Gadi Sassoon / Chaos & Order (ASIPV037)

After his debut on ASIP with the ‘impossible instrument’ focused album, Multiverse, Gadi Sassoon follows with the Chaos & Order EP. Inspired by the relationship between the organic, synthetic, and bionic elements of his approach to music creation, the EP comes to life across a number of versions, remixes, and formats, inviting the listener to immerse themselves through the EP’s fundamental elements in various different ways.

Consisting of three core pieces of music, with each one originally conceived as quadraphonic, the release expands into two immersive listening experiences. Firstly, the digital album with accompanying Binaural* mixes designed for expansive headphone listening and Dolby Atmos** versions for compatible devices. Second, a limited edition 2LP lathe cut***, where each quadraphonic track has been split into two stereo versions, across 4 sides of vinyl, resulting in various potential playback scenarios.

“The continuum with synthetic and organic at opposite ends and bionic in the middle, bleeding into one another… that’s the roadmap of my work. I like this simple diagram because it’s easy to navigate, and there is so much to explore within and between these realms. When I write, I splay and combine these elements on more than two speakers if I can. The stereo field is a coded language, as are standard immersive formats that force the listener in a fixed perspective. Fine methods of delivery, but the experience of sound can be so much more - a happening…” - Gadi Sassoon.

This music ‘hacking’ mentality is further extended into three remixes of the tracks by fellow purveyors of intricate sound design; Olga Wojciechowska, Max Würden and FRKTL. Olga takes ‘Organico’ into a more dramatic orchestral beat-driven space, Max Würden adds complex structure and warmth to Sintetico, and Sarah Badr (aka FRKTL) finds extreme deconstruction in Bionico.

The end result is an experience that can be listened to in many different ways, across many different formats, inviting the listener closer to the many elements Gadi honed and crafted across his studio in Milan, and the EMS Elektronmusikstudion in Stockholm.

Featuring artwork by Noah M / Keep Adding, and mastered by Rafael Anton Irisarri, Chaos & Order will be available as a digital album on Bandcamp featuring the original tracks, remixes and Binaural Versions and a 2LP Lathe Cut (30 copies) featuring the Quadraphonic Versions. There will also be a limited edition Metallic Print of the artwork available on Bandcamp.

*The Binaural Headphone Mixes are the most accessible way we could think of for presenting the immersive versions of the tracks: the quadraphonic mixes are reconstructed in a virtual surround space using the same pairs of stereo stems that are pressed on the two lathe cuts. Uniquely to the binaural versions, the four speakers move around the listener's head, to emphasize specialization. These will work on any headphones, in our experience especially earbuds (your mileage may vary).

**The Atmos versions are forthcoming on Apple Music, date TBC.

***Limited to just 30 copies, the 2LP lathe-cut features the original 3 quadraphonic tracks split into 2 stereo versions (6 tracks total), enabling you to create your own versions of the music using two turntables. Cut by Red Spade Records, these will only be available on Bandcamp on release day, May 30th, at 10-am PST.

Release date: 30th May 2022
Preorder: 23rd May 2022

Tracklist (Bandcamp/Digital):

01. Organico
02. Sintetico
03. Bionico
04. Organico (Olga Wojciechowska remix)
05. Sintetico (Max Würden remix)
06. Bionico (FRKTL remix)
07. Organico (Binaural Headphone mix)
08. Sintetico (Binaural Headphone mix)
09. Bionico (Binaural Headphone mix)

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Tracks 1-3, 7-9 written and performed by Gadi Sassoon
Track 4 remixed by Olga Wojciechowska
Track 5 remixed by Max Würden
Track 6 remixed by Sarah Badr
Additional violin on Organico by Eloisa Manera
Recorded at 555n Studio in Milan and Elektronmusikstudion (EMS) Stockholm
Artwork by Noah M / Keep Adding
Mastered by Rafael Anton Irisarri@ Black Knoll Studio, NY
Atmos mastering by Max @ AudioXL Milan
Lathe cut by Robyn Raymond @ Red Spade Records
Published by Just Isn’t Music
Original concept developed in collaboration with Jessica Brillhart and Igal Nassima