ASIP Wantlist #3 Mike Cadoo (n5MD)

 

Mike Cadoo is a man of many talents and many guises, and I'm sure plenty of you reading this are familiar with his legendary label, n5MD and his post-rock epic-ness as Bitcrush.  

It was a crate-digging session with him and Brock last year at Substrata Festival that part inspired me to start this mini series; intrigued by the many musical influences that have shaped such well-respected people in the ambient community.

Here's five records Mike's on the hunt for, ranging from a classic ambient LP to modern classical, metal and industrial rock - a spectrum that no doubt influenced his interests and output for both n5MD and his own productions. 

1. Autechre – Amber [Discogs]

While my want-list is not in any specific order I think of this one often when I think of record I truly am looking out for in decent quality at price that is not too over the top. I'm not 100% sure if stock of the repress was lost in the Sony DADC warehouse fire in 2011 as it is "plentiful" on discogs. But the prices for decent quality copies are running in the mid to upper 200s not including shipping. I have special place for this album as it was the only CD I had with me on a west coast tour back in '98. The track Slip being the highlight of the album for me even to this day.

2. Skinny Puppy – Last Rights [Discogs]

I often have heated discussions with Skinny Puppy fans about this album and its predecessor Too Dark Park. I find that Last Rights still holds up to this day where Too Dark Park doesn't (please save your complaints - it's just one person's opinion :P ). I feel Last Rights' more decoupage of sound layering that is barely held together by Oglevie's production gives it a more timeless feel than their other more “fleshed out” efforts.   I have never actually seen an original pressing for sale. While even the 2XLP prepress is going for a decent price when they become available. There is also a Capitol Records version, from Germany I believe, where side A was erroneously pressed with music from a live Poison (yes that Poison) album. Not that I would want that one mind you...

3. Brambles – Charcoal [Discogs]

The LP of Brambles' Charcoal on the Serein imprint was crowd funded back in mid 2014. I completely missed out on it as I didn't even know that there was a crowd funding campaign for a vinyl version. Charcoal is very personal listening and there is no better format for heartfelt electro-acoustic ambient music than vinyl in my opinion. I find this release to be very similar in tone and mood to Last Days or Helios whom in addition to Brambles, I often immerse myself in. While the prices for these aren't as astronomical as some of the others on this list, it might not be as out of reach as I originally thought...

4. Swans – Cop [Discogs]

Showing my age? Well, so what... :) this is a record that I've wanted for quite a long time. There was a time when releases from Neubauten and Swans were played so much in my youth the neighbors I'm sure were wondering what the hell was wrong with me. Cop and the other Swans EP at the time, Young God, were so damn bleak and heavy. Cop was the clear winner in its dystopian weight. There is that heavy double drum stupor of Your Property that still gets my head nodding today. And Gira is so damn mad on this EP. He sounds genuinely fed up with something. Cop even out-weighed most of the metal of that era. While not on this list, I later found similar nihilism in Godflesh's Streetcleaner which I sorta think was the point.

5. God Machine – One Last Laugh In A Place Of Dying [Discogs]

The God Machine were a trio originally from San Diego Calif. They moved across the pond to the UK and then released two albums and a small string of eps on the Fiction label. They made a sort of atmospheric rock-quasi-metal that utilized a decent amount of melancholia and personal introspection. This album is their second and was released after the band had disbanded due to the untimely death, shortly after the album's recording, of their bass player Jimmy Fernandez. It came out in 94' when vinyl was less convenient and the vinyl was fairly limited in release. I did own the CD at one time and I remember that even being hard to come by back in 94.

 

Mark Pritchard, Sasha, Herbstlaub, Echaskech

 
 

Mark Pritchard - Under The Sun

Last year, we were treated to a surprise return of Global Communication, and despite the remix of Dusky's, Skin Deep, being just one half of GC behind the controls (Tom Middleton), it was as brilliant as ever. Mark Pritchard can therefore be excused for not making an appearance, as it seems he has been busy prepping a return to his ambient form with an upcoming release on Warp. The teaser track Sad Alron, sounds beautiful, almost Autechre/Aphex in style, but it remains to be seen whether the remainder of the album will expand on this style or veer into his more recent hip-hop style... let's hope the former. 

Available May 12th on Warp. 

 
 

Sasha - Scene Delete

Sasha is undoubtedly a massive influence on me and my love for dance music, and given his legendary mixes such as Northern Exposure and Involver often dabbled with the more downtempo of intros and atmospherics, it's of little surprise to see him try a full ambient/downtempo album. The press for Scene Delete is quoting influences from the likes of Nils Frahm and Max Richter yet the preview tracks sound nothing like the minimal modern classical sounds of the infamous Germans... I can't help but think this is just an attempt to sound relevant to the re-emergence of two awesome producers. The teasers sound like the many tracks that have opened or ended an infamous Sasha set, and whether the influences are audible or not, it doesn't really when you're as experienced and reliable as Sasha. Scene Delete sounds like an ambient album he was destined to produce, even if he was locked in a room by himself for the past ten years. 

Available April 1st on a multitude of lavish, expensive formats. 

 
 

Herbstlaub - Softly Hidden (Stray Theories remix)

A switch in gears to some ASIP alumni, with Herbstlaub prepping a new album titled Seems Like Time To Remember, Seems Like The Moment To Forget. His bubbly organic sounds and haunting, melodic backgrounds return, alongside a very special remix by Stray Theories.  Both Herbstlaub and Stray Theories have free releases on ASIP as part of The Places Series.

Pre-order on Bandcamp.

 
 
 
 

Echaskech - Certainty of Tides EP

 

Echaskech have been a part of ASIP since the very beginning over eight years ago, so it's immensely pleasing to see them still churning out the good stuff, and sticking to what they do best. Their new EP Certainty of Tides is available for pre-order, and in true Echa' style, it's another slice of sublime electronics; hard to pin down, and hard to put down, whether you're at home or dancing the night away. 

Pre-order on Bandcamp.

 

Purl & Sinius - Oceans Of Sound

 
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There exists a subtle boundary between ambient music and beat-driven electronica. Dub-techno for example, is an obvious style and by that, I mean it often exists within a particular realm, with particular patterns, instruments and recognizable synths - it's hard to perfect but all too often, easy to replicate. And it's not often you find artists that leave you wondering where a piece fits all-together within that spectrum. Not everything has to be tagged or labelled, or even 'fit', but by the very nature of you struggling to place it, makes it all that more interesting and intriguing. 

One artist that continues to blur the boundaries of ambient music, is Purl. Ludvig's releases on Dewtone and Silent Season, have helped establish this expansive, bubbly, organic style which he is now synonymous for, and his latest album alongside Sinius, on Eternell, is another stamp on his lush, silky take on beat-driven ambient music.

With each track averaging around ten-minutes, Purl & Sinius' music is allowed the time and patience to grow and emerge. Be it a tiny cocoon, or a time-lapse of an entire habitat's emergence, each piece holds a sentiment that stays true throughout, yet develops unto itself as if it were an ever-expanding organism. It's this deep attention to detail that enriches each listen, and the swathes of glistening ambience that continue to carry you through like a bird soaring high in a jet-stream, looking down amongst the minute detail of the earths canopy. Crossing dense jungles, hitting blankets of fog, emerging in-front of majestic plains, this music moves you from all angels, and demands more attention.

It's an interesting partnership on paper, but one that makes complete sense once you're soaring with the transcending pads that no doubt come from Bass 'Flo's (Sinius) previous production experience (and who's Discogs page notes an upcoming album with Ulrich Schnauss no-less). Combined with Purl's organic and nurtured detail, it's a must listen to anyone that cares for ambient music. 

With so much detail amongst the ten pieces, mentioning individual tracks is like reviewing an entire album in itself. Oceans Of Sound, is best left up to you and the majestic night sky; or like the album art suggests, the beautiful dance of mother nature. 

Available on Bandcamp

 

port-royal - You Ware Nowhere (Remixes)

 
 

I'm a sucker for remix albums and I'm certainly a sucker for remixes by  a whole bunch of artists on this remix album of port-royal's, You Ware Nowhere.

With thirteen takes on port-royal's distinct glistening euphoria, you can expect the best of n5MD's powerful roster with a wide array of styles.  However, n5MD also opened this one up to a remix competition, so alongside the likes of bvdub, The Sight Below, Arovane and Ocoeur, comes competition winner Gustaf Fjelstrom. Not content with label regulars in full-force, n5MD also invited the likes of Atomnation's catchy electronica artist Tonik Ensemble and techno legend John Tejada amongst many others.

With Ocoeur's latest album coming down the pipeline soon, I was keen to see how he would handle the port-royal magic, and his take on Ain't No Magician is a nice little taster of Frank Zaragoza's upcoming album Reversed; melding modern classical styles with stripped-back electronica.

Remix competition winner Gustaf Fjelstrom elaborates on port-royal's unique style, taking the trance-like original down a notch and adding a touch of class, replacing the Italian's heavy synths with a subtle bass undercurrent.

Adding space, succinct drums and a twist of analog flair, Arovane opens up the vocal-heavy Alma M into a familiar IDM space, whilst fellow ASIP collaborator Rafael drives home the bubbling, twinkling expanse of Heisenberg as The Sight Below.

Tonik Ensemble lay down a dirty bass-line for Alma M serving up the polar opposite to Arovane's earlier careful caress. And in another similar extravagant take on the original, bvdub raises his notorious imagination level to eleven, with an energetic trip through a multitude of breaks, complex beats, trance-like pads and highly pitched vocals - undoubtedly a palette Brock had fun bringing to life. 

If you're not content with the range of styles so far, there's a touch of 80's flair and pop to a few of the remixes too, with John Tejada and Ambidextrous bringing out the european in port-royal. 

With such a wealth of energy, complexity and power in the original music from port-royal, the remixers certainly had a wealth of material at their fingertips, leaving us with an absorbing and intense listen from start to finish, and an educational journey across one of our favorite labels out there; n5MD.

Available now via n5MD and Bandcamp.

 
 

Tracklist:

The Last Big Impezzo (HatGuy Remix)
Disco-Adorno (Ambidextrous Remix)
Ain't No Magician (Ocoeur Remix)
The Last Big Impezzo (Remix by Gustaf Fjelstrom)
Alma M. (Arovane Amx)
Tallinn (bvdub's 46 Pieces of Estonia - feat. Aaron Molyneaux)
The Man Who Stole The Last Big Impezzo (Nseven Remix)
Whispering In The Dark (John Tejada Remix)
Alma M. (Tonik Ensemble Remix)
The Last Big Impezzo (Northcape Mix)
Karl Marx Song (To Destroy A City vs port-royal)
Heisenberg (The Sight Below Remix)
The Last Big Impezzo (Attilio Novellino Rework)

 
 

Hecq, Eskostatic, Selles, Low Light, 36

 

Hecq - Night Falls (remaster / repress)

You may remember Ben Lukas Boysen's epic 2008 album Night Falls as one of the best forays into modern classical by a primarily electronic producer. Haunting and powerful, the album has now been remastered and repressed 'to apply a more contemporary sound standard'. Vinyl copies are just 300 strong so be quick and at the very most, 299 as I just snagged one. Available on Bandcamp.

Eskostatic - Sjoenevad Lake

The first track to arrive from a new partnership between Martin Nonstatic and Marcel (Eskobarba) sees the duo dive deeper into their respective territories as Eskostatic. Evidence and promise of a extremely complementing ambient partnership. Free download available on Soundcloud.

Selles - Sunwarper

I stumbled across this album thanks to the ever-dependable Igloo Mag, who billed it as a combination of Ulrich Schnauss and Tycho, which is sure to get heads-turning. However, unlike many productions that sell this parity, Selles does a good job in spanning the broad spectrum of shoegaze inspired electronica, particularly on the Manual/Schanuss-esque Glass Tourists and Haze of Another Day.  Available from Bandcamp

Low Light - Cinema Atmospherica

The Oscars are soon to arrive, but like me you're probably not too excited about the visual feast of celebrities and likely more interested in whether Alva Noto and Ryuichi Sakamoto's OST for The Revenant is going to clean-up. It better, because it's one of the finest soundtracks to emerge in a while.  Taking inspiration from this OST, the always great Low Light has put together this emotional scores mix, featuring some of the more recent greats as well as some classic scores. Free download available

Talking of soundtracks, you may be interested in this analysis of Howard Shore's genius behind The Lord Of The Rings OST. Amazing.

36 - M&Q Podcast

You can always count on 36 to put together a choice ambient mix. Featuring tracks from Max Richter, Global Communication, Markus Guentner, ASC and Acronym, it's definitely a mix fit for the ASIP world, penned as 'hugely emotional' in style and boundary. Free download available on Soundcloud.