Tin Man

isolatedmix 115 - HVL

 

I’m not sure how I first came across Gigi Kaiji, aka HVL’s music. But the Georgian artist has done an amazing job at releasing nothing but quality for the past few years now, establishing himself as a true hybrid of techno in all its various guises. Not only that, but the set Gigi played for the Astral Industries takeover on 9128.live was one of the most immersive moments of the event.

Whether it’s the meandering, grainy textures in Aura Fossil’s album opener Newenslo, or the addictive, bubbling didgeridoo in Sallow Myth, it’s no surprise to see Gigi getting plays and support from the likes of Aphex Twin, along with a bunch of superlative comments across his Bandcamp page, and inclusions in many of 2021’s ambient sets I’ve listened to. (Just this week, Trainspotters would’ve spotted HVL in Traumprinz’s latest mix dump).

In the same way perhaps that emerging producers such as Skee Mask are constantly adding new twists and fresh approaches to their music, through his own self-releases, HVL is quickly gathering a similar cult following that doesn’t really fit amongst the traditional techno crowd. As one person puts it on one of his Bandcamp albums, “…one of the world's most exciting, inventive electronic musicians”, or as a glowing RA review recently noted., “this is music that works well in large doses: dreamy and uplifting, all soaring rhythms and twilit atmospheres. It's also impressively dynamic”.

Given the many ambient and dreamy undertones to be found in HVL’s music, I was keen to find out a bit more about Gigi and invite him over our way for an isolatedmix.

Hi Gigi, can you tell us about your musical background?

I have studied classical music on piano and guitar since I was 6. Composed at a young age too, but discovered electronic music only in my late teens.

Your music is extremely varied, but how would you describe your own output?

I couldn't really. I know it's electronic because of the instruments I use to record it. I like to think of it as music that you can enjoy at home in your favorite chair, or on a night drive. Whenever you're comfortable to dive into it.

HVL albums have been released on your own label to much success on Bandcamp, what was the reason for not approaching a label with your great music? Do you think we will see vinyl editions of your self-released records at any point? 

I do work with labels usually, this time the reason was time saving and the fact that you can profit from it immediately. Also I had this batch of tunes that I wanted to put out exactly the way I wanted. With labels I'd need to make some adjustments. It's useful financially, especially because there are no live gigs happening in Georgia right now. 12" sampler versions of the two albums I released in 2020 will be out on Appian Sounds soon.

What role does ambient music play in your life and music production?

That's all I listen to in recent years. Most of the music I play at home is either drone or ambient. I haven't really done that many ambient tracks but I use elements of it quite often.

Some people might have discovered you from Aphex Twin playing your music in his DJ sets - did this come as a surprise to you?

It was a big surprise when I first found out on reddit by accident, but then I learned that he's quite a digger of obscure stuff and it made more sense to me.

Also, it was very humbling as I have enjoyed his music for more than a decade now, so It felt great!

You have a great track record on Bandcamp so far, so what can we expect from you going forward? 

I like to release almost everything I record, so there will be more albums on my Bandcamp and friends' labels too. 

And lastly, can you tell us a bit about the mix you have prepared?

This is a collection of tracks that I would use to fall asleep. Enjoy!

~

Listen on Soundcloud, Mixcloud, or the ASIP Podcast.

Download

Tracklist:

01. Aleksi Perälä - UK74R1619200
02. Tamo Nasidze - In Memoriam
03. Area - Tessellated Rhubarb
04. The Abyss Within Us - Part I
05. Ryo Murakami - Deist
06. Bowery Electric - Under The Sun
07. LF58 - Metamorfosi
08. Gustavo Santaolalla - Breathless
09. Unearth Noise - Message From The Dead
10. Seal Bient - Runout 06.08
11. ZOV - Yedoma
12. Bipolardepth - Runout 01.06
13. Shine Grooves - Salubrious Waters
14. Seal Bient - Runout 06.03
15. Okinawa Lifestyle - Underwater
16. Ludvig Forssell - Bridges
17. Levan Shanidze - L1 (chushi edit)
18. Vladislav Dobrovolski - type 2
19. Kaiji - teapot_lim_hi
20. Unearth Noise - Soul Surgery
21. Masterknot - 14.03.2018-3
22. Nuances - We're Becoming Each Other
23. HVL - Temppa
24. Donato Dozzy & Tin Man - Test 3
25. Nuances - Death of November

~

HVL | Bandcamp | Discogs | Soundcloud

 

ASIP - Affinity In Slow Motion

 

Thanks to those around me for continuing to share and unearth new moments of inspiration, from influential sounds and styles that never grow old. Deep, emotional and personal; this is some of my favorite house-oriented music of recent times, along-side some newer finds.

This mix grew out of some very immediate inspiration this past week including a link to just one track from a friend, which unearthed an entire house playlist I continued to explore, and Applescal's recent Wantlist which introduced me to Kim Brown

Tracklist:

01. Rising Sun - Parade (Version F) [Bandcamp]
02. DJ Sotofett - Current 82 (12 mix) [Discogs]
03. Dorisburg - Sinai Hypnosis [Bandcamp]
04. Jouem - Dazzling Light [Discogs]
05. Kim Brown - Optionism [Bandcamp]
06. Mr Fingers - Qwazars [Discogs]
07. Fit Siegel - Carmine [Bandcamp]
08. Donato Dozzy & Tin Man - Test 7 [Bandcamp]
09. Fatima Yamaha - What’s A Girl To Do [Free download]
10. Rising Sun - Change [Bandcamp]
11. Kim Brown - Millions [Bandcamp]
12. Hidden Spheres - Waiting [Bandcamp]
13. Nina Simone - Here Comes The Sun (Francois K Remix) [Discogs]

 

todos - Komunizm

 

You know the drill. todos is back with another superbly mixed feature. Are superlatives necessary this time around? He's one of our favorite DJ's around and for good reason.

This time however, todos tweaks his usually eclectic, sampled approach with a more dubby, beat driven set. It's likely why this mix doesn't fall within his notorious Kilchurn Session series, but this set is every bit as considered and curated. 

The transition from Tin Man & Dozzy into Kalos is worth it alone..

Download over at bmbx

Tracklist:

01. Aes Dana & Miktek – ‘The Unexpected Hours’
02. Shaded Explorer – ‘Inner Treasures’
03. Rezo Glonti – ‘Pulse Added Two’
04. EskoStatic – ‘Sjonevad lake’
05. Tin Man & Donato Dozzy – ‘Test 3’
06. Kalos – ‘Appearance Of Freedom’
07. Max Acid – ‘A Purple Flower On The Moon (Iori’s On The Moon Dub)’
08. Lars Leonhard – ‘Hang In The Balance’
09. Kalos – ‘Daily March’
10. Stereociti – ‘Revision III’
11. Sophia Loizou – ‘The Voices Of Time’
12. ASC – ‘Ceres’

 

ASIP - Reflection on 2014

 
 

It’s been another big year for me personally and despite it taking longer than anticipated, 2014 has seen our second vinyl release, Europe go into production, set for a Jan 19th release. On average, posts have been down on the site from month to month, with the record and my full-time job taking up much more time than normal, but I’ve still managed to squeeze a little reflection on the year into the schedule, and a look back at what’s tickled the ASIP earbuds.

My reflection normally comes in these mixes as opposed to lists or top-tens. (See 2013’s edition here). Anyone can put a top-ten together, but I feel like it needs a little more meaning and constraint, and a mix normally helps me with that. It enables me to touch on some of my favorite music of the year, cross different genres, include both the recognized and the new, and have a little fun along the way. One negative of course, is I miss out on an absolute tonne of music that I’d otherwise spotlight, but there are plenty more sites out there that will help you find what you’ve missed, and an exhaustive list isn’t always helpful. This is my opportunity to capture the past year in one personal journey. Be it an accurate reflection or not, I never normally know until the mix is finished – that’s why it’s so fun and unexpected… but I’m happy with how it turned out.

On reflection, and an obvious difference this year to last, has been my focus, (or maybe a lot more people’s focus) on dub-techno. It helped that I was DJ’ing more this year, so I was definitely on the hunt for more vinyl, but I don’t think anyone will disagree it’s been a great year for the dark and dubby ambient side-kick, and I feel the need to call this out here. I could’ve put together an entire mix of my dub-techno finds, but I’ve chosen to include just a couple on this mix instead.

As with last year’s episode, the mix covers the genres we love here, including modern-classical, ambient, dub-techno, electronica, and post-rock. So yes, be ready for twists and turns – unlike your more considered and conventional mix techniques. I’ve also decided to provide some track notes below to give a bit more context on the music included – they deserve it.

Happy listening, and thank you to everyone who has read, listened, and supported the site in 2014. 2015 is set to be an even bigger year with our second vinyl release, more great isolatedmixes, and our very first artist release!

Download.

Tracklist:

01. Levi Patel – The Light Unbalances Her
02. A Winged Victory For The Sullen – Atomos VII
03. Otto A.Totland – Steps
04. Jon Hopkins – Open Eye Signal (Asleep version)
05. Loscil – Iona
06. Marsen Jules – Beautyfear III
07. ASC – The Machinery of Night
08. Leandro Fresco – Nada Es Para Siempre
09. Purl – The Stars Will Have An End
10. Neel – The Secret Revealed
11. Frank Sebastian – Towards Distance
12. Tdel – 1830
13. Donato Dozzy & Tin Man – Test 3
14. Gidge – Growth
15. Greg Chin – Dashboard Angels
16. To Destroy A City – First Light

Track notes.

Levi Patel – The Light Unbalances Her (Dado Records)
Levi has proven my belief in what I do. The young aspiring composer put together an amazing EP titled Forms and together we found a fitting home for it on John Beltran’s Dado Records. An absolutely sublime composition. Read the full ASIP review here.

A Winged Victory For The Sullen – Atomos VII (Erased Tapes / Kranky)
With Nils Frahm and Olafur Arnalds sidestepping on the Erased Tapes label front this year, it was the turn of AWVFTS to take centre stage. A well celebrated album, Atomos encapsulates their magical stage presence and beautiful compositions that I first witnessed on the Erased Tapes 5th Anniversary show in 2012.

Otto A.Totland – Steps (Sonic Pieces)
Similarly, with Nils Frahm busy touring and becoming the new-found-master of live performances, the world was busy searching for the majestic piano-tinkering void left in his wake. We didn’t have to look far, and it came in the form of Deaf Center’s Otto A.Totland on Pinô – my favourite modern-classical release of the year and probably the most desired vinyl packaging to boot.

Jon Hopkins – Open Eye Signal (Asleep version) (Domino Records)
Another ambient master-mind that hit astronomical status this year. An Essential Mix, remixing Coldplay, and being shortlisted for a Mercury Music Prize are just some of the highlights for Jon this year. But, I’m a die-hard Hopkins fan and believe you’ll never beat him when it comes to his ambient pieces, so thank god he released the Asleep Versions this year – a small taster of why we all fell in love with his music back in2001.

Loscil – Iona (Kranky)
Sea Island is probably Loscil’s most accomplished release to date, and definitely my favourite. You can hear echoes of his previous releases scattered amongst these tracks, giving you familiarity whilst breathing new air into one of our favourite ambient producers of recent years.

Marsen Jules – Beautyfear III (Oktaf
I haven’t given Marsen enough love on ASIP over the years. The prolific german producer turned out Beautyfear for Oktaf this year. An instance of ‘abstract musical poetry’, created in a week during a stay in Lisbon. Look out for Marsen’s contribution to our very own release,‘Europe’ in January.

ASC – The Machinery of Night (Silent Season)
ASC returned with Truth Be Told, his second ambient release on Silent Season, again, to wide-applause selling out pretty much immediately. Deservedly so, it’s another dive into the hypnotic and immersive world of ASC.

Leandro Fresco – Nada Es Para Siempre (Kompakt)
This was the stand-out track on Kompakt’s annual pop Ambient series this year and apparently Leandro is set to return with a new album in 2015 too. The quality of his releases never ceases to amaze me.

Purl – The Stars Will Have An End (Dewtone)
Dewtone started off another succesful year with Purl’s return to the label, Behind Clouds. Another beautiful, bubbly slice of organic and dubby ambient music.

Neel – The Secret Revealed (Spectrum Spools). 
It came late in the year, but Phobos is one of the best releases of 2014. The Italian techno veteran takes a completely ambient approach this time around, in a similar guise to his Voices of The Lake alter-ego (with Dozzy). This record however, is much more ‘space-ambient’ themed, with expansive pads and enough depth to loose your head for days.

Frank Sebastian – Towards Distance (Subspiele)
In what was a big year for Subspiele, the label produced it’s first vinyl record, and what a great way to begin. Label boss Frank Sebastian was up first with a mixture of ambient and dub-techno on Towards Distance. More detail here.

Tdel – 1830 (Don’t Trust Humans)
One of the new finds from 2014, on ‘Don’t Trust Humans’, is this brilliant techno LP from Tdel. It ended up being one of my most loved techno records of the year. I’m looking forward to seeing what both Tdel and the label have in store for 2015.

Donato Dozzy & Tin Man – Test 3 (Acid Test)
I also spent a lot of my time this year exploring the Acid Test series. After seeing Dozzy and Neel play in Seattle, my love for their music took on a new meaning and 2014 has seen me accumulating pretty much anything I can find of theirs on vinyl including the latest Acid Test instalment, Acid Test 09.

Gidge – Growth (Atomnation)
The record of the year in many respects – Gidge’s Autumn Bells, is definitely one of my most played, and probably my most recommend album for anyone I speak to about music this year. An exploratory masterpiece in electronica. Gidge’s isolatedmix has also been one of the most loved mixes to date… who knows what this young norwegian pair have up their sleeves next.

Greg Chin – Dashboard Angels (Delsin Records)
Perhaps one of the more unrecognizable names on the track-list, comes in the form of Dashboard Angels from Greg Chin, taken from John Beltran’s latest compilation, Music For Machines. I haven’t got around to putting anything up on ASIP about this release yet, but it’s a superb double compilation of new ambient acts, highly recommended and this track is a shining example of the quality.

To Destroy A City – First Light (n5MD)
n5MD had a pretty big 2013 and looking back, 2014 has been just as big for them too, despite the spotlight not leaning their way too many times. To Destroy A City returned with Sunless, their sophomore album and a highly anticipated record for many post-rock fans. It certainly did the trick, and this track was a perfect closer for me.