ASIP – Glacially Patterned Oases (Mix for RTFKT)

I’m honoured to be able to contribute to the RTFKT Mutecast series with a special mix I spent the best part of two months deliberating, experimenting, swapping around and finally putting together. I’ve ended up with an electronic mix which is very much in the vain of the kind of music the guys over at RTFKT are regularly posting about, featuring some pretty recent stuff including Jesse Somfay’s release onZaubernuss as Flourish, one of the best tracks from aboutface’s EP and Jon Hopkins’ absolutely cataclysmic remix of Agoria’s Panta Rei.

I’ve also included a few artists I hope to give a bit more exposure to including; Technicolour and 110ML, who both boast brilliant releases on the recently launched net label Energostatic; a much loved ASIP favourite in the form of 36 – who deserves all the attention he can get and the Bluetech and Kilowatt collaboration as Invisible Allies to help spice things up a bit.

If you haven’t experienced any of RTFKT’s Mutecasts so far, check them out here with some great mixes from our man Mig Dfoe, Applescal, and the previously featured Feffeffef. (You might also notice some nifty looking artwork in one of the mixes!)

You can read the original post on RTFKT here with a few humbling words about the site. Thanks guys!

Download.

Tracklist (with links to previous features):
01. Biosphere – Inner Ohm
02. Monoceros – The Big Wave
03. Technicolour – Permafrost
04. Popnoname – Nightliner
05. Pantha Du Prince – Stick To My Side (Walls Remix)
06. Invisible Allies – Mulberry Windows
07. Oneohtrix Point Never – Format & Journey North
08. Blanck Mass – Sub Serious
09. The Sight Below – At First Touch
10. 110ML – Scratch Me
11. Glander – Zavial
12. Flourish – Heaven Tar
13. Aboutface – Smile
14. Agoria – Panta Rei (Jon Hopkins remix)
15. 36 – Deluge

isolatedmix 19 - Specta Ciera

One of the ‘newest’ inspirations to be invited to participate in the isolatedmix series, Devin Underwood first captured my attention with his ‘Snowflake Collections’ – released on the brilliant Secret Station Records in 2009. Since then, I’ve been following Specta Ciera‘s contributions to some of the best net-labels in existence, including i,Absentee, Distance Recordings, Circlesandlines and Audio Gourmet. Needless to say, disappointment doesn’t seem to be something Devin offers up.

Devin dips his toes in atmospheric ambient (take his latest EP with Jacob Newman), gentle and melodic electronica, (‘It’s Barely There‘ being one of my favourites), more beat based electronica (Autumn in a Cup) dub-techno (take his Energy Dream 2 EP) and even produces full-on electronic assaults as one half of Drexon Field (again part of Secret Station Records and Attacknine – home to the likes of Casino Versus Japan). His sound is varied, modest and typically understated.

I say Devin is one of the ‘newest’ producers to contribute to the series, because it’s rare I get the chance to invite those who have most recently inspired me in one way or another. Along with Lunar Testing Lab (isolatedmix 08 and head of Secret Station), Specta Ciera has consistently contributed to (many free) net-label releases, which in itself is not only inspirational, but can be seen as the lifeblood of today’s ambient and electronica music community and is most certainly one of the biggest reasons ASIP exists.

Devin’s isolatedmix is a dive into his dub-techno roots, a first within the series and of course another unforgettable mix to push the series along. Here’s what Devin has to say about the set:

“Dub techno has always helped me relax and think, which is why I decided to create this mix. Mixing new dub techno with some old favorites, I tried to create a smooth flowing mix to allow all the different shades of dub techno to shine. Ranging from very hazy/dreamy rhythms like Andrea Suglia & Quantec, to more experimental basic channel like tracks such as Recon. Some of the tracks have also been selected from amazing netlabels as well including CISM, Silent Season, as well as Energostatic (all highly recommended labels).”

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Tracklist
01. Andrea Suglia – “The Beach” (0.00)
02. Resoe – “Tanzfieber” (7:00)
03. Christoph Schindling – “inside” (14:00)
04. Havantepe – “Starliner” – (22:50)
05. Kyle Erich Schulz – “Hemlockfeast” (26:50)
06. Quantec – “Supra” (34:50)
07. King Midas Sound – “Too Long Dub” (40:55)
08. Recon – “Travel Analog” (45:15)
09. Mr Cloudy – “Different Lives (March Snow Dub)” (48:06)
10. R&S meet the Chosen Brothers – “History Version” (55:08)

isolatedmix 18 - Marsen Jules§

Kompakt – one of the biggest influences on me for years now, but none more so that the last ten. Since 2001, Kompakt have been releasing their now widely celebrated Pop Ambient series and have surfaced many of the producers I now widely regard as music legends.

Wolfgang Voigt (Kompakt Label owner, also known as the legendary Gas) Ulf Lohmann, Markus Guentner and Joachim Spieth were the first to grace the Pop Ambient name. Fast forward ten years and there’s a host of new ambient maestro’s who’ve joined the ranks including, bvdub, Thomas Fehlmann, Popnoname, Klimek and Marsen Jules.

It was 2007 when Martin Juhls was recruited into the Pop Ambient series following several stunning releases on City Centre Offices (Ulrich Schnauss’ first label) including Les Fleurs and Herbstlaub. Since then, Marsen’s had tracks on 2009, 2010 and 2011’s Pop Ambient releases and after a four-year album hiatus, has recently released ‘Nostalgia’, on his own label, Oktaf.

Marsen’s approach to ambient is one of clarity. Where many artists wrap layers upon layers, amongst textures, Martin’s instruments are clear, and central to each piece. ‘Nostalgia’ features some beautiful string’s combined with compelling atmospheres and of course, is a wonderful nod towards the blissed-out ambient which appears on Kompakt’s series. For Martin’s isolatedmix, Pop Ambient reigns supreme and again, takes centre stage.

“This mix was recorded live at the Toskana Therme Bad Schandau. It is a special place with a liquid sound soundsystem, which can play music under water. When mixing ambient music I try very much to create something new and and floating out of the material. Usually it´s four decks in traktor playing at the same time also using loops and some effects. For this mix I tried to assemble the material around the trademark sound of Kompakts Pop Ambient series.”

We haven’t had the pleasure of pure ambient in an isolatedmix for quite a while and there’s no better artist to help bring it back. Titled ‘Drifting in the Liquid Air’, this is music to sleep to, to hibernate to, to float to and to fall in love with, over and over again.

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01. Steve Roach – A Deeper Silence (A Deeper Silence)
02. Deepchord Presents: Echospace – Ocean of Emptiness (The Coldest Season)
03. Steve Roach – Further Inside (Dynamic Stillness)
04. Steve Roach – A Darker Light (Dynamic Stillness)
05. Ulf Lohmanm – Java (Pop-Ambient 2002)
06. Gas – 5 (Pop)
07. Popnoname – Deutz Air (Pop Ambient 2010)
08. Ulf Lohmanm – Java (Pop-Ambient 2002)
09. Helios – First Dream Called Ocean (Eingya)
10. Stars of the Lid – Dungtitled (in A major) (And Their Refinement of the Decline)
11. Wolfgang Voigt – Ruckverzauberung (Pop Ambient 2011)
12. Causeyoufair – I Am No Longer Soul (There I Lay and Time Imperfections)
13. The Dead Texan – A Chronicle of Early Failures Pt Two (The Dead Texan)
14. Julien Neto – Sketch (Le Fumeur de Ciel)
15. Ulf Lohmann – 8 (Because Before)
16. Gas – 3 (Pop)

isolatedmix 17 - Winterlight

It’s weird to think that Winterlight was one of the very first artists featured on ASIP around three years ago. I can’t remember how I managed to stumble across Tim’s Winterlight and Lightsway projects, but it was one of those finds which ultimately ended up shaping many epic train journeys, hours of headphone time, endlessly long commutes, moments of personal reflection and of course, (not forgetting) a great night out last year.

Tim’s music pays homage to classic shoegaze and is filled with beautiful atmospherics and ethereal ambience – the perfect matrimony of shimmering guitars and electronic ambient music. I’m often asked for similar music to the likes of Ulrich Schnauss and artists such as Winterlight are first to mind.  Whilst Winterlight can sound completely different and is definitely more instrumental in approach (with a heavy focus on guitars, delays and reverb), Tim manages to capture the most unimaginable beauty and escapism in his productions, which can only lead to a mutual admiration for epic shoegaze influenced music I often associate with the likes of Schnauss, Jonas Munk, The Cocteau Twins, and Hammock.

It’s this combination of guitars and electronic ambient which has shaped Tim’s isolatedmix, reflecting on his own personal journeys:

“When I was younger I used to go on long coach journeys just to escape. I made up C90 mixtapes and then bought a return ticket for somewhere far away. I would travel through the day and night watching the world pass by me in a blur and listen to my Walkman and disappear somewhere inside myself to a place I wanted to be. It was if there wasn’t any real world just a backdrop to the music. Nowadays I make my own music to do the same thing. This mix is an attempt to recreate the feel of those tapes and those journeys.”

Classic shoegaze from the originators, including Robin Guthrie, Slowdive and Airiel, amongst the more electronic ambient influences of personal favourites, port-royal. Tim also manages to sneak in some lesser known yet similarly talented artists such as Luga, kontakte and Jesper Lundager, adding depth and variety to the already mouthwatering lineup.

Modest in his ways, Tim hasn’t included any tracks of his own in the mix. But, after a recent signing to one of our favourite labels N5MD(home of port-royal, Lights Out Asia and Near The Parenthesis), the door is open for you to explore Tim’s latest and greatest album, ‘Hope Dies Last’. Including some reworked tracks from Tim’s early Lightsway guise, guest vocals and additional production duties from Mike Cadoo (Bitcrush), the album is a welcome return after what has seemed like an eternity of missing dreamy and ethereal Winterlight productions.Available now on N5MD.

The isolatedmix series will always be a way for me to enlist the musical minds of some of my biggest influences, so I think many of you will join me in saying what a pleasure it is to have a stunning mix from one of the original discoveries on ASIP – and one that’s still releasing amazing music to this day.

Download.

Tracklist:
01. Northern Picture Library – Dreams and Stars and Sleep
02. Helios – Coast Off
03. Disco Inferno – Footprints in Snow
04. The Papertiger Sound – This is How it Ends
05. kontakte – A Snowflake in Her Hand
06. Ultra Vivid Scene – Lynne-Marie #1
07. Airiel – Firefly
08. Slowdive – In Mind
09. Jesper Lundager – Robot Friend Sleeps Well
10. Robin Guthrie – Camera Lucida
11. Dif Juz – The Last Day
12. Luga – This Hard Day
13. Aerosol – Excess
14. Crisopa – Fibra de Carbona y Cambios Automaticos
15. Angelmark – Twilight World
16. port-royal – Ernst Bloch
17. Felt – Be Still
18. Pacific UV – L.A.P.D vs N.Y.P.D (Eluvium remix)

Tracknotes from Tim:

Northern Picture Library – Dreams and Stars and Sleep
Perfect music to watch the world drift past to from a great album.

Helios – Coast Off
I could have made an entire mix of Helios, like epic 45 this sounds exactly like travelling in a bus or train, staring out of the window to me.

Disco Inferno – Footprints in Snow
I love all the messy sonic stuff that is going on in the background just doing enough to disturb the pretty piano line.

The Papertiger Sound – This is How it Ends
I love short instrumentals. Felt did an album of them, Let the Snakes Crinkle their Heads to Death, and this one is just perfect – comes along does its thing then stops.

kontakte – A Snowflake in Her Hand
I have been lucky enough to play with kontakte a few times and they are a fantastic, powerful live band. This track from their new album shows what beautiful music they make.

Ultra Vivid Scene – Lynne-Marie #1
I loved the first UVS album when it came out and remember being amazed he did it all himself, not so common then but it is probably the first time I thought it might be interesting to make music without a band. Only short but sometimes, like here, that works.

Airiel – Firefly
It sounds like Cocteau Twins and Slowdive, what more could you want?

Slowdive – In Mind
It always comes back to this band for me, the blueprint shoegaze female vocal in a hypnotic setting and not a guitar in sight.

Jesper Lundager – Robot Friend Sleeps Well
The Schnauss of Denmark.

Robin Guthrie – Camera Lucida
Cocteau twins are an obvious influence and Robin’s solo work showcases his incredibly beautiful guitar sound. He makes the guitar sound so beautiful; I wish I had his effects set up.

Dif Juz – The Last Day
I saw Dif Juz quite a few times and they were one of the most inventive bands and the fact they were instrumental impressed me enormously. So far ahead of their time, they invented post-rock years before it happened.

Luga – This Hard Day
I love the distorted keyboard layers on this, Mirror started from an attempt to copy that sound.

Aerosol – Excess
All That is Solid Melts Into Air is one of my favourite albums and this track is sublime.

Crisopa – Fibra de Carbono y Cambios Automaticos
Santi is newly signed to n5md; I have constantly listened to this song since I first heard it a few years ago. Just a perfectly put together, relaxed feel; I could probably listen to it on repeat for the whole journey!

Angelmark – Twilight World
Beautifully resonant guitar, sounds like sadness to my ears (a good thing!)

port-royal – Ernst Bloch
No mix would be complete without port-royal! This track is an epic journey in itself, they are the masters of ebb and flow. I can’t think of anyone who influences my music as much as Attilio.

Felt – Be Still
I will never stop loving Felt. This is a wonderful cover of a Beach Boys song.

Pacific UV – L.A.P.D vs N.Y.P.D (Eluvium remix)
This is my standard “set finisher”. It is a great remix, I love the way it overwhelms you with waves of distortion and feedback building into crescendos over and over again. Superb.

ASIP - Modyfier: Process Part 262

Number 200 saw a live set from Irisarri and The Sight Below, 217 and Canadian maestro Jesse Somfay jumped on board. February 2010 and ASIP posted Tom McCarthy’s inspiring mix and a year later, another beauty arose in the form of Franklin Da Costa’s Process part 250.

Modyfier’s Process series is one of my favourite mix series I’ve been lucky enough to stumble upon in recent years, and inspiration from the artists and productions included has been non-stop. From the stunning sets mentioned above, to three-minute miniatures and one track made from 15 others, Modyfier aims to bring out a very specific principal from its contributors; why things are made, not how.

I’m extremely honoured to participate in this series and I hope I’ve done it justice, by focusing on tracks which I believe have been made with something in mind – an inspiration of sorts, with a specific reflection or moment in time conjured by the artist.

I didn’t expect this mix to hit at the same time as the Origami Sound guest mix – weirdly enough these were both put together a few months back, so it’s great to finally let them loose. They’re very different approaches, and the ambient enthusiast among us may well appreciate this mix a bit more.

Many of of you already follow Modyfier religiously, but for those who don’t, make an essential stop and trawl through the other 261 mixes on offer. Hopefully mine is up to scratch and you enjoy it just as much as I did putting it together.

Here’s my Intro text for the mix over on Modyfier:
This is some of the most simple, yet interesting, evocative and at the same time, complex music I have had the pleasure of listening to over the years. When perfected, ambient music can take you where ever you want to go, transport you from madness to bliss. The greatest producers have found influences from experiences and surroundings, then channeled it for us lucky people to reflect upon and experience in our own way.

Most of the artist’s featured are personal favourites who I spend hours and hours listening to, wondering what, where and when helped conjure up such aural bliss. A Mojave desert, a British summer, an airport, a New Zealand fjord or a damp studio in South East London. Whatever fueled this music doesn’t matter, where we escape to when listening is the only importance.

Big thank you to Rayna for giving me the opportunity to put this mix together.

Download, or see the original post on Modyfier

01. Stellardrone – Forever
02. Altus – Sodium Glow
03. 36 – Inside
04. Markus Guentner – Express Yourself
05. Klimt – Pozegnanie
06. Kontakte – A Snowflake In Her Hand
07. Emphemetry – A Lullaby Hum
08. Thomas Fehlmann – Titan
09. Rhian Sheehan – Part 4
10. Ourson – 237
11. Koss – 1978to2008
12. Loscil – Erit
13. Negative Neutron – Trantor
14. bvdub – A Quiet Doorway Awaits
15. Geotic – We’re Gods On Miles Of Clouds
16. Biosphere – As The Sun Kissed The Horizon