01. Robag Whrume - Ausgang
02. I:Cube - Sequence III
03. Djrum - Creature Pt. 1
04. Luke Abbott - Dumb
05. Joe - MPH
06. 1991 - No More Dreams I
07. Inner River - Tributary
08. Hans-Joachim Roedelius - Veilchenwurzein
09. Floating Points - For Marmish Pt. II
10. Fah - Uninterpreted
11. Raz Ohara and the Odd Orchestra - Fragment I
12. TV Victor - You
13. Suzanne Ciani - Concert at WBAI Free Music Store
14. Joan Bibiloni - Sobrevivir
15. Dorisburg - 148
16. Longineu Parson - The Gathering
17. Inner River - Redissolution
18. DJ Healer - Geminiden Regen
Interview with Olaf Stuut / Inner River:
Hi Olaf. How did you get into producing music?
Olaf: Producing music came shortly after I started playing the piano and the guitar. I came into contact with my first DAW around the age of 15, which was Proppelerhead’s Reason. It was a real playground for me. I didn’t think about genres or styles, I was just so impressed I could recreate sounds I knew from all the music I heard around me. From there on creating more and more, slowly shaping my own style. After I took it a bit more serious I switched to Logic and Ableton.
So what does your setup look like now?
My setup is pretty basic I must say, but I tend to get as much out of the few things I have. For instance I’ve got a DSI Tempest (Drum Computer/Synthesizer) for quite some years already, but I’m still discovering new features and ways to use in a new and original way. There is a lot to find out in the machine which makes the learning curve a bit high, but once you get the hang of it this machine is a beast.
For the Inner River album I’ve used the Vermona Permourmer a lot, for this rich and warm sound for many of the melodies. Other than that I used the Analog Heat, to shape the sound and many plugins in the box. One of my favourite plugins are the Soundtoys plugins, they’re very intuitive and can get many different results. Also I’m in love with my Fender Rhodes MKII which is also on quite some tracks. There are many other devices on the album and in my studio but only got a small stage on the album. Other than that I’ve used the sampler in Ableton a lot. The first track on the album (Floe Flow) is actually a sampled vocal I found somewhere I don’t remember. It sounds so electronic but it comes from vocal chords, I love the way it’s possible to get something completely different and get surprised like that. I think that’s what being creative is all about, seeing things that are not “supposed” to be there and make a whole new thing out of it.
How did you become involved with the Atomnation label?
I actually commented on a track of Applescal’s on Soundcloud somewhere in the early 10’s, we started talking music and hooked up a few times. He helped me getting started releasing music through the german label Traum with my debut remix for Minilogue. So after some time and when Pascal set up his label, Atomnation, we talked about doing an EP which was “Siren” that came out in 2013. We stayed close to each other ever since.
Ah Traum, one of my favorites. Were they a big influence on your style or how you approached music?
Yes definitely, but I have to say everything I heard was back then. I was just getting started and got influenced by so many things. Everything I liked, I found something that could be applicable in my own music and sound. But yeah the earlier days of Traum influenced me for sure with names like Minilogue, Max Cooper and Extrawelt.