Portals: Music For Mindfulness

 
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Mindfulness, is undoubtedly subjective and situational. But one thing I’ve noticed, is that most of the material you hear on this topic often has a stereotypical sound; normally new-age, and often yoga or meditation focused with buddhist chanting, or crashing waves. Sometimes, you might be lucky enough to find a sweet-spot with Brian Eno, and with it, you draw a sigh of relief. 

I've often wondered how (or why) hotels and spa's choose their music and how this 'background style' has become so mistakenly synonymous with ambient music. Ask anyone who isn't familiar with ambient music is and they’ll likely say "spa music" or "meditation/yoga stuff". No digs on that type of music, I mean some elements even find their way in here - it's the root to many ambient concepts, and I could sit and listen to the sound of the sea and waves crashing for years on end. But as with all of these Portals series, I try to find and explore a different perspective where possible. 

The goal of this feature and accompanying mix was to create a journey of escapism and comfort. Whereas the previous Portals feature, ‘Music For Sleeping’ could be deemed very similar, the approach here focused on keeping an attentive layer/s that ended up being more pure to Brian Eno’s definition of ambient music: “As ignorable as it is interesting”, which aligns very well with the definition of what it means to be mindful; "the quality or state of being conscious or aware of something”

There’s a lot of ambient music that fulfills this goal, so what’s different here? As I was curating tracks for this mix, I found common themes that resonated with me personally when it came to mindfulness, which I tried to reflect throughout, and ultimately formed a filter for what should be included. Perhaps you’ll identify with one or more and can descend into a rabbit-hole of exploration, or hopefully you'll enjoy it as a whole. 

Nature
Field recordings and the pure sound of the outdoors is undoubtedly calming and reassuring. It’s an escape from our busy lives, and a reminder of what’s good in our world. The mix opens with my favorite field recording from Biosphere that somehow encapsulates the exact sound I used to hear from the field behind my childhood house. Nature sounds are a common theme throughout this mix, whether on purpose or inadvertently as an intro or ending to certain tracks. 

Submersion
The warm, blanket-like approach to ambient music is a favorite of mine, often created through analog equipment, or layers of undulating synthesizers that build, wrap and immerse. Markus Guentner, Donnacha Costello, Marcus Fischer, Heathered Pearls, bvdub, and Billow Observatory are just some of the many moments in here that keep you warm and comforted. 

Subtle/subliminal layers
The KLF’s ‘Chill-out’ album is one of ambient music’s most pioneering pieces, and on paper, it really shouldn’t be. The sound of trains, sheep and Elvis Presley are not the first ingredients that come to mind for relaxation, but the key here, is how they’re interwoven into a moving piece of musical art - an undercurrent of subtle moments that on their own would be distracting, but together form a story. They provide moments of interest and escapism - enough to keep one foot in the door, and one foot in a world of your own. I’ve tried to replicate this approach in this mix, by lowering volumes of certain tracks into the background, or including something a little unexpected in a few places, so if you see something you like in the track-list, don’t assume it will feature prominently. 

Choral sounds
Beautiful, emotional choir singing is pretty cliche, but who can argue against it when it comes to feeling good? Whether it’s the religious connotations, or just the simple realization that the sound you're hearing is coming from a person, is as stunning as it is comforting. Moments from Hammock and Jonsi & Alex provide the highs in this instance. 

String instruments
Whether it’s a slowly drawn cello, a harp, or a lone guitar pluck, there’s something about string instruments when it comes to reflecting positivity (and in the right context, ultimate sadness!) However, I often associate these sounds with light - I have no idea why - but perhaps thats why they feature in here so heavily. Be it the acoustic version of Aphex Twin’s ‘Rhubarb’, Mary Lattimore’s beautiful harp, or Kit’s portrayal of a walk on the beach as fireworks light the horizon. 

Strong-sounds can also go to the other end of the spectrum too, with reverb-laden guitar-haze forming complex palettes that you’d normally expect to come from synthesizers. Examples in here being Manual and to a simpler extent, Neozaïre. 

Repetition
We’re creatures of habits, and the beat of the drum is what makes all music so special. When it comes to ambient music, this often comes to life in loops, or slowly evolving textures that do just enough to keep you intrigued, yet are familiar enough to hypnotize and make you feel comfortable. Given its minimal nature, most ambient music is repetitive, but sometimes it can become more evident in its form, for example, a track here Klimek that anticipates each evolution and movement with a similar instrumental pluck of strings. 

Overall, I have tried to avoid anything that can be seen as daunting, intriguing or so vividly different that you switch into new worlds with every track. You may notice some distinct phases throughout the mix, where similar sounds are tied together, and you may prefer certain phases to others, but eventually I hope you finish on an extremely positive note. Just sat here listening back and writing this, I’m feeling better than I was a few hours back...

Thanks to everyone who commented on the original Facebook post with their own suggestions, a few of which made it into the final journey. 

Download.

Tracklist + links to buy/download:

01. Biosphere - As The Sun Kissed The Horizon [Biophon]
02. Ourson - Mountain, Calm Day, Birds, Saw [Self]
03. Brian Eno, Roger Eno, Daniel Lanois - Deep Blue Day [EG / Polydor]
04. Parks - Forest [Self]
05. Kit - Girl Walking on The Beach Wearing A Skirt [A Strangely Isolated Place]
06. Sage Taylor - Raintime Ten [Cold Fiction Music]
07. Bjorn Rohde - Intentionally Gone [Self]
08. Billow Observatory - Calumet [Felte]
09. Hammock - Now And Not Yet [Hammock Music]
10. Heathered Pearls - Glass Routine [Self]
11. Donnacha Costello - This Way [Ursa/Self]
12. James Devane - Rhubarb (Acoustic) [na]
13. Aphex Twin - Rhubarb [Warp]
14. Marcus Fischer - Arctic 2 [Luxus-Arctica records International]
15. Helios - Halving The Compass [Type/Unseen]
16. Yeter - Dart 2 [A Strangely Isolated Place]
17. bvdub - 10 [Self]
18. Markus Guentner - Express Yourself [Kompakt]
19. Leyland Kirby - Polaroid [Ghostly]
20. Martin Glass - Welcome To The Four Seasons [Kit Records]
21. David Bowie & Brian Eno - Moss Garden [RCA]
22. Klimek - Sun Rise [Kompakt]
23. Mary Lattimore & Jefre Cantu Ledesma - Borrego Springs [Soap Library]
24. Brian Eno - Music For Airports 1/1 [Polydor]
25. Jonsi & Alex - Boy 1904 [XL/Parlophone]
26. Neozaïre - Blue Bell Treasure [Fauxpas]
27. Manual - Azure Vista [Darla]
28. Peter Broderick & Nils Frahm - Sketch 24 [Fugues]

If you enjoyed this, dive deeper into ambient music with our in-depth introduction 'Neither Scene Nor Heard: An Introduction to Ambient Music', or some of the other Portals series, below. 

 

isolatedmix 73 - Astral Industries

 
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Since 2014, UK-based label, Astral Industries have been responsible for some of the most enlightening and entertaining releases of recent years. Their output has helped otherwise forgotten or out of print music see the light of day, provided new takes on previous classics, whilst also pushing forward new music by some of the most well-respected artists within the ambient genre. 

Debuting with a release by dub-techno legend DeepChord in 2014, Astral Industries went on to release Wolfgang Voigt's live project, Rückverzauberung Live In London in 2015.  In 2016 they followed with a 1985 recording from disbanded dutch collective Chi - a timeless and undoubtedly classic record, whilst in the same year pitching Wolfgang and Deepchord together for the very first time, with reinterpretations of Peter Michael Hamel's classic, Colors of Time. By then, and combined with the continually brilliant artwork of Theo Ellsworth, we knew that Astral Industries was a label with staying-power, and a growing catalog of releases worth collecting - be it just for the framed artwork, or moreover, the complete music package. 

In 2017, we've seen an LP by Heavenly Music Corporation, aka Kim Cascone (likely encouraged by the recent re-release of his own label Silent Records), a third LP by The Chi Factory, and then just last month a beautiful album by Waveform Transmission (Rod Modell of DeepChord and Chris Troy), with a sublime follow-up album, a massive 20 years after their first. 

The man behind the Astral Industries machine, Ario is a proven expert at plucking obscure gems from the past, or ensuring that good music gets the platform and artistic presentation it deserves. In just a few years, Ario has curated a highly respected and anticipated label roster that demands attention, and has yet to disappoint. The music is always gentle, deep and often extremely vivid, be it deeply hypnotic ambient, or gentle murmurs of dub-techno. 

With curatorial talents like this, we're overjoyed to host an exclusive 2hr+ mix of Ario digging into his record collection, and interlocking a few select exclusive Astral Industries bits in-between. It's one hell-of-a hypnotic journey and just like the Astral Industries releases, deserved of your full undivided, escapist attention.

Download. 

No track list on this one, due to the many unreleased pieces included in the mix. 
Artwork image by label artist Theo Ellsworth

Astral Industries Web | Bandcamp | Soundcloud | Facebook | RA

 

ASIP - Patterns of Perception #22

 
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The Opal Collective are a group of artists putting on some and parties in Berlin, alongside a superbly curated guest-mix series called Patterns of Perception. I was lucky enough to be asked to contribute, alongside the likes of Refracted and Jamie McCue, from our friends at Silent Season, and many other great artists. 

The mix focuses on atmosphere through ambient and techno, with some unexpected twists and turns, and you could say, even gets a little trancey... I wanted it to fit within the ethos and style that Patterns of Perception have curated, whilst also offering something a little different from the techno realm. 

Hope you enjoy the journey. 

Download.

Tracklist:

01. Black Swan - Voodoo Crimes [Self]
02. Arovane - Electro-acoustic Session 13 [Self]
03. Graintable - Lunar Tides [Self]
04. Monolake - Cubicle [Imbalance Computer Music]
05. ASC - Raging Seas [Silent Season]
06. Lav & Purl - Altered States [Amone]
07. Roel Funcken - Android Robson [Funcken Industry]
08. Donato Dozzy - Quadra Sette [Bunker NY]
09. Luigi Tozzi - Mefite [Mental Modern]
10. Jens Uwe Beyer - Moonshine Tangerine [Kompakt] 
11. Jesse Somfay - Can You See Me I’m Waving [Archipel]
12. nthng - It Never Ends [Lobster Theremin]
13. Tin Man - Glassy Acid [Global A]
14. Alessandro Cortini - Rimasta [Important Records]
15. Magic Mountain High - Smeared Texture [Air Texture]
16. Lord Of The Isles - Beatha [Firecracker Recordings]

 

 

 

 

isolatedmix 71 - Anton Kubikov : Ambient Landcast

 

The Biosphere-esque EP "Music For Currydoors" alongside Maxim Milutenko was my first introduction to Anton Kubikov. During my obsessive Traum Schallplatten era (see Traumbient), this track was one of many introductions to a wealth of artists who crossed the divide between ambient and techno. It was a small appearance on Traum, but gave a taster of what he can do alongside partner Maxim, where they were both busy producing as SCSI-9 and releasing on labels like Trapez, Force Tracks and Kompakt

Not necessarily known for ambient music at the time, Anton’s career has been largely rooted in techno as the founder of esteemed label Pro-tez. But as we’re about to find out, ambient music has always been a big part of his life, with subtleties creeping through and influencing some of his many releases over the years. Through more dub-techno EP's like 'Bushes/Moving’ and ‘Inner’, or deep techno EP’s such as ‘Before/After’ and ‘Aniko/Evora’, Anton consistently creates beautiful deep journeys within his extensive productions. 

That perception may now stray further into the ambient realm after releasing his first album on Kompakt’s prestigious Pop Ambient album series, titled 'Whatness'. After a push from label head Michael Mayer, Anton embarked on the full-length and threw his entire production armory at what is, an extremely varied and creative record. Using random noise generators, resampling, modular synthesizers and step-sequencers, Calimba, guitar, piano and even poetry, Whatness continues to break the ever-changing Pop Ambient umbrella. 

Anton’s mix, is a creative concept which we haven’t seen here on ASIP before, bucking the potentially expected dive into deep techno territory. Inspired by reading biographies of some of experimental and avant-garde's most prestigious pioneers, Anton discovered a unique approach to the mix:

"As if listening to different songs in youtube, I did not turn them off but began to layer on each other. I reached five tracks simultaneously playing, and fell into hypnosis. The idea of he mix was born. The main thing was to show the works of different years throughout the 20th century from the 30s to the 80s, when such music, it seemed to me, did not go out into the broad masses but remained amongst intellectuals”. 

An educational class featuring some this century's most defining experimental innovators.

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Tracklist:

01. Sofia Gubaidulina & Choir of the Moscow Experimental Electronic Music Studio - Vivente-Non Vivente [1989]
02. Eliane Radigue - Geelreandre [1979]
03. Delia Derbyshire & Barry Bermange - Falling [2014]
04. Morton Feldman - Two Pianos [1953-1969]
05. Bernard Parmegiani - De Natura Sonorum, Première série [1975]
06. Morton Feldman- Three Voices For Joan La Barbara-Legato [1989]
07. Else Marie Pade - Faust Suite: Faust & Margrethes Kærlighed [1958-1995]
08. Alvin Lucier -  Music for Piano with Magnetic Strings [2009]
09. Edison Denisov - Bird’s Singing [1990]
10. Oliver Messiaen - Oraison [1937]
11. Else Marie Pade - Syv Cirkler [1958]
12. Morton Feldman- Three Voices For Joan La Barbara - Whisper [1989]
13. Robert Ashley - Automatic Writing [1979]
14. Harold Budd - Bell Tower [2003]

Anton Kubikov | Facebook | Soundcloud | Kompakt

 

isolatedmix 70 - DF Tram & Rich-Ears : Solar Flare

 

Summer has hit, which means I often find myself looking to the balearic side of ambient and chill-out music as the sun glows and the evenings extend. I spent many years on the island of Ibiza, and still hold the island and its associated sound close. Depending on which face of the island you choose of course, you can have two very different experiences, but the one we're talking about here is the magical, spiritual side, often found in the mountains, in hidden chill-out bars on the north-side, and amongst the locals who stay year-round.

No better duo can bring this sound to life than our good friends DF Tram and Rich-Ears. This isn't their first appearance as a duo on the isolatedmix series, with their "Earth Apogee" mix in 2012 bringing their eclectic and sonic appreciations together for the first time. However, this one is a little more special, as it's the first time they've put a set together in the same room,  live, hosted on the island of Ibiza.

Two-hours of meandering downtempo, chill, ambient and balearic inspiration to soundtrack any slow, beautiful summer evening. 

"Our first mix in the same room together. The mix came together magically and organically. Maybe the Ibizan air? Or the audio interference of a Solar Flare? The intro is an ode to old radio programs of yesteryear.... hope you enjoy our journey" - DF Tram & Rich Ears.

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Rich Ears Soundcloud | Twitter | Facebook
DF Tram Soundcloud | Twitter | Facebook