).

I spent a lot of time listening to music that would work for the two shows I played in Japan earlier this year, and for those who listened back to one of the sets I posted, you may notice a few similar tracks/artists appearing here again which I’ve held in high regard since their release, such as Jo Johnson, Field Lines Cartographer and Endurance. On reflection, there was a lot of deepness for me this year that came from preparing for and inspired by those sets, sitting on the edges of techno with lots of synthesizer/Berlin school projects (as well as a couple of artists I got to see in person whilst over there such as Yolabmi and Endurance).

There were a couple of glaring omissions from this mix (*checks Bandcamp app most played*) which I had on rotation so much this year that I still wanted to mention, such as Imaginary Softwoods, who was behind one of my favorite tracks of the year, ‘Diagrams of the Universe’. Along with Johnny Nash’s Point of Entry - a tranquil guitar-laden affair, both of which never left my turntable for long.

The ever-expanding ASIP roster of artists, both alumni and current, had an extremely busy year evidently (I try to restrict their inclusions in this mix where I can otherwise it could be an entire ASIP promo show… hey that’s an idea…). bvdub released about ~10 masterpieces, as only he can, flaunting all possible peripherals in his deep arsenal (along with rounding out the Earth House Hold project with us of course). ASC was crazy busy with his quality retro Spatial DnB releases (one of them made it in here). For those who enjoyed Alex Albrecht’s debut with us, don’t miss his earlier 2023 release. Deepchild released another great textured follow-up to his ASIP debut for those wanting more. 36 continued some rave-esque ambient no doubt inspired by his 9128 recording a few years back. Markus Guentner began an exciting collab project with Joachim Spieth (and also appeared in several other collaborations). RAI kept things relatively reflective with a few Bandcamp specials and recordings from his live tour. Benoit Pîoulard made a beautiful return to Morr Music, and Christian Kleine rounded out the year with a limited vinyl press. Those needing more from our 2023 new signing Mikkel Rev, can check out his earlier album released in January this year. James Bernard had a busy year alongside his wife as Awakened Souls, and found more 90’s DAT goodness among many other projects. Mick Chillage released a superb sleeper IDM album in the form of Initial Programs. Dr Atmo’s throwback to his early sounds saw a rebirth of one of his most enjoyed albums alongside new remixes. Wanderwelle made their second full-length odyssey for Important Records and Yagya continued to explore uncharted new takes on his sound through his new label imprint. Scanner’s innovative repertoire continued to expand and one of my faves of his came in the form of this collab. Hior Chronik published a couple of unreleased gems. And lastly, Ludvig Cimbrelius aka Purl/Illuvia and Arovane managed to sneak onto this mix with a couple of their releases…

Two labels who hit home runs for me this year with the majority of their releases. Illian Tape had some extremely great (and varied) electronic releases. And while Mysteries of the Deep’s output was relatively choice (quality over quantity), 3 out of the 4 releases made it onto the mix!

There are a couple of tracks in the mix from albums that align with what seems to be, the common consensus on some of the ‘best’ electronic releases from the year (one of the advantages of my waiting until mid-December to finish this mix is I see what other people are rating highly or what I might’ve missed) such as James Holden’s psychedelic return, and Purelink’s amphibious dub LP. But other than those two, I think everyone should find something new among the twists and turns across the 3 hours and 42 tracks.

For the mix artwork this year, and after last year’s terribly basic AI take (it’s come a long way in a year!), I toyed with creating another AI attempt on a “A Strangely Isolated Place” prompt, but you have to spend time to get quality back out of these lil’ work gnomes. Every image I created from that prompt ended up being a stereotypical lonely hiker (with 4 fingers I’m sure) strolling through a highly conceptual colorful future universe. Either that or a decrepit shed…

So instead, I opted for an image that means much more to me… a wall. Not just any wall though, it’s the wall outside of Spread nightclub in Tokyo where I had the pleasure of playing an ambient set this year, meeting new friends, and making some amazing memories.

Thanks to all of the artists and labels included here who have soundtracked my year in more ways than one, and the many more I didn’t manage to include this time around. Be sure to check the previous year’s Reflection mixes for more of the same.

Hope you enjoy the listen back at a great year of music.

Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android app

Download MP3

Tracklist:

01. Sleep D - Hector (Dreaming) (Butter Sessions)
02. Liis Ring - after-image IV: abborresjön (Breton Cassette)
03. William Selman - Leaky Paradise (Mysteries of the Deep)
04. Etüüd - Õhtute kollane tolm (Self released)
05. TU M' - Monochrome #26 (Line Imprint)
06. Arovane - ypaal (Quiet Details)
07. Field Lines Cartographer - Mountain Icicles (Castles in Space)
08. Dream Dolphin - Gaia (Ethereal Fantasy) (Music from Memory)
09. Salamanda - Nostalgia (Wisdom Teeth)
10. Endurance - Crest v2 (Muzan Editions)
11. Suzanne Ciani & Jonathan Fitoussi - Coral Reef (Transversales)
12. Alex Israel - Vacua (Somnambulant Drift)
13. The Black Dog - The Mundane (Dust Science)
14. Locust - Miriam (Mysteries of the Deep)
15. Niko Tzoukmanis - Way Home (Libreville Records)
16. Jo Johnson - Transience (Mysteries of the Deep)
17. Dasha Rush - Dubby Doo (Raster Noton)
18. ǝɯǝɐ - Andrei Rublev (Secuencias Temporales)
19. Gigi Masin & Rod Modell - Red Hair Girl At The Boat Shop (13)
20. Toki Fuko - Part Two (Astral Industries)
21. shedir - Deer Fluent in the Wind (n5MD)
22. Ayaavaaki & Purl - Distant Lights (Ovum III) (LILA)
23. Bana Haffar - Sit Still (Touch)
24. Mike Lazarev - Tonality Number Two (PITP)
25. Claire Deak - In Defiance of Time (Lost Tribe Sound)
26. Lord of the Isles feat. Ellen Renton - Don't You Ache (AD93)
27. nthng - Unlimited (I) (Self released)
28. Donato Dozzy & Sabla - Flusso III (Gang of Ducks)
29. Sindh - Spyres (Sindh)
30. James Holden - In The End You'll Know (Border Community)
31. Andrea - Audieze (Ilian Tape)
32. ASC & Aural Imbalance - Overcast Skies (Auxiliary)
33. Accelio - The Garden (Sawteeth)
34. Yolabmi - Liquidity (29 Speedway)
35. MPU101 - nurMKS30 (Ilian Tape)
36. Ylia - Ame Agari (Balmat)
37. Azu Tiwaline - Antenna Opening (I.O.T Records)
38. Purelink - We Should Keep Going (Peak Oil)
39. Priori - Top Soil (Rhythm Büro)
40. Hysterical Love Project - Ionian Sea (Motion Ward)
41. Om Unit + TM404 - Microdose Mondays (Acid Test)
42. David - Daybreak (Simpler Times)

Buy Music Club List (all tracks available digitally on Bandcamp other than #19 (here) + # 42 (here)

 

ASIP @ Liminal Dreams, Tokyo

 

Recording of my DJ set for the Liminal Dreams 1st-anniversary series in Tokyo, March 11th, 2023 alongside @lynne-tokyo, @yolabmi (Live), @yutotakei, and @yutaroy at Spread, Shimokitazawa. Thank you to all who made this evening happen, those who came, listened attentively, shut their eyes and let the music fill the room on an amazing system that Saturday evening.

It really was a special, memorable moment for me.

The set includes lots of unreleased/forthcoming ASIP music, alongside releases from Quiet Places (plenty of their new stuff in here ;-), Max Würden and Merrin Karras, plus some of my fave moments from Field Lines Cartographer, Echospace, qebrµs, Sindh, Jo Johnson, Acronym, Endurance and Wndfrm.

Cover photo on the night by Toby Barnes.

Read more about the event here.

 

Jo Johnson & Hilary Robinson / Session One (9128-1)

 

The inaugural 9128.live label release came from the UK’s Jo Johnson and Hilary Robinson, and is now available on 12”. Featuring subtle, harmonic drones and manipulated piano, originally aired as part of the duo’s set for the CALMA (Madrid) takeover on 9128.live, the vinyl edition was cut by Andreas LUPO Lubich, and new vinyl side masters prepared by Rafael Anton Irisarri.

Jo Johnson was a guitarist with punk band Huggy Bear in the 90s, inspired by and aligned with the riot grrrl and queercore movements. She organized underground techno parties with Bleep43 in the early 2000s and founded the crew’s label. Since 2012 she has explored experimental, minimalist music and her debut LP Weaving was released on Further Records in 2014.

After a classical training with composers including Kaija Saariaho, London-based composer, pianist and sometime vocalist Hilary Robinson is active across genres from contemporary classical concert music to experimental. Her music has been performed at festivals such as the UK’s 'Music We’d Like to Hear' and broadcast on BBC Radio.

The 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.

Session One is available digitally on Bandcamp, with the vinyl available on Bandcamp, Juno and One Eye Witness, with more stores to follow.

 

ASIP - (Live vinyl mix on 9128.live, 9/25/2021)

 
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It's hard to dedicate good amounts of time to listening to physical records, so when I had a few hours this weekend, I decided to play some of my most recent records that have been piling up on my "un-filed" shelf (everyone has one of those, right? just-in, unorganized, unplayed, etc?!)

I hit the record button without any destination in mind and ported it into 9128.live (as I often do in these ad-hoc instances) and set forth with no agenda.

It starts a little unsure in style, as I try to feel out where I want to take it, and a few dodgy transitions for not knowing the records too well yet, but the universe quickly pushes me into an IDM/synth-heavy world.

I rarely post mixes off the cuff, as I normally obsess over the details and let the moment be the moment, but figured this one might be a good one to explore given the amount of recent LP material on Bandcamp. So here we are, warts-and-all. Enjoy!

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

Download

Tracklist (by album/LP) + Bandcamp links (where possible)

1. Mu tate - Let Me Put Myself Together [Bandcamp]
2. Tapes - Silence Please [Bandcamp]
3. Anatolian Weapons - Mantili EP [Bandcamp]
4. Saphileaum - Transpersonal Experience [Bandcamp]
5. Niko Tzoukmanis - Hope Is The Sister Of Despair [Bandcamp]
6. Still In My Arms: Compiled by Bayu and Moopie (Boc Scadet - Sel Alterat) [Bandcamp]
7. Loess - Totems [Bandcamp]
8. Joe McBride & Jack Lever ‎– 21.12 / 30.03 [Discogs]
9. James Bernard/Influx - Reminiscence [Bandcamp]
10. Brabuhr Q-ih (Whylie - RDM17-05) [Bandcamp]
11. Helium - The Works E.P. [Bandcamp]
12. Niko Tzoukmanis - Hope Is The Sister Of Despair [Bandcamp]
13. Brabuhr Q-ih (Whylie - ABT22-01 [Bandcamp]
14. Ochre - An Eye to Windward [Bandcamp]
15. Nadia Struiwigh - Pax Aurora [Bandcamp]
16. Jo Johnson - Weaving [Bandcamp]
17. Anatolian Weapons / Hector Zazou with Laurie Anderson - An Afterthought / Into Your Dreams [Bandcamp]
18. Anushka Chkheidze - Halfie [Bandcamp]

 

Introducing: the 9128.live label

 
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When 9128.live launched two years ago, I envisioned a simple outcome - a place for me (selfishly) to tune in to music that I knew I would love, at any moment, be it at my computer, car or kitchen. If anyone else enjoyed it, that would be a brilliant bonus, but I had no idea it would end up where it is today; a little corner of the internet for some like-minded friends to collectively listen together, and present music (during a tough two years which undoubtedly helped us come together). And now a fledgling record label.

The 9128 label aims to document significant live performances by artists that previously debuted on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for a greater audience across various formats that best suit each release.

This weekend we launched our very first release by the brilliant Jo Johnson & Hilary Robinson, with a live recording originally aired for the Calma takeover in April 2021. It’s a spectacular piece of music that progresses through simple, expressive movements revolving around Jo’s synthesizer manipulation and Hilary’s piano. The album is now available on (the new 9128.live) Bandcamp.

Photo by Emile Facey

Photo by Emile Facey

It was organic in evolution, seeing artists prepare spectacular live sets specifically for airing on the platform. And so it was inevitable I would find my nature wanting to present some of this music to the world once more, be it on ASIP or otherwise. So, taking inspiration from concepts like the legendary John Peel Sessions, or the WXAXRXP collection, I decided to create something similar, where otherwise lost or archived live recordings are once more presented to the world as part of a greater curatorial, and the physical (or digital) formats they deserve.

In contrast to the (now big sister!) A Strangely Isolated Place label, I wanted something which didn’t obsess over the extended storytelling around the release too much. There’s no right or wrong way to present the music you personally believe in, but for 9128.live it really is about the moment, and re-presenting/documenting it. To me, it’s less about portraying a greater concept or narrative, especially as artists often don’t turn up to play live with a title or concept in mind. some are just jamming out! Therefore, the artwork for the 9128.label will remain generic with a simple and minimal approach similar to the main 9128 site. It remains to be seen what may deviate or develop over time, but I will likely keep vinyl as black and other things simple in presentation. We will not be strict in format approach and will choose a format that best suits each release, be it digital, vinyl, tape or CD. (This is also, as much for respect to the current vinyl situation too, which is clogging up the world and the ASIP label pipeline).

Musically, we already have some amazing releases lined up that look back across two years of takeovers. Not to give too much away right now, but the very first live performance on the platform will make up release #2 (and is off at press), and some unexpected deviations in style from familiar artists will be presented. This is an element I am particularly excited about; being an outlet for artists to present one-off works that they might not feel comfortable adding as part of their regular output or having the freedom to be more experimental (because it was a one-off live recording and not a new alias or something that needs overthinking).

As a result of this approach, the label will not adhere to any specific musical genres - just performances that have appeared on 9128.live before (of course, the curation for the takeovers is often contained, so naturally, there will be a focus). And due to the often extended nature of the live recordings, many will likely not be found on streaming services that cannot accommodate such.

Also not forgetting that we have a simple subscription as part of 9128.live which has enabled us to pay fees to artists to re-upload their sets for an exclusive period. For now, I see this as being pivotal to how 9128.live will continue to evolve, as we are able to present more extensive recordings to subscribers that may also include DJ sets and recordings with previously released/exclusive material. Going forward 9128 subscribers will get a discount on the label, should you wish to join and help support us and the artists this way. The label will focus on all-new material for a greater audience.

On hindsight, the 9128.live label evolution was a similar intention to how ASIP originally began; a simple intention to capture music I enjoyed, a place to revisit time and time again to document my listening adventures. And where both started out as small (maybe self-serving!) ideas, both seem to have grown to appeal to a greater audience, which I am extremely thankful for. Especially to the artists who believe in these new ventures enough to trust me with their music and present it to the world.

A big thanks to Jo Johnson, Hilary Robinson, Rafael Anton Irisarri and Molly Smith who have helped get the 9128 label off and running.

See you in the chat.