Aspetuck

isolatedmix 135 - Aspetuck

 

Griff opened our label showcase at Public Records in 2024, and at the time, our relationship had only just got started. His album, Immersion, released last month, was only just in mastering stages with Sven Weisemann, and would take nearly another 1.5 years to see the light of day due to some troublesome test presses. But while his release date was touch and go, an isolatedmix was always written in the stars.

I technically heard Griff DJ at Brooklyn’s The Lot radio station just a few hours before our label showcase - sharing the booth with him as a temporary groupie while I plastered ASIP stickers all over the walls - and had been deep in his guest mixes prior to us even meeting in person. His journey as a DJ regularly takes him to festivals worldwide, and as part of his connection with Delayed, some intimate sets in the Pocono’s have come to fruition and are a worthy bookmark if you end up liking this one.

As someone who can traverse a multitude of styles, from ambient and downtempo to deeper house and techno, Griff’s one of those artists that shows up in different ways - every time. Likely because, his music, and the stories around his reasons for his music, are often very personal. Whether it’s a concept, or a vibe, I get the feeling Griff is a master of sense and construct - a pretty special skill for an artist and DJ to have, where stories told come from the heart and have a pure reason. Not performance for performance sake, but a narrative traveling from the mind, told through a meticulous track selection.

The concept was my attempt to portray various stages of consciousness throughout the morning, from dark into light / sleep to awake, as I get up & start the day & eventually get outside, into the woods for a morning - deep sleep into REM, vivid dreams, waking up from a dream & it's still dark outside but there's a faint glow of light, immersed in nature feeling the warmth of the sun in your face. It starts out cold, dark, alien, otherworldly then shifts towards something more mysterious & inviting but still a bit strange, then moves into warm & fuzzy. Analogous to frost on the ground slowly being melted, warmed & evaporated by the sun. - Aspetuck 

Download

Listen on Soundcloud, the ASIP Podcast or the 9128.live iOS and Android app.

Tracklist: 

01. Altjira - Atvelope
02. Solma - Skaub
03. JEMAPUR - WSIF.rg
04. Corell - Under The Surface
05. Dan Bean - Chum
06. Jeremiah Chiu - Static Stone Railway
07. Talaboman - Midnattssol
08. Skee Mask - Reminiscrmx
09. In Transit - A.2829
10. Innerst Inne - Nils Påls
11. Doltz - Ibuki
12. Michael Rother - Klangkörper
13. Aspetuck - Synth Named Sukie
14. Aspetuck - Hit Me With Your Pet Shark
15. Arovane - Sunter
16. OK EG - Open Sky
17. Luke Abbott - 2nd 5th Heavy
18. Tunnel Dancers - Central Radiance
19. Anushka Chkheidze + Robert Lippok - Rainbow Road
20. Innerst Inne - Hemma Hemma

Aspetuck | Bandcamp | Soundcloud | Instagram

Listen and support Griff’s latest record here

 

Aspetuck / Immersion (ASIPV055)

 
 
 

Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck’s latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff Fulton’s life. The album is less a snapshot in time and more of a memory bank - flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.

The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff’s brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother’s studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.

From there, The Printing Press captures the raw energy of a live jam in Griff’s upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.

Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff’s daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff’s beloved EMU XL7 gifted years ago by his late brother, it’s a fitting send-off to an album that straddles celebration and mourning with grace.

The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff’s original vision. Peter’s treatment draws on Griff’s personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.

Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12” and digital from today, May 15th 2026.

View the release page for all links to buy

 

ASIP - Unrush 093

 

There are only a few podcasts and mix series that stand the test of time over the years and become regular go-to’s. Unrush, for example, began 8 years ago and has since hosted classic mixes from Wanderwelle, Jamie Mccue (Silent Season), Kamikaze Space Program, Sven Weisemann, and the host herself, Mareena. If you’re not familiar with the series, you have some digging to do.

As many may know, my DJ mixes are often conceptual and ladder to a bigger idea. For example, my most recent mix for Monument was made entirely of loops, and I’d often spend weeks perfecting the output.

I often try and do more with recorded sets because you have more time to obsess and create something different than what someone would hear playing live. However, for this mix, given it was over the holiday period and life is pretty hectic right now, I chose to adopt a more “don’t overthink it” approach, and just did what hit me...

I was also more optimistic about kicking off the year, and I didn’t want to go down a dark or ambient route (as might be the initial reaction given the mix series title). In hindsight, I very rarely do straight-up ambient sets.

The result:

We are delighted to begin the year with a mix from ASIP (Ryan Griffin), the founder of A Strangely Isolated Place - a label and mix series that has become a cornerstone for contemporary ambient music. Inviting him felt long overdue, and we couldn’t be happier to share this contribution from someone whose work continually inspires us. For this mix, Ryan delved into musical memories, crafting a journey filled with nostalgia and influences. As he beautifully puts it:

"Thank you, Mareen, for the invite to your series. This mix is full of nostalgia, some Balearic undertones, and classic approaches to ambient electronic music, without an agenda. It starts to speak to some major influences on me over the years. Growing up on 90's electronic music, influential summers in Europe, and the formative years of early 00's IDM and electronica. If Unrush is self-described as 'a serene space within the mind that is free from the encumbering stresses of daily life,' then this is music that always helps me get there."

Ryan’s contribution is a heartfelt journey through time, marked by the sounds that have shaped him and continue to inspire, perfectly embodying the unrushed ethos. Let yourself drift and enjoy... ❤️

The set features 3 unreleased tracks that may or may not be forthcoming on the label. Well… Aspetuck’s is locked and loaded at least, and the Mikkel Rev and Alvar are in the early discussion and sequencing stages (the fun part!)

Listen to the mix below or on Soundcloud. Bandcamp links in the tracklist wherever possible.

Download MP3

Tracklist:

01. Ishq - And Awake (2011, Interchill Records)
02. Aspetuck - Hit Me With Your Pet Shark (Forthcoming, A Strangely Isolated Place)
03. Wilson Tanner - Further Than Your Headlights (2016, Growing Bin Records)
04. TSR - gtchi3 (2012, Record Union)
05. MPU101 - Sunset Memories (2024, Ilian Tape)
06. Dream Dolphin - L.E.A (Mirror Coordinate Mix) (2023, Music From Memory)
07. C-thru - Awake In A Dream (2023, Pacific Rhythm)
08. Norman Feller - Melting From The Inside (2003, Electrolux)
09. Gallo - That Moment (2023, Hell Yeah)
10. Spooky - Let Go (1993, Guerilla)
11. Neutron 9000 - Empire (1994, Rising High)
12. Alvar - Our Peach Sky (Unreleased)
13. Mikkel Rev - Unknown (Unreleased)
14. Ebi - Kaze (1996, Space Teddy)
15. Jochem Paap - Dx-Snth (1999, Fax)

 

Collected: Vol 5

 

This edition is a little harder given I’ve recently just completed my Reflection on 2024 mix with over 40 tracks and artists I’ve enjoyed this year. So with that in mind, I’m digging into some non-2024 stuff I’ve picked up on Bandcamp recently.

Akra - Pure (Rising Sun Melancholia - Shield Cut)

After our label event at Public Records in early December, we headed upstairs to continue the night at a second space (one of 3 rooms at the venue), where the DJ was sat in front of another lovely Devon Ojas system, comfy on a couch, spinning a bunch of classic house and 10’s. Most of it was built for the Friday night crowd- funky and danceable - but at one point, this absolute beast of a sub-bass cut through, and then a soaring atmospheric string line. My old ass started to move. I walked away not knowing what it was, but got a short 5-second video to go from. After sending it to the DJ on Instagram asking for a track ID - and after a bit of back and forth - it was finally revealed.

Funny, as my friend Hadi mentioned on my Instagram video when trying to ID the track “sounds like early Rising Sun”…. I responded… yeah it does, but I doubt it… it was a 10” and in the middle of a lot of older Chicago house-sounding stuff..

I was very glad to be in the wrong. Big love to Isaiah Collier, who was spinning this tune and did what any great DJ should do, and helped track down that track ID!

Christian Kleine - Relic Memories

As I prep another host of music from Christian Kleine’s prime era to be released on the label soon, he quietly dropped this bunch of nostalgia over on Bandcamp. As confirmed with a few other die-hard CK lovers, this is straight from the era that made many fall in love with his unique sound (and I'm kind of annoyed he didn’t send it my way first tbh ha). I have some more gems of his to come very soon, though, so don’t worry.

Jako Jako - Metamorphose

It’s the track Amygdala that blew me away from this album. Enough arps, enough analogue, enough euphoria for a perfectly sweet slice of electronics. It’s like Hania Rani’s classical sensibilities transported into a full analog system.

Citizen Maze - Northern Angelique

I have been well aware of Analog Attic Recordings for a long time now, of course through my relationship with ASIP artist Alex Albrecht. But, it often takes a while to make it through all of the releases. But after recently adding the Analog Attic catalog into rotation on 9128.live, I found myself deep in Citizen Maze’s releases - lost in some warm, dubby, trancey euphoric world. That’s a very rudimentary way to describe this music - but I’m only here to point you in the right direction, and not ruin it any more for you…

This might be the last we hear from the Citizen Maze alias, though, which is disappointing… a recent Soundcloud set text mentioned, “This mix might be the last of my mixes under Citizen Maze as I'm slowly working towards establishing my new alias and it's sound”…

Aspetuck - Early Color

As you may have already figured out, we are gearing up for a 2025 release with Aspetuck. Based in New York, Griff recently played at our Public Records label showcase, and is also a regular artist on South Korean techno label, Oslated, with several releases to date and a new album coming in the new year.

In addition to this, Griff also runs his own label alongside the Delayed crew, called Never Late. Early Color, the label’s first release, sets a very clear intention of sound and style that’s subsequently been followed by two more great releases by Mjulev and Tensen Park (also recommended).

A truly relaxing jaunt through various styles, soundtracking the brim of a beautiful horizon.

Find these albums and many more over on my Bandcamp Collection.

 

A Strangely Isolated Place Label Showcase at Public Records - Photos from the night

We had an amazing night at Public Records, New York last Friday, as we held our first label showcase in a very long time. With OKRAA in town from the UK, and local artists Salvatore Mercatante and Aspetuck, it made sense for us to put some firepower behind this moment and bring them together for a special evening (and then also spend the weekend record shopping!).

Aspetuck opened the evening with his sublime meld of ambient-forward beats, debuting new material, including tracks from his upcoming ASIP album in 2025.

Salvatore Mercatante followed, and put the epic Devon Ojas 4-point surround system to the test through his chest-rumbling electronics and sharp hi-hats, taking music from his recent release ‘Ø’, plus plenty of unreleased material.

OKRAA closed the evening with a mixture of his amorphous ambient and big swells of drones, interspersed by his more electronic breaks and electro from his new album ‘La Gran Corriente’. By the end, the room was jacking, and Juan was pulling at our hearts as the closing track from his 1994 release, ‘Ola De Luz’, rounded out the evening in fine fashion.

A big thank you to everyone who came, said hello, and purchased some records. Visuals on the night were created by Salvatore for his own set, and Dead Society for OKRAA’s, with photography by Daniel Salemi.

See you at the next one.