Violeta Vicci - Autovia

 
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You often hear me gushing about todos’ mixes. If you don’t then, (lucky you!) you can experience his latest for yourself here. But point being, todos has an amazing ear for creating vivid ambient excursions along with finding beautiful music amongst all the madness.

It was todos latest mix that led me to discover this track (and album) by violinist and composer Violeta Vicci.

Like many violinists and experts in their field, it sounds like Violeta Vicci (full name Violeta Barrena-Witschi) has honed her craft in the presence of the very best. Just a quick glance at her bio reads like a classical-music virtuoso resume, and her Discogs one-liner is a knock out by anyones accounts: “She has collaborated with artists such as Thom Yorke, Elbow, Jonny Greenwood, Clint Mansell, Baxter Dury, One Eskimo, Eliza Doolittle, Sophie Ellis Bextor and Pink” …

But Autovia is surprisingly Violeta’s debut album, produced with the expert hand and ears of Martin “Youth” Glover (Killing Joke), who appears to have pushed from a purely classical world into a more avant-garde, electronic guise.

The track that led me to discover Violeta, ‘Violet Light’ has the innovative and ambient qualities of a Nils Frahm, the poise and talent of a composer like Max Richter (especially his Vivaldi reworks) and the instrumental technique of a cellist like Julia Kent. Those are all references so you know where to start with Violeta, not comparisons - essentially this record continues in this guise to various degrees, some more soundtrack, some even more euphoric, and is not to be missed.

Available via the label Painted Word on vinyl and digital.

 

isolatedmix 92 - Midori Hirano

 
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Born in Kyoto, Japan and now residing in Berlin, Midori Hirano’s discography has spanned a wide spectrum of experimental electronic music. From her 2016 album on the esteemed Sonic Pieces, to her latest praised work on Australian label Daisart and her beautiful extended piece for the Longform Editions series, Midori’s work is often recognizable when in play due to her manipulation of the piano.

A talented player from a young age, Midori’s work revolves around these classical elements, often told through soft pieces, with added electronic processing and field recordings. The result draws you in through attachment, as differentiating layers and effects change productions from a simple modern classical score, to an engaging experimental piece. Think Steve Reich, or other minimalist innovators, and you’ll enjoy Midori’s experimentations.

For any electronica fans, take Midori’s work as MimiCof however, and these minimalist productions take on new rhythmic layers, often finding themselves in an even more electronic guise, sitting alongside the finest moments of labels like City Centre Offices and Morr Music, the melodies of a Lusine and the classical manipulation and experimentation of a Ryuichi Sakamoto. A high bar by all accounts, but evident in the pieces captured below, where the extremes of this sound have seen Midori’s most energetic piece to date, Moon Synch, expand with rich experimentations originating from the Buchla synthesizer.

Not only is Midori pushing the boundaries of electronic music as her own name and as MimiCof, Midori has recently signed with Erased Tapes Music, and has contributed remixes for the likes of Sonae, Kid 606 and Liars. And of course, the talent doesn’t stop there - Midori has also helped provide some photography for Christian Kleine’s ASIP release, taking pictures of her newly adopted home in Berlin.

But, back to what you’re here for, the music, and here’s what Midori had to say about her isolatedmix which combines the art evident across both her monikers with recent experimental pioneers that stay true to her sound:

“This mix consists of recent favourite tracks of mine including two of my own songs. A few tracks have voices or field recordings which I often like to use also for my music, as I often want to have a kind of feeling of watching films every time I make a mix. It puts me into a place isolated from a world while I’m listening to it for myself” - MH

Download

Tracklist:

01. Tujiko Noriko - Ride
02. Senking - Ep 4
03. Félicia Atkinson - Valis
04. alva noto + ryuichi sakamoto with ensemble modern - Broken Line
05. MimiCof - Opal
06. Eli Keszler - The Immense Endless Belt Of Faces
07. Caterina Barbieri - Fantas
08. Driftmachine - Shift II
09. Ornate Coldtrain - Powerful Myth
10. Uguisubari - Nanzen-Ji
11. Mark Pritchard - The Blinds Cage (feat. Beans)
12. Amnesia Scanner & Bill Kouligas - II
13. Midori Hirano - Haiyuki
14. Jim O’Rourke - And a 1, 2, 3, 4
15. Yair Elazar Glotman & Mats Erlandsson - Format And Formalize Desire
16. Robert Lippok - Samtal

Midori Hirano / MimiCof | Website | Bandcamp | Soundcloud |

 

Now Available: 36 / Fade To Grey (Reinterpreted)

 
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36’s cyberpunk-inspired album Fade To Grey is given a deeper, more ambient-leaning reinterpretation. Designed to be listened to as a continuous mix, 36 draws out the rich layers and distant samples into long-form versions of the original dystopian Fade To Grey story.

This was previously only available as a bonus CD with the main Fade To Grey LP, but we have now made limited CD copies available along with the full digital release.

Available on Bandcamp.

 

Portals: The Newer Age

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You thought you knew New Age until you knew a Newer Age.

It’s evidently hard to qualify New Age Music. A search online brings up some recent journalism obsessing over its hip resurgence but it’s rare to find anything other than some top records and rough history. As with all Portal’s features, I try to find a slightly new angle.

Depending on whether you’re speaking to someone who likes New Age or not, will normally get you very different answers on what it is. Ambient musicians normally hate to be coined as New Age (just ask Eno or Budd), Record shops will often categorize New Age alongside ambient (some may have their own ’Shadowfax'-heavy section) and at the very least you’ll find them all in the bargain bins (other than Portland stores it seems - a revered genre going by my last visit).

I sold and stocked ASIP catalog in a shop once (not to be named) on the basis the guy who owned it thought they were all New Age. He even went on to tell prospective customers it was New Age. I couldn’t really argue with him to say why it was or was not, or that it was ambient, or similar, because in his head it all lived under the same umbrella.

Fact Mag captured this conundrum earlier this year;-

"New age music remains misunderstood because new age isn’t a style or a sound but a sensibility; an exceptionally soupy, psychedelic one, at that. Contemporary listeners tend to conflate new age with ambient but their overlap is inconsistent: though much new age music exudes ambient qualities, the reverse is less often the case. In fact, over the years many prominent artists of the movement have rejected association with new age and its trappings, as it’s widely considered to be the domain of quacks and charlatans.” - Britt Brown / Fact Mag.

What I ended up within this Portals feature, is an interpretation of New Age as told through some recent releases, which might not be placed in the New Age bucket when on their own, alongside more immediate/classic-sounding New Age elements.

I am not a big New Age fan if I reflect on records previously identified under the genre, but I asked myself what would happen if I took the stereotypical elements of this style (hopeful, optimistic, uplifting music, religious connotations, enlightenment, spoken word, early synthesizers, the sound of the sea, forest etc etc) and applied it to music I listen to often today?

I gave myself the challenge and followed the flow of the mix not knowing where it would end up. As a genre, New Age seems loose and subjective, but as a theme that traces back to the origins of the name, I think the mix holds-up through the many styles and characteristics that are included across the ~90 mins. Perhaps proving (to me and my own silly challenge at least) that New Age isn’t always a style or genre that can be described or pinned down to a type of music, but more a feeling that’s still evident in music today.

"The phrase itself, of course, is old, invoked over centuries by various mystics and spiritual leaders to refer to an impending, ill-defined future era of enlightenment as a means of instilling hope in their congregation” - Britt Brown / Fact Mag.

Who am I to tell the owner of the record shop that ASIP releases aren’t New Age if he sees hope and new worlds in them…?! I’ll settle for that.

With this approach of not confining New Age to specific tracks, I’m holding off on the track list for now, until some time has passed for you to dive in and take it as a whole. I’ll add the full track list here soon.

Until then, see you in the next life.

 
 

Download MP3

Tracklist:

  1. Nozomu Matsumoto - Climatotherapy (The Death of Rave)

  2. Kaitlyn Aurelia Smith - I Am A Thought (Western Vinyl)

  3. Khotin - Dwellberry (Ghostly International)

  4. Imaginary Softwoods - Albion (Field Records)

  5. Akis - New Age Uprising (Part I) (Into The Light)

  6. Martin Glass - Floating To Work (Kit Records)

  7. Ex-Terrestrial - Dreams of Jupiter (1080p)

  8. Graintable - Amarps (Ransom Note)

  9. Varg - Archive 1 “Spit Sugar Free Red Bull Into My Mouth” (Posh Isolation)

  10. Suzanne Ciani - Quadrophonic Part 1 (Atmospheric)

  11. Felicia Atkinson - Vermillions (Shelter Press)

  12. Heavenly Music Corporation - Reentry (Astral Industries)

  13. Eternell - Dancing With Wind (Eternell)

  14. Martin Glass - Welcome to the Four Seasons (Kit Records)

  15. Wanderwelle - Her Name Is Vairumati (Silent Season)

  16. Mark Peters - Twenty Bridges (Andi Otto Remix) (Sonic Cathedral)

  17. Seahawks - Emergence (Cascine)

  18. Dagerlöff - From The Womb To The Tomb (Tigersushi)

  19. Ana Caprix - Terminal (Self Released)

  20. CFCF - Closed Space (Single edit) (BGM Solutions)

  21. DJ Healer - Protectionspell (All Possible Worlds)

  22. Datasette - 65536 KiloEnyas (Self Released)

  23. Jesse Somfay - Levamentum [Aqua Regia] (Tipping Hand)

  24. Parks - Forest (Self Released)

  25. Procedamus In Pace (Paschale Mysterium)

  26. Kettel & Secede - Admittance (Sending Orbs)

  27. Tongues Of Light - Awakening Side (Pre-Cert Home Entertainment)

 
 

Now available: Comit / Remote Viewing

 

We’re extremely pleased for this one to see the light of day. After hearing James’ music as Comit back in 2016, it was refreshing to hear such a new take on what was previously called “IDM”. Done in a style that only someone like James could achieve he brings a clean, break-beat, heavily melodic approach to the “intelligent” side of electronic music, without using the typical tropes of yester-year.

Given the early inspirations for this sound, we enlisted the man behind many of City Centre Offices releases to master the record, Andreas ‘Loop-O’ Lubich and of course some stunning artwork by our regular contributor Noah M / Keep Adding. One detail, I myself got to provide the original photograph for this record which Noah manipulated to what you see today. It was a shot taken in Tokyo of the neon lights, and I’m sure you can guess where.

Lastly, a big thank you to Heath Looney who helped birth this project for James and had our support in bringing it to life on ASIP.

Remote Viewing is now available with all information, links to buy and listen on the release page.