ASIP Wantlist #2 Jamie McCue (Silent Season)


Our second dive into the Wantlist comes from friend and label-head, Jamie McCue from the well respected Silent Season. I had anticipated these lists to throw out some obscure digs, bringing to life hints of personality from each person featured, and it looks like we're on track to fulfill that ambition. Some lovely hard-to-find selections from one of dub-techno's finest curators. 


1. The Future Sound Of London ‎– Lifeforms. 1994. [Discogs

In 1994 while I rolling around on the floor with my punk band screaming about teenage angst I completely was overlooking a genre of music that would later be hugely influential on life. I probably never heard of FSOL until the late 90’s which was maybe a good thing because this album is a masterpiece that deserved my more mature attention. My mom used to listen to Enya in the late 80’s and while it seemed cheesy at the time I think it’s what subconsciously implanted an interest in new age / ambient, which was literally the opposite style of music I was listening to at the time. Anyway, for better or worse I made it out of those years a little wiser and more open minded to downtempo and experimental electronic music. I hope to find this record in a dusty old record store one day.


2. Modern Art - Circuit Lights (1982-1986). 2011. [Discogs]

Growing up I was a huge fan of new wave, synth pop and 80’s music. I loved regularly tuning into the local radio stations and I remember hearing bands like Echo & The Bunnymen, Love and Rockets, The Cure, and similar music. It felt so right given I was listening to punk and ska at the time. It was like this gritty danceable punk influenced sound that still to this day gives me goosebumps when I hear the right song. I first heard Hello/Goodbye in a Silent Servant mix from a few years ago and it really hit home when I hear this track specifically. The Modern Art original was released on tape in 1982 but was re-released in 2011 as Circuit Lights (1982-1986). It’s on my wantlist and I hope to blast it one day.


3. Cymande - The Best Of. 1972. [Discogs]

Hey you can’t go wrong with this classic Cymande record from 1972! It’s a perfect BBQ beats record for those summer afternoon backyard parties. The record is loaded with roots, reggae, funk and soul. Not sure why I never owned a copy. I think maybe I preferred when friends play it while I puffed a spliff and got tipsy on rum. One day I’ll own it, one day. Classic!


4. Murcof - Martes [Discogs]

I completely missed buying Martes on vinyl when it first came out in 2002. I’ve regretted it all these years later until recently when the Leaf Label re-released it as a 3xLP set with Martes + Utopía. Murcof has a sound of his own that is one of a kind. As noted on his Discogs page, Murcof works with orchestral samples, microscopically detailed textures, sounds and rhythms. I”m happy to be a proud owner of the latest vinyl. Check it out!


5. The Dub Syndicate - The Pounding System (Ambience In Dub) [Discogs]

After crawling out of the 90’s with a massive hangover it was time to chill out. A trip to Central America was in order to smooth my rocker edges. What I found while down there was beautiful beaches, cheap weed, and beach bars that played some pretty cool reggae and dub music. Since those hazy days I’ve become a bit of a head for dub. A few years later I started following artists like Bill Laswell, Twilight Circus, Sly & Robbie and Pete Namlook. I loved their use of the studio to create some magical dub and ambient vibes. I first heard of Adrian Sherwood and his label On-U Sound from the Kid Hops radio show on KEXP Seattle on Saturday mornings. Instantly I was hooked on the experimental reggae/dub sounds from the label which led me to the The Pounding System album by Dub Syndicate. I still don’t own a copy, and it’s been on my wantlist for years. Once I own it you can put me in a beach chair with a spliff in hand with this playing out of the tiki bar speakers. 


Up next on the Wantlist, we ask another great friend, Mike Cadoo (of n5MD) for his crate digging targets.