ASIP029 Halo - Song Of The Highest Tower

 

We’ve all experienced those moments when we capture a perfect image in our minds eye; those indelible scenes we can recall with perfect clarity. These snapshots might last a lifetime or disappear as quickly as they were realized but in that split-second, for composer Pasquale Riviezzo, it’s a preservation of a very personal kind. 

“I usually travel from Milan to Naples for my university studies. These are images of places that I saw in a misty morning while I was on the train, that were fixed in my heart for a moment, mixed with flowing feelings and thoughts. They maybe became different places after that, but this is a story I’d like to tell you, through notes. It’s how a common place becomes intimate, and then a strangely isolated place.” 

Inspired by transit and transcendence, misty mornings and fleeting connection, Pasquale’s EP is a collection that’s characterized by weighty piano chords, ethereal atmospheres and measured use of string to give tracks a melancholic focus. It allows ‘An Isolated Railway’ to drift along measured string and gentle piano, ‘Cloud Gate’ to swell with the soft vision of rolling Cumulus and the heavens opening, and the maudlin melody of ‘The Inner Realm’ to breathe through the dead space and atmosphere. 

‘An Isolated Railway is the abandoned station you see through the window while you’re travelling to another town,” Pasquale explains. “It’s an isolated place, vanishing in the mist, where few voices are heard and a train is passing by, and The Inner Realm is am indefinite sequence of places, a continuous flow of emotions that paints a landscape in the air.” 

‘Cloud Gate’ is when the gate of clouds opens wide and the rain starts falling and I’ll listen to ‘The Wastelands’ with closed eyes and see sounds painting a landscape in the imaginary space. I called that place ‘The Wastelands’ because it feels like a distant landscape brought back for a just moment, then, just like a dream, at the end you open your eyes and there's no trace left. Just a subtle sensation of having been there, somewhere, sometime.” 

Oisive jeunesse
A tout asservie,
Par délicatesse
J’ai perdu ma vie.
Ah ! Que le temps vienne
Où les coeurs s’éprennent.

Je me suis dit : laisse,
Et qu’on ne te voie :
Et sans la promesse
De plus hautes joies.
Que rien ne t’arrête,
Auguste retraite.

J’ai tant fait patience
Qu’à jamais j’oublie
[...]

Oisive jeunesse
A tout asservie,
Par délicatesse
J’ai perdu ma vie.
Ah ! Que le temps vienne
Où les coeurs s’éprennent.
— Song of the Highest Tower. Inspired by a poem by Arthur Rimbaud.

Passing by: A Sagittariun, eyesix, Emancipator, Scyye & Christ

A Sagittariun – Dream Ritual

I’ve been listening to quite a few downtempo/lo-fi/electronica albums recently so thought i’d get a few together in a Passing by post. The first, a recommendation from my friend Dan, is a must have for any fans of The Orb, FSOL, KLF etc. ‘Dream Ritual’ is an evolving journey through some steadfast euphoric electronica; with ambient, dub, psychedelia, vocal samples and breaks keeping this record both unique and reflective to years gone by. Available via Bandcamp.

 
 

Emancipator – Safe In The Steep Cliffs

This album is four years old now, so probably wont come as a surprise to many of you. I’m gearing up to seeing Doug in Portland next month so i’ve been giving his albums a spin and this one is by far the stand-out. His more recent album ‘Dusk to Dawn’ is also worth a spin, but there’s a couple of tracks on here which are another level when compared. Namely, ‘Greenland’, reminding me of Thievery Corporation’s brilliant ‘Shaolin Satellite’ and ‘All Through The Night’ – an instrumental masterpiece that would blow Bonobo out of the water. Available via Bandcamp.

 
 

eyesix – eyesix EP

You’ll be quick to draw comparisons with Boards of Canada on this one, and it deserves it to be honest. Dreamy lo-fi from summer 2013 available as a ‘Name Your Price’ on Bandcamp.

 
 

Scyye – Timegazing

A much more eclectic mixture than those above from Scyye, but still honing in on that classic Electronica/lo-fi feel. My favourite track is perhaps one of the more ‘ambient’ on the album – ‘Green Garden Gate’ but the bleepy ‘Nion’ is up there – hints of Ulrich Schnauss in parts. While away an hour and you’ll stumble across all kinds of inspirations in this album – this is probably why I enjoyed it so much. Available as a ‘Name Your Price’ on Bandcamp.

 
 

Christ. – Distance Lends Enchantment To The View

Seeing as we’re already on the electronica/lo-fi tip, let’s go back to 2009 and to one artist who probably holds the title for ‘Most compared to Boards of Canada’ – Christ. Rumours are that he was part of the early Boards of Canada up until 1995. So if you’ve already got BoC withdrawal since last years new album, try this one out for size. Available via Bandcamp.

 
 

Passing by: Gallery Six, Moss Garden, Elysee, Tone Color and Jokers Of The Scene

Gallery Six – Morgunn

This little gem from Hiroshima-based composer Hidekazu Imashige is the perfect introduction to his catalog of ambient work. Take the time to explore a discography that includes collaborative efforts with India’s Twisted Perspective and Cracow’s Lights DimDownload on Bandcamp.

 
 

Elysee – Something Special

16 meticulously constructed minutes that blossom at their half way point. Stick with it. This exceptional talent out of France fuses minimal elements and live instrumentation to convey very real emotion. Definitely follow up with his work for Canada’s Archipel and Berlin’s Sleep Is CommercialDownload on Beatport.

 
 

Moss Garden – In The Silence of the Subconscious

Lee Anthony Norris and Dimitar Dodovski combine ambient and techno theory for a gratifying, yet desolate full length experience. The album’s warmer moments contrast with chilly, dub-laden passages that leave you stranded with break-taking views. This promising duo have an earlier EP also worth your time. Download on Bandcamp.

 
 

Jokers Of The Scene

The clear favorite on this ambient-themed compilation from Adam Marshall’s New Kanada imprint. Not a roster generally known for their work in the ambient sector, but we’re starting to see a lot more artists try to reach out and expand their horizons. It’s often either a clear hit or miss. This piece from Jokers Of The Scene follows through. Download on Beatport.

 
 

Tone Color – The Last Day

Rich textures, vivid field sounds and emotive arrangements star in this beautiful full length effort from Manchester’s Andy Lomas. Rare to hear such expertly crafted sounds on an artist’s debut. A must-listen for any budding ambient enthusiast (oh, and the album is free).Download on Bandcamp.

 
 

Kaito - Less Time Until The End

If you’re familiar with 2013’s ‘Until The End of Time’, you may have been witness to the undercurrent of colour in Hiroshi Watanabe’s music, but by no means would you have been thinking about stripping it back. Yet here we are with an album that has found another layer. By mistake? I very much doubt it. ‘Less Time Until The End’ works perfectly, without any of the beats that were present before, and now stands on its own as Kompakt’s latest ambient offering in the midst of the more notorious Pop Ambient 2014.

Maybe it’s because I’ve come into this relationship without a great deal of listens on the original version. Revisiting it now, I have no excuse as to why – it’s brilliant. But this ‘beatless’ version is in every way just as good, if not better.

The start, is slow. “Smile” is perhaps the one track from the previous album that sounds much better with beats – but it sits nicely as an intro into what’s to come.

‘Sky Is The Limit” and “I’m Leaving Home” immediately envelope you into dusk over city lights with calm twinkling sounds, and a sense of intensity brought to life through swirling synths. The laws of a ‘beatless’ album are broken straight away in one track, with thuds of bass, but just enough to entice and tease the former lives of these big, complex techno tracks.

“Run Through The Road In The Fog” stands alone, with hypnotising patterns, strings and keys which overlap, dodge and melt into one another, whilst “Behind My Life” takes a lesson from Thomas Fehlmann – notorious Kompakt sounding synths wrapped in Kaito space and expansiveness. ‘Dear Friends’ is just plain and simple addictive.

This record is packed full or colourful journeys, built around subtle melodies and lush synths. It’s albums like this that helped me appreciate ambient music in the first place. Coming from an electronic background, it isn’t until you strip back some of the more complex productions that you realise the real value of a piece – the purist iterations and the beauty of simplicity that form many of today’s great musical journeys. Emotion, which was once partly hidden, is given the space and time to express itself.

Release on LP, CD and Digital on Kompakt, or iTunes.

 
 

Passing by: Tegh, Inventions, Loscil, The Green Kingdom and Ulf Lohmann

Tegh – Night Scenes

Debut full length from Iranian producer Shahin Entezami on Inner Ocean Records (First Porya from Iran, now Shahin!) This is classic, expansive ambient music that’s perfect for reflection, window watching and imagineering. Download from Bandcamp (Name Your Price).

 
 

Inventions – Entity

The mighty Eluvium and Explosions In The Sky guitarist Mark Smith are teaming up for a new project titled ‘Inventions’. This track, taken from the self-titled album, is absolutely breathtaking, and i’ll be on the order as soon as it’s available (1st April) via Temporary Residence.

 
 

Loscil – Fury

Loscil hits the road this month alongside Fieldhead and with it, comes a split-tour CD. “Although not a collaboration in the strictest sense, sounds were shared by each artist allowing for a sort of aural infusion between the compositions”. As you’d expect from Scott, another masterpiece, albeit perhaps a little more accessible than his previous dark and mysterious tendencies. Seems like the release will be available to those who can catch him on tour first, with digital following on March 10th on Gizeh.

 
 

The Green Kingdom – Expanses

This one’s been on Bandcamp for a few weeks now and i’ve seen a few of you guys picking it up already. For those aware of The Green Kingdom, this masterpiece will come as no surprise. Deep textures, field recordings, and dubby elements make for a defining piece of work for Mike Cottone: “This album is, for all intents and purposes, a homage to classic ambient and ambient techno albums of the past”. Available on Bandcamp.

 
 

Ulf Lohmann – PCC

I’m cheating a bit now, because the sample below isn’t even the full track, and i’ve already devoted a whole post to Kompakt’s Pop Ambient 2014. But just give it a listen. It’s bloody good. I wish the track was out there in its entirety. Read the full review of Pop Ambient here.

 
 

And last but not least, can someone please explain to this guy why Nils Frahm is a genius, and not a ‘piano mess’?

Photo @astrangelyisolatedplace