Charlie May / Trusted Farms (ASIPV058)

After decades contributing to records where a single riff could transform a dancefloor, Charlie May turns that instinct inward on Trusted Farms.

For over thirty years, Charlie has occupied a position that seems increasingly rare in electronic music: the musician’s musician, the person behind the machines, the extra pair of hands in the studio, and quite often, the person responsible for the melody you end up carrying around in your head for weeks on end. 

Alongside Duncan Forbes as Spooky, Charlie helped shape some of the most important electronic music to emerge from the UK in the early ’90s. That partnership would also sow the seeds for one of Sasha’s defining records: the central riff behind Xpander began life in Spooky’s live material, before Charlie brought the idea into the studio with Sasha and helped transform it into one of electronic music’s most enduring anthems.

 
 

Listen closely to Charlie’s work and there’s a particular instinct that keeps returning: knowing when a simple synth line is enough. Knowing which note needs to change. Knowing when repetition stops being repetition and starts becoming the entire reason a track works. More recently, as one-third of Quiet Places on ASIP, he’s taken those same instincts somewhere looser — beatless, gridless and led by improvisation.

Trusted Farms puts those instincts front and centre.

Tiny melodic phrases appear and refuse to leave. Synth lines repeat just long enough to become lodged in your head. Parts rub against each other without being tidied into submission. There’s a sharpness and directness to it all amongst the purposeful analogue warmth.

Some of these tracks feel almost ridiculously simple at first. But simplicity is difficult when you’ve spent decades learning every possible way to complicate something. Many of the parts on Trusted Farms were performed live with minimal editing. A synth line might be doubled, distorted, re-recorded and pushed back through another piece of equipment, but it remains the same idea. Instead of filling the gaps, Charlie works on the weight and character of what is already there. The melodies become physical; slightly worn around the edges.

For someone whose fingerprints can be found across some genuinely monumental moments in electronic music, Charlie has spent decades knowing what to add. Trusted Farms is about knowing exactly what to leave alone.

Available on black 12” and digital, mastered by Andreas Lupo LOOP-O Lubich and featuring artwork by Peter Skwiot Smith, Trusted Farms will be available on October 16th 2026.

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Noodle Therapy / The Dip (Video)

 

It’s been lovely seeing Noodle Therapy’s Field Notes find a way into people’s listening habits since its release in June. It’s evidently a record people are returning to, calling a favorite of the year (!) and seemingly finding a bit of comfort in its approach.

Previously just a 60-second teaser, we have an extended video into Noodle Therapy’s world today, with the full version of The Dip. Co-written with Dennis White (1/3rd of Quiet Places), it’s one of the album’s more abstract and mysterious tracks, and a nice example of the curiosity and experimentation that runs throughout the album.

The video features footage shot near Noodle Therapy’s (Dan’s) home in Brighton, with Dan taking care of the filming, editing, and direction himself.

 

Mikkel Rev / Evocation (ASIPV057)

Enter the Magnetic Heliosphere.

Mikkel Rev returns to A Strangely Isolated Place with Evocation, his third full-length album shaped deep within the forests of Norway. 

Since Mikkel’s debut, The Art of Levitation first arrived in 2023, Mikkel has been quietly building his own corner of the ASIP catalogue. Last year's Journey Beyond expanded that vision further, revealing an artist increasingly comfortable balancing the emotional pull of early trance with a more reflective, ambient-leaning approach. While his work elsewhere naturally gravitates towards the dance floor through his own collective, Ute Recordings and other club-focused outlets, his ASIP releases have always evolved differently. Beginning with a larger body of material that’s gradually shaped together, each album seeks to find a narrative without a dancefloor in place; one that moves naturally between momentum and stillness, carrying something of the spirit found in those early-'90s records that drifted effortlessly between peak-time energy and the quiet hours in room two. 

 
 

Long-form compositions like "Step Inside" and "MRI" favor gradual development over immediate impact, while "Dream Sand" introduces shimmering rhythms that subtly shift the album's momentum and pace. The piano-led "The Infinite" offers a definitive nod to the enduring emotional pull of classic trance before "Sanitorium" closes the record with one of Mikkel's most restrained and affecting pieces to date.

Evocation continues Mikkel Rev's remarkable run on ASIP, extending a catalog where echoes of trance's formative years find new expression through the communal energy and natural surroundings of the Nordic forest gatherings that have become an integral part of his world.

Ventral Is Golden returns on artwork duties, with Lupo handling the mastering and cut. Released on August 28th as a gatefold double LP on dusty purple smoke and digital. 

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Noodle Therapy / Field Notes

Noodle Therapy is the ambient-focused alias of Brighton-based producer Dan Porter, a musician active since the late 1990s whose previous work has appeared on labels including 4bit and Thirteen[rec]. While his history and aliases (Gods of Ruin, Cosmic Acid) span a variety of electronic styles, Field Notes marks a deliberate shift toward slower, more reflective forms, drawing inspiration from the coastal, rural, and woodland environments surrounding England's south coast.

Built from a combination of field recordings, modular synthesis, and hardware-based experimentation, Field Notes explores the relationship between memory and place. Fragments of found sound drift through evolving compositions, where analog circuitry, digital instruments, and Eurorack systems are used less as tools of precision and more as instruments of discovery. 

The album was mixed collaboratively by Dan and Dennis White (Thermal Audio) during the depths of winter, with Dennis adding a subtle layer of additional production throughout and co-writing The Dip. For listeners familiar with Quiet Places on ASIP, Dennis's presence will already be well known; his touch here provides another thread connecting Field Notes to the wider ASIP family.

Voices appear briefly and disappear again, landscapes emerge from abstraction, and melodies surface just long enough to leave an impression before dissolving back into texture. Particular thanks go to poet Grayson Wayne, whose words feature within Sea Glass.

Perhaps what makes Field Notes feel especially meaningful is the path it took to arrive here. For a brief period, Dan lived directly beneath label founder Ryan (ASIP) back in England, and while neither could have known where their respective musical journeys would lead, it's hard not to appreciate the small chain of coincidences that eventually brought this release into the world.

Buy on Bandcamp (Limited time Name Your Price until June 26th)

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9128.live still streaming, ambient adjacent music, free, 24-7: An update

 

Our radio station project, 9128.live is still alive and kicking. Crazy to think it’s been 6 years now since we launched. I recently stumbled into someone at a show who was with us for our all-weekend takeovers during the pandemic era, and he said it helped him get through one of the hardest times of his life. It was very humbling to hear, and despite rarely hearing these comments, it’s one of the reasons I still keep this thing alive.

I’m quietly updating music in the background on the station - of course, ASIP music is easy for me to keep updated in rotation, and a few other labels keep on top of things with new releases. without much fanfare.

Here are a few key updates that you might have missed:

New label partners

In the past year or so, we’ve added three amazing catalogs into rotation, including Quiet Details (just this week), Never Late, and Analog Attic. Between these 3 labels alone, we’re hosting some of the most majestic music to hit our ears in recent years. I’m also adding some one-off artist music into rotation, as some listeners get in touch with their own music that fits.

Memberships

We had a membership that enabled paying users to access unreleased and exclusive sets. I let this dwindle for far too long, so I’m sorry to anyone who kept going with it. But I’ve now canceled it fully as I don’t see the time or space to make this worthwhile right now. Thank you to everyone who helped us keep the station going with their contributions.

Listening apps

Not new news, but very importantly, we have both iOS and Android apps that enable you to listen to the stream, and they also host the isolatedmix series as a podcast too. A few other bells and whistles to check out too. Links to the apps here.

Sonos

One of my favorite ways to listen is actually through Sonos (at night) and it’s not too easy to make that happen. But essentially, you need to add the stations custom listen URL into your TuneIn app (once downloaded), then add the TuneIn Service to Sonos, and it should then show in your faves. See here for more ways to listen.

The 9128 label

When we had regular weekend takeovers, artists were preparing sets for their slots, many of which were original, so we decided to release some of these sets and begin the label. Check out the releases here, by Jo Johnson & Hilary Robinson, Gailes, 36 and Ameeva. With no pipeline for original releases, the label is on a bit of a hiatus, but I hope to spin this up again one day and may open up the catalog to live releases in general.

The future

Being transparent, the radio costs thousands of dollars to run and host each year. For now, it’s an investment and a bit of a vanity project because I use it so much myself. So a big thank you to everyone who donates to help with this cost. I hope I get to spend more time on the project in the near future, and bring back proper programming and weekend takeovers again. Until then, I’m doing my best to keep the lights on and keeping 24/7 ambient and electronic music flowing.

Thanks for tuning in.

https://9128.live/